Jakub Hrůša
Music Director Designate
Oliver Mears
Director of Opera
OPERA IN FOUR ACTS
Sunday 9 February 2025 3pm
The 521st performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 3 hours and 15 minutes, including one interval
45 minutes
45 minutes
25 minutes
35 minutes
40 minutes
Audio Description provided by Ruth James and Willie Elliott
Giuseppe Verdi
Antonio Ghislanzoni
after a scenario by Auguste Mariette
Daniel Oren
Robert Carsen
Gilles Rico
Miriam Buether
Annemarie Woods
Robert Carsen
Peter van Praet
Duncan McLean
Rebecca Howell
Anna Pirozzi
Riccardo Massi
Raehann Bryce-Davis
replaces Ekaterina Semenchuk
Amartuvshin Enkhbat
Alexander Köpeczi
George Andguladze
Khayakazi Madlala
Andrés Presno
Chris Agha
Gregor Copeland
Jordan Cork
Rain de Rye Barrett
Kris Dillon
Chris Edgerley
Jamie Francis
David Galea
Simon Jaymes
Bless Klepcharek
Bradley Applewhaite
Pedr Davies
Cameron Everitt
Daniel Gooddy
Martin Harding
Tim Nutt
Guy Salim
Zach Parkin
Dominic Rocca
Trevor Schoonraad
Dale White
Royal Opera Chorus
William Spaulding
Orchestra of the Royal Opera House
Vasko Vassilev
by arrangement with TRITTICO
Ngela Caesar
Celeste Gattai
Kathryn Jenkin
Shafali Jalota
Alison Rayner
Anna Samant
Rosalind Waters
Vanessa Woodfine
Siobhain Gibson
Zoë Haydn
Maria Jones
Clare McCaldin
Hyacinth Nicholls
Dervla Ramsay
Jennifer Westwood
Russell Ablewhite
Phillip Bell
Simon Biazeck
Philip Brown
Edmond Choo
Jonathan English
Darrell Forkin
Andrew Friedhoff
Nick Hardy
Andrew Mackenzie-wicks
Rory O’Connor
James Scarlett
Trevor Alexander
Mark Campbell-Griffiths
Oscar Castellino
Gerard Delrez
Peter Edge
Christopher Foster
Gabriel Gottlieb
Gavin Horsley
Russell Matthews
John Morgan
John Morrissey
Martin Nelson
Paul Parfitt
Simon Preece
Mark Saberton
Jochem van Ast
Jonathan Wood
Stephen Clarke
Susanna Stranders
Richard Fu
Aidan Oliver
Sophie Gilpin
Emma Abbate
Martin Harding
Richard Fu and Sophie Gilpin are Jette Parker Artists
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
Egypt is at war with Ethiopia. Aida, daughter of the Ethiopian King Amonasro, has been captured and made prisoner. She now serves Amneris, the Egyptian King’s daughter, but Aida has concealed her true identity.
Ramfis, the High Priest, will soon name the new Commander of the Egyptian army. Radames, an army Captain, prays the choice will fall on him. He is in love with Aida, and hopes that if he leads Egypt to victory, he will not only be able to win Aida’s freedom, but also establish peace between their two countries.
Amneris, the King of Egypt’s daughter, is also in love with Radames. Victory in war would make him an eligible husband, but Amneris fears that her servant Aida might be her rival for Radames’ love. The King summons his soldiers as an army messenger bring news of the recent Ethiopian attacks led by Amonasro. Naming Radames as the new Egyptian Commander, the King, Ramfis and the soldiers cry out for war.
Alone, Aida is torn by her conflicting emotions: Radames will lead the Egyptians to war against her father and homeland, yet she cannot help loving him. She prays to heaven to take pity on her.
Radames is invested as Commander of the Egyptian army, and Ramfis and the Priests join him in praying for victory in the coming war.
The Egyptian army has again defeated the Ethiopian forces. Amneris eagerly awaits the return of Radames, while Aida mourns the defeat of her homeland. In order to discover whether Aida really is her rival, Amneris tells her that Radames has been killed in battle. Aida betrays her feelings with a cry of despair. Amneris reveals her deception, and swears to see Aida punished and humiliated.
A military parade celebrates the victorious return of Radames and the Egyptian army. The King hails him as the nation’s saviour and swears to grant him any reward. When Radames summons the Ethiopian prisoners, Aida recognises her father, but Amonasro warns her not to betray his identity. Aida’s father tells the King of Egypt that Amonasro has died in battle, and pleads for the prisoners’ lives. The King hesitates as Radames names his reward: freedom for the Ethiopians. Furious, Ramfis demands that Aida and her father be kept as hostages. The King agrees, further decreeing that Radames is to marry Amneris and rule over Egypt after his death.
On the eve of her wedding, Amneris spends the night in prayer. Aida, waiting to meet Radames, recalls her lost homeland. Amonasro has discovered his daughter’s secret love and offers her freedom if she tricks Radames into revealing the Egyptian army’s strategic plans. Aida refuses, but relents after her father threatens to disown her. Amonasro hides as Radames arrives.
Radames tells Aida he intends to demand the King to allow him to marry her and make peace between their nations. Aida insists that their only option is to flee from Amneris and from Egypt. Radames finally agrees, describing their route as the same one the Egyptian army will use against the Ethiopians. Amonasro emerges and triumphantly reveals his and Aida’s true identities. Radames is devastated by his inadvertent betrayal of his country. Amonasro urges him to escape with them, but Amneris suddenly appears. She has overheard everything and denounces Radames as a traitor. Amonasro flees with Aida, leaving Radames to surrender to Ramfis, who arrests him for treason.
Awaiting his trial, Amneris implores Radames to deny the charges against him. Radames, believing Aida to have been killed, says he longs for death. Amneris tells him that Amonasro has been killed, but that Aida has escaped. If Radames denies his love for Aida, she will save him. Radames refuses. Amneris, furious, leaves him to be tried and convicted.
In front of the court, Radames refuses to answer Ramfis’ accusations. He is found guilty and sentenced to die by being entombed alive. Amneris, unable to persuade Ramfis to overturn the sentence, desperately curses her jealousy as well as those who sentenced Radames to death.
As Radames is sealed into his tomb, a figure appears in the darkness. It is Aida, who has hidden there to die with him. Alone at last, with the voices of the Egyptians echoing above them, Radames and Aida wait for death to take them to a better world.
- Robert Carsen
Suitable for ages 8+
This production contains themes of war and gun violence.
Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium. Some performances also include Captions that give more details about the sound.
Exceptional Philanthropic Support from Royal Ballet and Opera Principal Julia Rausing Trust
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
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