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The Royal Ballet

  • Kevin O'Hare CBE

    Director

  • Dame Ninette de Valois OM CH DBE

    Founder

  • Sir Frederick Ashton OM CH CBE

    Founder Choreographer

  • Constant Lambert

    Founder Music Director

  • Dame Margot Fonteyn DBE

    Prima Ballerina Assoluta

Alice’s Adventures in Wonderland

Ballet in Three Acts

Friday 27 June 2025 7.30pm

The 89th performance by The Royal Ballet at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 2 hours and 50 minutes, including two intervals

  • ACT I

    45 minutes

  • INTERVAL

    20 minutes

  • ACT II

    30 minutes

  • INTERVAL

    25 minutes

  • ACT III

    50 minutes


A co-production between The Royal Ballet and The National Ballet of Canada. Alice’s Adventures In Wonderland is dedicated by Christopher Wheeldon to Dame Ninette de Valois, Founder of The Royal Ballet, whose support and encouragement of new creative voices lives on. Tonight marks the final performance with The Royal Ballet by Soloist Romany Pajdak after 21 years with the Company.

Credits

  • Choreography

    Christopher Wheeldon

  • Music

    Joby Talbot

  • Conductor

    Martin Georgiev

  • Orchestration

    Christopher Austin

    Joby Talbot

    by arrangement with Chester Music Ltd

  • Designer

    Bob Crowley

  • Scenario

    Nicholas Wright

  • Lighting Designer

    Natasha Katz

  • Projection Designers

    Jon Driscoll

    Gemma Carrington

  • Original Sound Designer

    Andrew Bruce for Autograph

  • Staging

    Christopher Saunders

    Elizabeth Toohey

  • Guest Principal Staging

    Jillian Vanstone

  • Senior Répétiteurs

    Gary Avis

    Samantha Raine

  • Répétiteur

    Sian Murphy

  • Principal Coaching

    Samira Saidi

    Edward Watson

    Zenaida Yanowsky

  • Benesh Choreologist

    Gregory Mislin

Cast

  • Alice

    Meaghan Grace Hinkis

  • Jack/The Knave of Hearts

    Calvin Richardson

  • Lewis Carroll/The White Rabbit

    Leo Dixon

  • Mother/The Queen of Hearts

    Itziar Mendizabal

  • Father/The King of Hearts

    Gary Avis

  • Magician/The Mad Hatter

    Steven McRae

  • Rajah/The Caterpillar

    Nicol Edmonds

  • The Duchess

    Thomas Whitehead

  • Vicar/The March Hare

    Aiden O'Brien

  • Verger/The Dormouse

    Marianna Tsembenhoi

  • The Cook

    Hannah Grennell

  • Footman/Fish

    Téo Dubreuil

  • Footman/Frog

    Daichi Ikarashi

  • Alice's Sisters

    Ginevra Zambon

    Ella Newton Severgnini

  • Butler/Executioner

    Luc Foskett

  • The Three Gardeners

    Emile Gooding

    Caspar Lench

    Alejandro Muñoz

  • Wonderland Characters

    Artists of The Royal Ballet

  • Additional Dancers

    Charles Bartenbach

    Eleanor Copping

    Eloise Kightley

    Max Lilley

    Henri Lynch

    Clara Ngo

    Mia Nicholas

    Kiera Wilkinson

    Aimee Williams

  • Actors

    Rain de Rye Barrett

    Damien Lee Stirk

    Daniel Swan

    Martial Blaise

    Olga Sabadoch

    Jordan Cork

    Chris Edgerley

    Jack Sears

    Suleiman Suleiman

    Georgia Reid Hamilton

    Keiko Hewitt-Teale

    Lucien Campbell

Junior Associates of The Royal Ballet School appear by kind permission of the Artistic Director, Iain MacKay

