Back to digital cast sheet

The Royal Opera

  • Jakub Hrůša

    Music Director Designate

  • Oliver Mears

    Director of Opera

Aida

OPERA IN FOUR ACTS

Sunday 9 February 2025 3pm

The 521st performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 3 hours and 15 minutes, including one interval

  • Act I

    45 minutes

  • Act II

    45 minutes

  • Interval

    25 minutes

  • Act III

    35 minutes

  • Act IV

    40 minutes


Audio Description provided by Ruth James and Willie Elliott

Credits

  • Music

    Giuseppe Verdi

  • Libretto

    Antonio Ghislanzoni

    after a scenario by Auguste Mariette

  • Conductor

    Daniel Oren

  • Director

    Robert Carsen

  • Revival Director

    Gilles Rico

  • Set Designer

    Miriam Buether

  • Costume designer

    Annemarie Woods

  • Lighting Designers

    Robert Carsen

    Peter van Praet

  • Video Designer

    Duncan McLean

  • Choreographer

    Rebecca Howell

Cast

  • Aida

    Anna Pirozzi

  • Radames

    Riccardo Massi

  • Amneris

    Raehann Bryce-Davis

    replaces Ekaterina Semenchuk

  • Amonasro

    Amartuvshin Enkhbat

  • Ramfis

    Alexander Köpeczi

  • King of Egypt

    George Andguladze

  • High Priestess

    Khayakazi Madlala

  • Messenger

    Andrés Presno

  • Actors

    Chris Agha

    Gregor Copeland

    Jordan Cork

    Rain de Rye Barrett

    Kris Dillon

    Chris Edgerley

    Jamie Francis

    David Galea

    Simon Jaymes

    Bless Klepcharek

  • Dancers

    Bradley Applewhaite

    Pedr Davies

    Cameron Everitt

    Daniel Gooddy

    Martin Harding

    Tim Nutt

    Guy Salim

    Zach Parkin

    Dominic Rocca

    Trevor Schoonraad

    Dale White

Chorus and Orchestra

  • Chorus

    Royal Opera Chorus

  • Chorus Director

    William Spaulding

  • Orchestra

    Orchestra of the Royal Opera House

  • Principal Guest Concert Master

    Vasko Vassilev

    by arrangement with TRITTICO

Extra chorus

  • Sopranos

    Ngela Caesar

    Celeste Gattai

    Kathryn Jenkin

    Shafali Jalota

    Alison Rayner

    Anna Samant

    Rosalind Waters

    Vanessa Woodfine

  • Mezzo-Sopranos

    Siobhain Gibson

    Zoë Haydn

    Maria Jones

    Clare McCaldin

    Hyacinth Nicholls

    Dervla Ramsay

    Jennifer Westwood

  • Tenors

    Russell Ablewhite

    Phillip Bell

    Simon Biazeck

    Philip Brown

    Edmond Choo

    Jonathan English

    Darrell Forkin

    Andrew Friedhoff

    Nick Hardy

    Andrew Mackenzie-wicks

    Rory O’Connor

    James Scarlett

  • Basses

    Trevor Alexander

    Mark Campbell-Griffiths

    Oscar Castellino

    Gerard Delrez

    Peter Edge

    Christopher Foster

    Gabriel Gottlieb

    Gavin Horsley

    Russell Matthews

    John Morgan

    John Morrissey

    Martin Nelson

    Paul Parfitt

    Simon Preece

    Mark Saberton

    Jochem van Ast

    Jonathan Wood

Production credits

  • Music preparation

    Stephen Clarke

    Susanna Stranders

    Richard Fu

    Aidan Oliver

  • Assistant Director

    Sophie Gilpin

  • Language Coach

    Emma Abbate

  • Assistant to the Movement Director

    Martin Harding

Richard Fu and Sophie Gilpin are Jette Parker Artists

The Royal Opera

  • Patron

    HM The King

  • Music Director Designate

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

Egypt is at war with Ethiopia. Aida, daughter of the Ethiopian King Amonasro, has been captured and made prisoner. She now serves Amneris, the Egyptian King’s daughter, but Aida has concealed her true identity.

