Back to digital cast sheet

The Royal Opera

  • Jakub Hrůša

    Music Director Designate

  • Oliver Mears

    Director of Opera

Carmen

OPÉRA COMIQUE IN FOUR ACTS

Tuesday 24 June 2025 7pm

The 617th performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 3 hours and 5 minutes, including one interval

  • Act I and II

    95 minutes

  • Interval

    25 minutes

  • Act III and IV

    65 minutes


A co-production with Teatro Real, Madrid and La Scala, Milan

Credits

  • Music

    Georges Bizet

  • Libretto

    Henri Meilhac

    Ludovic Halévy

    after Prosper Mérimée’s 1845 novella Carmen

  • Spoken text after

    Meilhac Halévy and Mérimée

  • Conductor

    Ariane Matiakh

  • Director

    Damiano Michieletto

  • Revival Director

    Daisy Evans

  • Set designer

    Paolo Fantin

  • Costume designer

    Carla Teti

  • Lighting designer

    Alessandro Carletti

  • Dramaturg

    Elisa Zaninotto

Cast

  • Carmen

    Anna Goryachova

  • Don José

    Charles Castronovo

  • Micaëla

    Selene Zanetti

    replaces Mané Galoyan

  • Escamillo

    Christian Van Horn

  • Zuniga

    Jamie Woollard

  • Frasquita

    Alison Langer

  • Mercédès

    Veena Akama-Makia

  • Dancaïro

    Siphe Kwani

  • Remendado

    Ryan Vaughan Davies

  • Moralès

    Grisha Martirosyan

  • Bohemian

    Dawid Kimberg

  • Marchande d'oranges

    Louise Armit

  • Actors

    Ruth Adams

    Peter Cooney

    Jamie Francis

    Anna Guzak

    Daniel Klemens

    Audrey Page

    Sarah Robinson

Jamie Woollard, Veena Akama-Makia, Siphe Kwani, Ryan Vaughan Davies and Grisha Martirosyan are Jette Parker Artists

Chorus and Orchestra

  • Chorus

    Royal Opera Chorus

  • Chorus Director

    William Spaulding

  • Chorus Master

    Genevieve Ellis

  • Orchestra

    Orchestra of the Royal Opera House

  • Concert Master

    Magnus Johnston

Extra chorus

  • Sopranos

    Rachel Chapman

    Christine Cunnold

    Kathryn Jenkin

    Hyacinth Nicholls

    Natasha Page

    Alison Rayner

    Elizabeth Roberts

    Vanessa Woodfine

  • Mezzo-sopranos

    Jeanette Ager

    Jennifer Westwood

  • Tenors

    Phillip Bell

    Simon Biazeck

    James Geer

    John Gyeantey

  • Basses

    Gavin Horsley

    James Quilligan

  • Children's Chorus

    Angel Akerele

    Georgiana Bamford

    Andrei Caprar

    Svyatoslav Colotelo

    Fabian Crocker Griffiths

    Jasmine Essayah

    Olivia Ferreira

    Felix Flynn

    Isla Faulkner

    Caren Georgee

    Joy Hang Hui

    Doga Himmetoglu

    Ariana Husain

    Anika Jain

    Margaret Jin

    Euan Langford

    Thea Lashbrook

    Oskar Lashley Felix Lewis

    William Lleshi

    Ewan McLatchie

    Emilia Ostroumoff

    Damian Seth Ramos

    Denneyah Reid

    Jessica Roulston

    Zakariya Safdar

    Zurelle Sonson

    Daisy Tapper

    Dmitrii Voznesenskii

    Elsa Zanocco

The children’s chorus is made up of members of the Youth Opera Company

Production credits

  • Music preparation

    Richard Hetherington

    Patrick Milne

    Richard Fu

    Aleksandra Myslek

  • Assistant Director

    Sophie Gilpin

  • Language Coach

    Florence Daguerre de Hureaux

  • Movement direction

    Denni Sayers

  • Fight Director

    Lockhart Ogilvie

Richard Fu and Sophie Gilpin are Jette Parker Artists

The Royal Opera

  • Patron

    HM The King

  • Music Director Designate

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

ACT I

Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon break. Among them is Carmen, an independent young woman who sings a song about love. She throws a flower to Don José, a young policeman who is immediately drawn to her. José is distracted by the arrival of Micaëla, a young woman who brings a message from his distant mother.Micaëla departs, and a quarrel erupts among the factory women. In the fray, Carmen slashes the face of one of her coworkers and is arrested. Alone with Don José, she seduces him and persuades him to set her free. Don José’s superior, Zuniga, reprimands him for letting the prisoner get away.

ACT II: ABOUT A MONTH LATER IN A NIGHTCLUB

Carmen is waiting for the return of Don José, who has been imprisoned for helping her escape. The nightclub is the secret meeting place of a group of weapons smugglers known to Carmen. They want her and her friends, Mercédès and Frasquita, to help them on a job that evening, but Carmen refuses: José has been released from prison, and she knows that he will come to her that evening.The famous bullfighter Escamillo pays a visit to the nightclub and describes the excitement of his sport, and being in the arena. Carmen and Escamillo feel an immediate attraction to one another and share a flirtatious exchange.Carmen gets the smugglers to leave when she hears José approaching. Their romantic reunion is interrupted by the call to return to headquarters. When José begins to leave, Carmen mocks him. He declares his love for her, explaining how he cherished the flower from their first meeting during his time in prison. Zuniga arrives, looking for Carmen. In a jealous rage, José attacks his commander. The smugglers break up the fight and bundle off Zuniga as their hostage. José realises he has no choice but to join Carmen and the smugglers.

INTERVAL

ACT III: TWO WEEKS LATER

The smugglers are operating from their hideout in the mountains. Don José and Carmen are quarrelling. Her love for him is fading, and she advises him to go and live with his mother. Carmen and her friends begin a series of tarot card readings. Frasquita and Mercédès see a future filled with love and money. Carmen’s cards spell death.

Micaëla has followed José to the smugglers’ hideout. She hides when José challenges an intruder, who turns out to be Escamillo, seeking Carmen. The two men fight and are separated by the smugglers. As Escamillo departs, he invites Carmen to his next bullfight. Micaëla emerges from her hiding place with a message to Don José from his mother: the old lady is dying, and she is desperate for him to return home. He agrees to leave, warning Carmen that they will see each other again.

ACT IV: A FEW DAYS LATER

Accompanied by Carmen, Escamillo prepares for his bullfight while a noisy crowd cheers him outside. Carmen’s friends warn her that Don José is lurking nearby. Unafraid, she waits for him and informs him that their affair is over. He begs her to return to him, but she refuses and asserts her freedom. José kills her.

Guidance

Suitable for ages 8+

This production contains themes of a sexual nature and violence. There are gunshots in Act I with blank shots fired. These can be loud.

Language

Sung in French with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium. Some performances also include Captions that give more details about the sound.

Generous support from

Further information

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

Support Us

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

Sign up now to our newsletter to get our latest news, offers and alerts

Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)