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The Royal Ballet

  • Kevin O'Hare CBE

    Director

  • Dame Ninette de Valois OM CH DBE

    Founder

  • Sir Frederick Ashton OM CH CBE

    Founder Choreographer

  • Constant Lambert

    Founder Music Director

  • Dame Margot Fonteyn DBE

    Prima Ballerina Assoluta

A Single Man

Thursday 11 September 2025 7.15pm

The 4th performance by The Royal Ballet at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 1 hour and 55 minutes, including one interval

  • Act I

    55 minutes

  • Interval

    20 minutes

  • Act II

    40 minutes


A co-production between The Royal Ballet and Factory International based on the Christopher Isherwood novel (1964)

Credits

  • Based on the book by

    Christopher Isherwood

  • Direction and Choreography

    Jonathan Watkins

  • Costume Designer

    Eleanor Bull

  • Lighting Designer

    Simisola Majekodunmi

  • Set Designer

    Chiara Stephenson

  • Sound Designer

    Emma Laxton

  • Music Director and Arranger

    Fiona Brice

  • Original Costume Concepts

    Holly Waddington

  • Dramaturg

    Luke Pell

  • Assistant to the Choreographer

    Laura Careless

  • Creative Captions

    Ben Glover

  • Original Score

    Jasmin Kent Rodgman

  • Original Songs

    John Grant

  • BSL Interpreter

    Becky Barry

  • Audio Description and Touch Tour

    Alice Gilmour

Cast

  • The Mind of George

    John Grant

  • The Body of George

    Ed Watson

  • Jim

    Jonathan Goddard

  • Charley

    Kristen McNally

  • Kenny

    James Hay

  • Lois

    Marie Astrid Mence

  • Tom - Human 1

    Harry Alexander

  • Human 2

    Marie Astrid Mence

  • Alex - Human 3

    Winnie Dias

  • Maria - Human 4

    Felicity Chadwick

  • Dreyer - Human 5

    Greig Matthew

  • Netta - Human 6

    Elle Fierce

  • Human 7

    James Hay

  • Human 8

    Kristen McNally

Musicians

  • Musicians

    Manchester Collective

    Kim Becker

    Alexander Morgan

    Damon Oliver

    Polly Virr

The Royal Ballet

  • DIRECTOR

    Kevin O’Hare CBE

  • ADMINISTRATIVE DIRECTOR

    Heather Baxter

  • CREATIVE PRODUCER

    Bella Rodrigues

  • PRODUCERS

    Julia Gillespie

    Hannah Mayhew and Rhiannon Savell

  • LINBURY TECHNICAL MANAGER

    Thomas Thompson

  • ASSISTANT LINBURY TECHNICAL MANAGER

    Nick Manning

  • PRODUCTION MANAGER

    Jenny Wheeler

  • COMPANY STAGE MANAGER

    Amy Steadman

  • DEPUTY STAGE MANAGER

    Hannah Gillett

  • Assistant Stage Manager

    Rachel Darwood

Factory International

  • CREATIVE DIRECTOR

    Low Kee Hong

  • EXECUTIVE PRODUCER

    Tricia Coleman

  • PRODUCER

    Bella Rodrigues

  • ASSISTANT PRODUCER

    Laura Allan

Synopsis

Set in early-1960s Southern California, A Single Man follows George, a middle-aged English professor, as he moves through a single day shaped by grief. Divided in body and mind, the physicality of George’s exterior life is portrayed through dance, while George’s internal monologue is interpreted through song.In a world loaded with conflict and hostile to perceived minorities, George, surrounded by friends, students, peers, wonders how to begin again amidst deep personal grief. Beginning at home with George, memory and present moment blur. Jim appears in flashes – tender, unsettling – reminding George of what he’s lost and what endures.On the freeway, challenged by speed and noise, George feels adrift. At college, daily rituals – greetings, tennis, teaching – provide stimulation and structure, but little solace. Encounters with his closest friend, Charley, and the presence of Kenny, an inquisitive student, begin to stir something in him. In the classroom, intellectual exchange gives way to more personal questions. George begins to respond.Memories surface – quiet domestic moments, physical closeness, the ordinary joy of being with Jim. At the gym, surrounded by movement, George confronts and embraces his ageing body and desire. Parallel scenes unfold – Kenny and Lois explore youth and possibility, while Charley also navigates the loss and loneliness that comes with change in her life, in her own way.Later, at the supermarket and Charley’s home, isolation and companionship alternate. Conversation falters and deepens. Drink blurs the edges. The bar, where George first met Jim, becomes a space of reckoning. There, George and Kenny meet again. Their connection – tentative, electric – hints at renewal.On the ocean shore, Kenny dives into the surf. George, in uninhibited delight, joins him. As dawn approaches, they find themselves side by side. Whether dream or reality, the moment exudes calm. In the final memory, George begins to let go of the pain of grief, of the sense that things are over.A Single Man distils Christopher Isherwood’s novel into a poetic meditation on loss, identity and the body. As George drifts between presence and memory, he moves from isolation to the edge of hope, joy and possibility – drawn forward by human contact,  desire and the quiet promise of another day.

Guidance

Suitable for ages 12+

This production has references to death, grief and depression, as well as a stylised depiction of a car accident. It contains some sexual scenes and there is strong language throughout. There is haze and bright flashing lights throughout.

Generous support from

Further information

Digital Cast Sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

Support Us

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

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Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)