
Jakub Hrůša
Music Director
Oliver Mears
Director of Opera
OPERA BUFFA IN TWO ACTS
Thursday 10 September 2026 6.30pm
The 489th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts about 3 hours and 30 minutes, including one interval.
95 minutes
30 minutes
85 minutes
A co-production with Gran Teatre del Liceu, Barcelona, The Israeli Opera and Houston Grand Opera
Wolfgang Amadeus Mozart
Lorenzo da Ponte
Stefano Montanari
Kasper Holten
Greg Eldridge
Es Devlin
Anja Vang Kragh
Bruno Poet
Luke Halls
Signe Fabricius
Anna-Marie Sullivan
Mark Ruddick
The edition of don Giovanni used in these performances is published by Bärenreiter-Verlag Kassel and edited by Wolfgang Plath and Wolfgang Rehm. Performed by arrangement with Faber Music LTD.
Gordon Bintner
Roberto Tagliavini
Rachel Willis-Sørensen
Aigul Akhmetshina
Bogdan Volkov
Giulia Semenzato
Dingle Yandell
Andreas Bauer Kanabas
Sian Ejiwunmi-Le Berre
Kelly Homewood
Hope Lavelle
Colenso Le Berre
Amelia Grace Pin
Jennifer Robinson
Hazel Boland Ross
Amelia Stanimeros
Royal Opera Chorus
William Spaulding
Orchestra of the Royal Opera House
Magnus Johnston
Patrick Milne
Richard Hetherington
Nicholas Ansdell-Evans
Madeleine Allegra Brooks
Barbara Diana
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
Don Giovanni, a Spanish nobleman, is renowned throughout Europe as a seducer of women; Leporello, his servant, reluctantly aids him by keeping watch. Giovanni attempts to leave the house of Donna Anna, his most recent conquest, but gets stopped by Anna’s father the Commendatore. Giovanni kills him. Anna tells her fiancé, Don Ottavio, that she was raped by an unknown man and they vow revenge on the murderer.Leporello’s attempts to persuade his master to reform are interrupted by Donna Elvira, a former mistress of Giovanni’s, who is looking for him. Giovanni leaves it to Leporello to explain the extent of his master’s womanizing.Masetto and his bride Zerlina are to be married at a peasant wedding, but Giovanni decides to seduce Zerlina. Elvira interrupts and foils Giovanni’s attempt. Ottavio and Anna appeal to Giovanni for help in their pursuit of the murderer of Anna’s father. Elvira again interrupts and warns Ottavio and Anna about Giovanni’s true nature; Anna tells Ottavio that Giovanni is the man who murdered her father.Leporello discusses with Giovanni the plans for the masquerade ball his master is hosting that evening. Zerlina assures Masetto that Giovanni has not touched her. Elvira joins forces with Ottavio and Anna; they are going to the ball and intend to exact vengeance on Giovanni. While everyone is dancing at the ball Giovanni attempts to ensnare Zerlina, but she rallies all behind her to try to entrap Giovanni. All accuse him, but he and Leporello elude them once more.
Hoping for success with Elvira’s maid, Giovanni exchanges clothes with Leporello, who is instructed to lure Elvira away. Giovanni is interrupted by Masetto, who is intent on killing him, but his disguise is successful and he beats Masetto up and escapes.
Returning with Elvira, Leporello is mistaken for Giovanni by Anna, Ottavio, Zerlina and Masetto. Removing his disguise, Leporello convinces them that he is not the guilty one. Ottavio swears vengeance on Giovanni whom, in spite of everything, Elvira continues to love.Giovanni hears the voice of the Commendatore, whom he killed, warning Giovanni of impending retribution. Giovanni orders Leporello to invite the ghost to supper. The ghost of the Commendatore accepts Don Giovanni’s invitation and arrives to send him to hell.
Suitable for ages 8+
This production contains themes of violence and sexual harassment. There are strobe effects throughout.
Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from Royal Ballet and Opera Principal The Julia Rausing Trust
Generous philanthropic support from David and Molly Lowell Borthwick and The Jean Sainsbury Royal Opera House Fund
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
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For people, not profit.
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