
Jakub Hrůša
Music Director
Oliver Mears
Director of Opera
Opera in seven scenes
Monday 2 February 2026 7.30pm
The 15th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Approximately 2 hours and 20 minutes, with no interval
A co-production with Deutsche Oper Berlin.
Modest Mussorgsky
Modest Mussorgsky
adapted from the historical tragedy by Alexander Sergeyevich Pushkin
Mark Wigglesworth
Richard Jones
Ben Mills
Miriam Buether
Nicky Gillibrand
Mimi Jordan Sherin
Ben Wright
Danielle Urbas
The edition of Boris Godunov used in this performance is the revised edition by Michael Rot published by Verlagsgruppe Hermann. Performed by arrangement with Schott Music GMBH & CO. KG
Bryn Terfel
Adam Palka
Andrii Kymach
Jamez McCorkle
John Daszak
Alexander Roslavets
Alasdair Elliott
Hannah Edmunds
Carolyn Holt
Susan Bickley
Mingjie Lei
Eddie Wade
Sam Hird
Freddie Tong
replaces Alexandros Stavrakakis
Christopher Lemmings
Zechariah King
Charles Blyth
Barry Callan
Chris Edgerley
Jamie Francis
Nicholas Frentz
Tom Levermore
Audrey Page
Christopher Palmer
Laurence Pasqualini
Suleiman Suleiman
Addis Williams
Timo William
Hannah Edmunds and Sam Hird are Jette Parker Artists
Royal Opera Chorus
William Spaulding
Orchestra of the Royal Opera House
Magnus Johnston
Trinity School
Woldingham School
Nick Mulroy
Trinity School
Richard Hammond Hall
Woldingham School
Eleanor Garside
Kathryn Jenkin
Bernadette Lord
Elizabeth Roberts
Eryl Royle
Rosalind Waters
Lisa Wilson
Vanessa Woodfine
Jeanette Ager
Siobhan Gibson
Zoe Haydn
Frances Jellard
Clare McCaldin
Jennifer Westwood
Robert Amon
Phillip Bell
Simon Biazeck
Phillip Brown
Andrew Busher
Mark Chaundy
Jon English
Darrell Forkin
Andrew Friedhoff
James Geer
Nick Hardy
Richard Monk
Rory O'Connor
Alex Wall
Stephan Alder
James Birchall
Gabriel Gottlieb
Gavin Horsley
John Morgan
John Morrissey
Simon Preece
Jochem Van Ast
Peter Willcock
Jonathan Wood
Christopher Willis
Susanna Stranders
Aleksandra Myslek
Richard Hetherington
Nick Fletcher
Dan Dooner
Sasha Naoumenko
Bret Yount
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
Boris Godunov has retreated to the Novodevichy Monastery. A crowd gathers outside, and a policeman orders them to entreat Boris to accept the throne. Shchelkalov, clerk of the Boyars’ Council, tells the crowd that Boris is reluctant to take the throne. Pilgrims join the entreaties to Boris.
Boris is crowned Tsar. Boris invites everyone to a great feast. Years pass. Russia prospers, and Boris proves to be a good and wise ruler. Then, unexpectedly, there is famine. Some believe that this is divine punishment for Boris’ alleged murder of Tsarevich Dmitry.
In the Kremlin, the monk Pimen is writing a chronicle of Russian history. The novice Grigory regrets his choice of career and envies Pimen’s eventful youth. Pimen reminisces about Ivan the Terrible and Ivan’s son Fyodor. He denounces Boris as Tsarevich Dmitry’s murderer. Hearing that Dmitry resembled him and was about his own age, Grigory plots to impersonate the Tsarevich and stir up rebellion.
Grigory (now in secular clothes) arrives at an inn near the Lithuanian border with the monks Varlaam and Missail. Guards arrive, searching for a fugitive rebel monk (Grigory). When Grigory realizes that the Frontier Guard cannot read, he reads out the edict, describing the fugitive as resembling Varlaam, rather than himself. Varlaam protests his innocence, and reads the edict correctly. Grigory escapes.
In the Tsar’s apartments, Boris’s daughter Xenia laments the early death of her fiancé, while her brother Fyodor studies a map of Russia. Boris reflects on his achievements as ruler. Prince Shuisky announces that a Pretender, calling himself the Tsarevich Dmitry, is gathering support in Lithuania. Boris orders Shuisky to seal the border and asks for proof of Dmitry’s death. Shuisky confirms that he saw Dmitry’s corpse, but suggests that it may have miraculous powers. Boris orders Shuisky to leave. Alone, he hallucinates visions of the dead Dmitry.
Outside St Basil’s Cathedral, the crowd comments on the official denunciation of the Pretender Grishka (Grigory) Otrepiev that they have heard at Mass. A Holy Fool sings a nonsensical song. Boris and his retinue leave the Cathedral and the hungry crowd begs for bread. The Holy Fool suggests Boris ordered the murder of Tsarevich Dmitry. Shuisky demands the Holy Fool’s arrest, but Boris instead asks the Holy Fool to pray for him. The Holy Fool refuses to pray for ‘Tsar Herod’ and laments the fate of Russia.
At the Kremlin, Shuisky and the Boyars’ Council order the execution of Grigory and his followers. Boris appears, still in the grip of his hallucination. Pimen informs Boris that the Tsarevich Dmitry has become a saint from beyond the grave, and cured an old man’s blindness. Boris collapses and calls for his son Fyodor. He names Fyodor as his heir, begs forgiveness and dies.
Parental guidance recommended
Themes of child murder from the outset
Sung in Russian with English surtitles, which are displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust
Generous philanthropic support from Fondation Socindec and Crevan O'Grady and Jane McClenahan

Rolex, Principal Partner, The Royal Opera
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