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The Royal Ballet

  • Kevin O'Hare CBE

    Director

  • Dame Ninette de Valois OM CH DBE

    Founder

  • Sir Frederick Ashton OM CH CBE

    Founder Choreographer

  • Constant Lambert

    Founder Music Director

  • Dame Margot Fonteyn DBE

    Prima Ballerina Assoluta

Cinderella

Ballet in Three Acts

Tuesday 3 December 2024 12.30pm

The 449th performance by The Royal Ballet at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 2 hours and 40 minutes, including two intervals

  • Act I

    45 minutes

  • Interval

    25 minutes

  • Act II

    40 minutes

  • Interval

    25 minutes

  • Act III

    25 minutes


A co-production between The Royal Ballet and The National Ballet of Canada

Credits

  • Choreography

    Frederick Ashton

  • Music

    Sergey Prokofiev

  • Conductor

    Jonathan Lo

  • Set designer

    Tom Pye

  • Costume designer

    Alexandra Byrne

  • Lighting designer

    David Finn

  • Video designer

    Finn Ross

  • Illusions

    Chris Fisher

  • Staging

    Gary Avis

    Wendy Ellis Somes

  • Senior Répétiteur

    Deirdre Chapman

    Samantha Raine

    Samira Saidi

  • Répétiteur

    Sian Murphy

  • Principal Coaching

    Alexander Agadzhanov

    Leanne Benjamin

    Darcey Bussell

    Isabel McMeekan

    Laura Morera

    Malin Thoors

    Christopher Saunders

  • Benesh Choreologist

    Daniel Kraus

Cast

  • Cinderella

    Francesca Hayward

  • The Prince

    Cesar Corrales

  • Cinderella's Step Sisters

    Christina Arestis

    Kristen McNally

  • Cinderella's Father

    Kevin Emerton

  • The Fairy Godmother

    Itziar Mendizabal

Act I Scene 1

  • The Fairy Godmother in Disguise

    Olga Sabadoch

  • The Dancing Master

    Joshua Junker

  • A Tailor

    Denilson Almeida

  • Dressmakers

    Bethany Bartlett

    Olivia Findlay

  • The Shoemaker

    James Large

  • The Hairdresser

    Luc Foskett

  • A Jeweller

    Martin Diaz

  • Two Fiddlers

    Soh-Yon Kim

    Chloé Boireau

Act I Scene 2

  • The Fairy Spring

    Ashley Dean

  • The Fairy Summer

    Romany Pajdak

  • The Fairy Autumn

    Leticia Dias

  • The Fairy Winter

    Julia Roscoe

Act II

  • The Jester

    Marco Masciari

  • The Prince's Friends

    Liam Boswell

    Téo Dubreuil

    Harrison Lee

    Giacomo Rovero

  • Suitors

    Harris Bell

    Daichi Ikarashi

Act III

  • Dancers

    The Company

Junior Associates of The Royal Ballet School appear by kind permission of the Artistic Director, Iain MacKay

Music

  • Orchestra

    Orchestra of the Royal Opera House

  • Principal Guest Concert Master

    Vasko Vassilev

    by arrangement with TRITTICO

THE ROYAL BALLET

  • Director

    Kevin O’Hare CBE

  • Music Director

    Koen Kessels

  • Resident Choreographer

    Sir Wayne McGregor CBE

  • Artistic Associate

    Christopher Wheeldon OBE

  • Administrative Director

    Heather Baxter

  • Rehearsal Director

    Christopher Saunders

  • Clinical Director Ballet Healthcare

    Shane Kelly

Synopsis

ACT I

A room in the house of Cinderella’s father

A room in the house of Cinderella’s father Cinderella’s Step-Sisters are highly excited: they have been invited to a ball at the palace. Cinderella, however, must stay at home, where all day long she is made to sweep, clean and polish. Alone for a moment, Cinderella recalls the happy days when her mother was still alive. Her father misses those times too, but is afraid of his bad-tempered step-daughters, who scold him angrily when he tries to comfort Cinderella.

A mysterious woman appears and asks for help. The step-sisters drive her away, but Cinderella offers her some bread. The woman casts a gentle look at Cinderella and disappears.

Tradespeople arrive, and dressmakers, a hairdresser and a jeweller help the Step-Sisters to prepare for the ball. With their dancing-master, they practise the gavotte. Cinderella’s father and Step-Sisters set out for the ball, and she is left sad and alone.

The mysterious woman reappears and reveals herself as Cinderella’s Fairy Godmother. She summons the fairies of Spring, Summer, Autumn and Winter who each offers Cinderella their season’s gifts. Far away from her grey, everyday existence, Cinderella is taken to an enchanted realm of beauty and fantasy high up among the stars.

As a reward for her kindness, Cinderella shall go to the ball. The Fairy Godmother warns her that she must leave before the clock strikes midnight, or all the magic charms will fade away. Escorted by the Seasons and the Stars, Cinderella rides away to the ball.

ACT II

The palace

The court jester is waiting for the ball to begin. The guests arrive, including Cinderella’s father and Step-Sisters. A fanfare heralds the entrance of the Prince. Cinderella arrives in her magical pumpkin coach, so beautiful that everyone takes her for a princess; even her Step-Sisters fail to recognize her. The Prince is charmed by her beauty, and offers her oranges, the rarest fruit in his realm. The guests disperse and the Prince and Cinderella, left alone, declare their love for each other. The waltz resumes and, caught up in the dance, Cinderella forgets the Fairy Godmother’s warning. Suddenly she hears the clock strike twelve and rushes from the palace, losing one of her slippers on the stairs. Dismayed, the Prince picks up the slipper and vows he will find the young woman he loves.

ACT III

After the ball

Cinderella finds herself once again at the fireside, wondering if it were all a dream. The elegant slipper in her apron convinces her that she really was in the palace garden and had danced with the Prince. The Step-Sisters arrive home and boast to Cinderella about their conquests at the ball.

The Prince appears, searching for the young woman who lost the slipper. Both the Step-Sisters try to cram their feet into the delicate slipper. Cinderella kneels to help and the second slipper falls out of her pocket. The Prince immediately recognizes in the modest Cinderella the beautiful princess from the ball.

The Fairy Godmother appears. The lovers are united and walk away into the golden light of happiness.

Guidance

Suitable for all, subject to house rules

Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.

Language

Some performances also include Captions that give more details about the sound.

Generous support from

Further information

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

Support Us

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

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