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The Royal Opera

  • Jakub Hrůša

    Music Director Designate

  • Oliver Mears

    Director of Opera

Eugene Onegin

LYRIC SCENES

Thursday 10 October 2024 7pm

The 125th performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts about 3 hours, including one interval

  • SCENES ONE TO FOUR

    95 minutes

  • INTERVAL

    25 minutes

  • SCENES FIVE TO SEVEN

    55 minutes


Credits

  • Music

    Pyotr Il’yich Tchaikovsky

  • Libretto

    Konstantin Stepanovich Shilovsky

    Pyotr Il’yich Tchaikovsky

    after the verse novel by Alexander Sergeyevich Pushkin

  • Conductor

    Henrik Nánási

  • Director

    Ted Huffman

  • Set Designer

    Hyemi Shin

  • Costume Designer

    Astrid Klein

  • Lighting Designer

    D. M. Wood

  • Movement Director

    Lucy Burge

Cast

  • Eugene Onegin

    Gordon Bintner

  • Tatyana

    Kristina Mkhitaryan

  • Lensky

    Liparit Avetisyan

  • Olga

    Avery Amereau

  • Prince Gremin

    Dmitry Belosselskiy

  • Madame Larina

    Alison Kettlewell

  • Filipyevna

    Rhonda Browne

  • Monsieur Triquet

    Christophe Mortagne

  • Captain

    Siphe Kwani

  • Zaretsky

    Jamie Woollard

  • Guillot

    Alex Gotch

  • Peasant Singer

    Timothy Parker-Langston

  • Children

    Chloe Pujade-Lauraine Portocarrero

    Kevin Tolbaru

  • Dancers

    Lauren Bridle

    Viva Foster

    Alex Gotch

    Sebastien Kapps

    Dak Mashava

    Milo McCarthy

    Sam Morris

    Audrey Page

    Sophie Tierney

    Róisín Whelan

Siphe Kwani and Jamie Woollard are Jette Parker Artists

Chorus and Orchestra

  • Chorus

    Royal Opera Chorus

  • Chorus Director

    William Spaulding

  • Orchestra

    Orchestra of the Royal Opera House

  • Principal Guest Concert Master

    Vasko Vassilev

    by Arrangement with TRITTICO

Extra Chorus

  • Sopranos

    Christine Cunnold

    Celeste Gattai

    Alison Rayner

    Elinor Rolfe Johnson

    Rosalind Waters

    Vanessa Woodfine

  • Mezzo-sopranos

    Siobhain Gibson

    Zoë Haydn

    Frances Jellard

  • Tenors

    Simon Biazeck

    Phillip Brown

    Andrew Busher

    Andrew Friedhoff

  • Basses

    Oscar Castellino

    Oliver Gibbs

    James Quilligan

    Jonathan Wood

Production credits

  • Music Preparation

    Sergey Rybin

    Christopher Willis

    Richard Fu

  • Assistant Directors

    Simon Iorio

    Eleanor Burke

  • Assistant to the Movement Director

    Róisín Whelan

  • Language coach

    Liuba Orfenova

  • Fight Director

    Carlotta De Gregori of RC-Annie Ltd

  • Intimacy Director

    Yarit Dor

Richard Fu is a Jette Parker Artist

The Royal Opera

  • Patron

    HM The King

  • Music Director Designate

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

SCENE ONE: AUTUMN

In the garden of the Larin country estate, Tatyana and her sister Olga are singing an old love song. Their mother Madame Larina reflects with the girls’ nurse Filipyevna on the days before her marriage. A group of neighbours arrives to celebrate the harvest with song and dance. Vladimir Lensky, Olga’s childhood friend and suitor, arrives at the estate and introduces his new neighbour Eugene Onegin to the sisters. Tatyana falls deeply for Onegin.

SCENE TWO: THAT NIGHT

Unable to sleep, Tatyana asks Filipyevna about her own youth and early marriage. Tatyana writes a letter to Onegin confessing her love for him. At dawn, she asks Filipyevna to arrange for the letter to be delivered to Onegin.

SCENE THREE: THE NEXT MORNING

Onegin tells Tatyana that he was touched by her letter, but that he would not be a good husband for her or anybody. He warns her to be more cautious in the future.

SCENE FOUR: WINTER

At a party celebrating Tatyana’s name day, neighbours gossip about her and Onegin. He dances with Olga instead, and Lensky becomes jealous. Monsieur Triquet, an elderly Frenchman, sings a song composed by Lensky for Tatyana. Lensky confronts Olga. She dismisses his anxiety and continues to flirt with Onegin. Lensky challenges Onegin to a duel.

INTERVAL

SCENE FIVE: EARLY THE NEXT MORNING

In a field near the Larin estate, Lensky waits for Onegin and reflects on the possibility of meeting an early death. Onegin arrives and both privately regret being in this circumstance. The men prepare their pistols. Lensky dies.

SCENE SIX: YEARS LATER

Onegin returns to St Petersburg after years travelling alone. He meets his relative Prince Gremin at a society ball. Gremin introduces Onegin to his wife: Tatyana. The unexpected meeting stirs up old feelings for both Onegin and Tatyana. Gremin describes to Onegin how happy Tatyana has made him. Onegin realises his terrible mistake in rejecting her and writes a letter, declaring his love for her.

SCENE SEVEN: THE NEXT MORNING

Onegin, having no answer to his letter, arrives at the Gremin palace and begs Tatyana to run away with him. Tatyana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is devastated.

Guidance

Suitable for ages 8+

There are gunshots 15 minutes into Scene Five. This production contains themes of suicide.

Language

Sung in Russian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.

Generous support from

Further information

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

Support Us

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