ACT I

Ramfis, the High Priest, will soon name the new Commander of the Egyptian army. Radames, an army Captain, prays the choice will fall on him. He is in love with Aida, and hopes that if he leads Egypt to victory, he will not only be able to win Aida’s freedom, but also establish peace between their two countries.

Amneris, the King of Egypt’s daughter, is also in love with Radames. Victory in war would make him an eligible husband, but Amneris fears that her servant Aida might be her rival for Radames’ love. The King summons his soldiers as an army messenger bring news of the recent Ethiopian attacks led by Amonasro. Naming Radames as the new Egyptian Commander, the King, Ramfis and the soldiers cry out for war.

Alone, Aida is torn by her conflicting emotions: Radames will lead the Egyptians to war against her father and homeland, yet she cannot help loving him. She prays to heaven to take pity on her.

Radames is invested as Commander of the Egyptian army, and Ramfis and the Priests join him in praying for victory in the coming war.

ACT II

The Egyptian army has again defeated the Ethiopian forces. Amneris eagerly awaits the return of Radames, while Aida mourns the defeat of her homeland. In order to discover whether Aida really is her rival, Amneris tells her that Radames has been killed in battle. Aida betrays her feelings with a cry of despair. Amneris reveals her deception, and swears to see Aida punished and humiliated.

A military parade celebrates the victorious return of Radames and the Egyptian army. The King hails him as the nation’s saviour and swears to grant him any reward. When Radames summons the Ethiopian prisoners, Aida recognises her father, but Amonasro warns her not to betray his identity. Aida’s father tells the King of Egypt that Amonasro has died in battle, and pleads for the prisoners’ lives. The King hesitates as Radames names his reward: freedom for the Ethiopians. Furious, Ramfis demands that Aida and her father be kept as hostages. The King agrees, further decreeing that Radames is to marry Amneris and rule over Egypt after his death.

INTERVAL

ACT III

On the eve of her wedding, Amneris spends the night in prayer. Aida, waiting to meet Radames, recalls her lost homeland. Amonasro has discovered his daughter’s secret love and offers her freedom if she tricks Radames into revealing the Egyptian army’s strategic plans. Aida refuses, but relents after her father threatens to disown her. Amonasro hides as Radames arrives.

Radames tells Aida he intends to demand the King to allow him to marry her and make peace between their nations. Aida insists that their only option is to flee from Amneris and from Egypt. Radames finally agrees, describing their route as the same one the Egyptian army will use against the Ethiopians. Amonasro emerges and triumphantly reveals his and Aida’s true identities. Radames is devastated by his inadvertent betrayal of his country. Amonasro urges him to escape with them, but Amneris suddenly appears. She has overheard everything and denounces Radames as a traitor. Amonasro flees with Aida, leaving Radames to surrender to Ramfis, who arrests him for treason.

ACT IV

Awaiting his trial, Amneris implores Radames to deny the charges against him. Radames, believing Aida to have been killed, says he longs for death. Amneris tells him that Amonasro has been killed, but that Aida has escaped. If Radames denies his love for Aida, she will save him. Radames refuses. Amneris, furious, leaves him to be tried and convicted.

In front of the court, Radames refuses to answer Ramfis’ accusations. He is found guilty and sentenced to die by being entombed alive. Amneris, unable to persuade Ramfis to overturn the sentence, desperately curses her jealousy as well as those who sentenced Radames to death.

As Radames is sealed into his tomb, a figure appears in the darkness. It is Aida, who has hidden there to die with him. Alone at last, with the voices of the Egyptians echoing above them, Radames and Aida wait for death to take them to a better world.

- Robert Carsen

Guidance

Suitable for ages 8+

This production contains themes of war and gun violence.

Language

Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium. Some performances also include Captions that give more details about the sound.

Generous support from

Further information

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

Support Us

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

Sign up now to our newsletter to get our latest news, offers and alerts

Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)