Jakub Hrůša
Music Director Designate
Oliver Mears
Director of Opera
MUSIC DRAMA IN THREE ACTS
Sunday 11 May 2025 3pm
The 237th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance will last approximately 5 hours and 35 minutes, including two intervals
65 minutes
25 minutes
90 minutes
80 minutes
75 minutes
Richard Wagner
Richard Wagner
Antonio Pappano
Barrie Kosky
Rufus Didwiszus
Victoria Behr
Alessandro Carletti
Christopher Maltman
Elisabet Strid
Natalya Romaniw
replaces Lise Davidsen
Stanislas de Barbeyrac
Marina Prudenskaya
Soloman Howard
Maida Hundeling
Katie Lowe
Lee Bisset
Claire Barnett-Jones
Catherine Carby
Miranda Westcott
replaces Alison Kettlewell
Monika-Evelin Liiv
Rhonda Browne
Illona Linthwaite
Lucy Brenchley
Clea Godsill
Maria Leon
Virginia Poli
Nadia Sadiq
Jay Yule
Orchestra of the Royal Opera House
Magnus Johnston
Christopher Willis
Edward Reeve
Patrick Milne
Susanna Stranders
Simon Iorio
Johannes Stepanek
Ruth Knight
Philip D’Orléans
Jan Freese
Anna Morrissey
Franziska Roth
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
ACT I
A storm rages as a weary man takes shelter in the home of Sieglinde and her husband, Hunding. After receiving hospitality, the stranger, who is wounded and unarmed, shares his tragic story of loss and misfortune. Hunding recognises the stranger’s tale as that of his slain kinsmen and challenges him to a fight the next morning.Alone, the stranger recalls the sword his father once promised he would find in his hour of greatest need. Sieglinde appears and recounts how, at her enforced wedding to Hunding, a stranger appeared and thrust a sword into the tree trunk. No one has been able to pull it out. Sieglinde and the stranger pledge themselves to one another and the stranger asks Sieglinde to rename him. Discovering his father’s name was Wälse, Sieglinde is convinced the stranger is her twin. She names him Siegmund. Siegmund removes the sword, Nothung, from the tree, and claims Sieglinde as both bride and sister. Ecstatically and defiantly they declare their love.INTERVALACT IIWotan orders Brünnhilde, his favourite Valkyrie daughter, to ensure Siegmund defeats Hunding in battle. However, Fricka, Wotan’s wife, demands justice for the incestuous relationship between Siegmund and Sieglinde, claiming it violates marriage laws. Wotan defends their love, arguing that Siegmund can carry out the deeds he and Fricka cannot. Fricka points out that Siegmund is dependent on Wotan’s sword and protection, and therefore not truly independent. Defeated, Wotan promises that neither he nor Brünnhilde will protect Siegmund.Wotan, despairing, confides in Brünnhilde about his past, revealing his theft of the ring from Alberich. He explains that Brünnhilde and her Valkyrie half-sisters were created to protect Wotan, and that his plan to retrieve the ring from the giant Fafner is now at risk, as he needs a free agent to act on his behalf. Wotan instructs Brünnhilde not to protect Siegmund, threatening dire consequences if she disobeys.Siegmund and Sieglinde flee from Hunding. Brünnhilde tells Siegmund he will die in battle but will be honoured in Valhalla. Siegmund refuses to leave Sieglinde and their unborn child. Moved by compassion, Brünnhilde promises to protect him. Hunding’s horn signals his arrival. Brünnhilde tries to help Siegmund, but Wotan shatters his sword with his spear, leading to Siegmund’s death. Brünnhilde escapes with Sieglinde, and Wotan kills Hunding, vowing to punish Brünnhilde.INTERVALACT IIIThe Valkyries gather dead warriors for Valhalla. Brünnhilde arrives with the mortal Sieglinde, shocking the Valkyries. Brünnhilde begs for their help to protect her and Sieglinde from Wotan. Initially hesitant, the Valkyries agree when Brünnhilde reveals Sieglinde is carrying Siegmund’s child, who will be a great hero. They advise Sieglinde to flee to the forest, where Fafner guards the Nibelung hoard, and she takes the fragments of Siegmund’s sword with her.Wotan arrives and, despite the Valkyries’ pleas, angrily banishes Brünnhilde from Valhalla for disobedience. He condemns her to mortal sleep until a mortal man awakens her. The Valkyries scatter in fear when Wotan threatens them with the same fate.Brünnhilde asks Wotan if her compassion for Siegmund and Sieglinde deserves such punishment. She believed it aligned with his true desires. Wotan remains unforgiving, even when she tells him that a Wälsung hero will be born to Sieglinde. In her final plea, Brünnhilde asks for a ring of fire to surround her so only a worthy hero can awaken her. Wotan, moved by his feelings for her, agrees and calls upon Loge to create the flames.
Suitable for ages 12+
This opera contains themes of incest and domestic violence. This production contains scenes of nudity and depictions of blood, violence and death. Strobe lighting is used during Act I. Pyrotechnics are used during Act III.
Sung in German with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from Ring Season Principals Alex and Elena Gerko and Julia Rausing Trust
Ring Principal Benefactors Charles Holloway OBE and Hamish and Sophie Forsyth
Ring Benefactors Pat and Dirk Bister, Ingemo and Karl Otto Bonnier, Philipp Freise, The Goldhammer Foundation, Malcolm Herring, Christopher and Sarah Smith, John G. Turner and Jerry G. Fischer and an anonymous philanthropist
Generous philanthropic support from Aud Jebsen, Fondation Socindec, Mercedes T. Bass, Dr Michael Engel, Athena P S Ko, Simon and Virginia Robertson, John Sunderland and George Shishkovsky, The Thompson Family Charitable Trust, Die Walküre Production Syndicate, The Wagner Circle and The American Friends Of Covent Garden
The role of Wotan is supported by Greg and Marianne Bethel
The role of Brünnhilde is supported by an anonymous philanthropist
The role of Sieglinde is supported by Ian and Helen Andrews and Lorna and Christopher Bown
The role of Siegmund is supported by Peggy Czyzak Dannenbaum
The role of Helmwige is supported by Hamish Parker
The role of Gerhilde is supported by Fiona Espenhahn
The role of Siegrune is supported by Harry and Rachel Hampson
The role of Rossweisse is supported by David and Clare Kershaw
With additional philanthropic support from Mr and Mrs Baha Bassatne and an anonymous philanthropist
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
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