Music

  • Orchestra

    Orchestra of the Royal Opera House

  • Concert Master

    Magnus Johnston

THE ROYAL BALLET

  • Director

    Kevin O’Hare CBE

  • Music Director

    Koen Kessels

  • Resident Choreographer

    Sir Wayne McGregor CBE

  • Artistic Associate

    Christopher Wheeldon OBE

  • Administrative Director

    Heather Baxter

  • Rehearsal Director

    Christopher Saunders

  • Clinical Director Ballet Healthcare

    Shane Kelly

Synopsis

ACT I

Oxford, 1862. A summer afternoon. Henry Liddell, the Dean of Christ Church and his wife are about to host a garden party at the Deanery. Lewis Carroll, a lecturer in mathematics and friend of the Liddell family, entertains the three young Liddell daughters, Lorina, Alice and Edith, by reading a story and performing magic tricks. When Jack, the gardener’s boy, brings in a basket of roses, Alice’s mother rejects the red one as being out of place among the white ones. Jack and Alice are friends. He gives her the discarded red rose and in return she gives him a jam tart. Alice’s mother seizes on this as a pretext to accuse Jack of theft and dismiss him.Guests arrive. Alice is devastated to see Jack leaving the house in disgrace. Lewis Carroll consoles her by offering to take her photograph. He disappears and, to Alice’s surprise, emerges as a White Rabbit. He vanishes again and Alice follows him down a magical rabbit hole. Through a keyhole, she spies a magical garden, but all the doors into it are locked.Unexpectedly Jack, transformed into the Knave of Hearts, rushes through the hall pursued by the Queen of Hearts, her guards and the White Rabbit: the Knave has been accused of stealing a plate of jam tarts. Alice wants to follow them but the door slams in her face, and the only unlocked door is too small to let her through. A bottle appears: Alice drinks from it and becomes so tiny that she can’t even reach the door handle. She tries some cake, which has the effect of making her enormous. She cries with frustration and, by waving a fan, shrinks so drastically that her tears form a lake big enough for her to swim in.She is joined in the pool by a variety of animals who finally collect on the shore. In the hope that the exercise will dry them off and cheer them up, Alice arranges a caucus race after which the White Rabbit appears and leads Alice further into Wonderland.Outside a country cottage, a footman delivers an invitation for the Duchess to the Queen of Hearts’s croquet party. The Duchess’s footman invites him into the cottage, leaving Alice with the invitation. In the cottage the Duchess is tending a squealing baby as the Cook makes sausages. The Duchess is delighted with the royal invitation, while the Cook is envious and resentful. The mood becomes increasingly violent, apart from a moment of tranquility brought about by the mysterious appearance of a Cheshire Cat. Fearful for the baby’s safety, Alice rescues it, but when it turns into a pig the Duchess takes it from her and carries it back to the kitchen for a future as a string of sausages.The White Rabbit reappears, anxious about his forthcoming duties at the Queen’s croquet game. He warns Alice not to follow him to the Royal Garden; it is dangerous to be near the bad-tempered Queen. The Knave dashes in with the tray of tarts, still pursued by the Royal Guards. Alice and the Knave hide in the Duchess’s cottage. The Royal Procession arrive and the Duchess greets the Queen with a gift of sausages. Revolted, the Queen orders the procession to move on. The White Rabbit gives the Knave the all clear to make his escape, but it is too dangerous for Alice to go with him.

ACT II

Alice asks the Cheshire Cat for directions, but his vagueness leaves her more confused than ever and she finds herself at the tea table of the Mad Hatter, a March Hare and a sleepy dormouse. Alice escapes their crazy tea party and is alone and lost. An exotic caterpillar, perched on a mushroom, lifts her spirits and, before disappearing, gives her a piece of mushroom.Alice finds herself back in the hallway of doors where she first arrived. She nibbles the sliver of mushroom, and the walls and doors disappear. At last she finds herself in the garden.The Knave appears, still fleeing his pursuers, and is as delighted to see her as she is to see him. The Queen of Hearts arrives flanked by her guards and orders the capture of the Knave, but he escapes. The White Rabbit dashes after them, taking Alice with him.

ACT III

In the garden of the Queen of Hearts, three nervous gardeners are splashing red paint on the rosebushes: they have mistakenly planted white ones, which the Queen of Hearts detests. The Queen arrives along with the King, the Court, the Duchess and the Cook and orders the gardeners to be executed. While the Executioner is distracted by the amorous attentions of the Cook, Alice and the White Rabbit smuggle the grateful gardeners out of sight.The Queen displays her dancing skills, after which she and the Duchess pick their teams for the croquet game. To the Queen’s dismay, the Duchess scores the first points. Meanwhile the Knave, risking all by being there, catches Alice’s attention from behind a hedge.The Queen cheats. The Duchess challenges her, whereupon the Queen orders her execution. The King calms the Queen down while Alice helps the Duchess to slip away. The Knave rejoins Alice, but this time he is discovered and the Queen orders the guards to haul him to the castle to face trial. When the Cheshire Cat makes another mysterious appearance, Alice uses the distraction to follow the Knave.The White Rabbit prepares the courtroom for the trial. The witnesses are brought in, followed by Alice, and the members of the Court take their places. The Knave is brought in and the proceedings begin.The first witness is the Mad Hatter, followed by the Caterpillar, the March Hare, the Dormouse, the footmen, the Duchess and the Cook. They all accuse the Knave. The King offers the Knave the chance to speak in his own defence. When his testimony produces little effect, Alice intervenes with all the force she can muster. The Knave is innocent, she insists: if anyone is guilty, it is she. Together, they deliver a final testimony and win the hearts of everyone but the Queen.Unmoved by the Court’s entreaties, the Queen seizes an axe in order to strike the fatal blows herself. The White Rabbit and the witnesses attempt to hide the Knave and Alice, but the Queen discovers them and does her best to turn the Court against them. With no escape in view, Alice pushes a witness over, which results in the collapse of the entire Court: they’re only playing cards, after all.In the midst of the chaos, Alice awakes.

Guidance

Suitable for age 5+

There are optical illusions that may affect those with epilepsy. There is a gunshot in Act I.Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.

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Further information

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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