Jakub Hrůša
Music Director Designate
Oliver Mears
Director of Opera
LYRIC SCENES
Thursday 10 October 2024 7pm
The 125th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts about 3 hours, including one interval
95 minutes
25 minutes
55 minutes
Pyotr Il’yich Tchaikovsky
Konstantin Stepanovich Shilovsky
Pyotr Il’yich Tchaikovsky
after the verse novel by Alexander Sergeyevich Pushkin
Henrik Nánási
Ted Huffman
Hyemi Shin
Astrid Klein
D. M. Wood
Lucy Burge
Gordon Bintner
Kristina Mkhitaryan
Liparit Avetisyan
Avery Amereau
Dmitry Belosselskiy
Alison Kettlewell
Rhonda Browne
Christophe Mortagne
Siphe Kwani
Jamie Woollard
Alex Gotch
Timothy Parker-Langston
Chloe Pujade-Lauraine Portocarrero
Kevin Tolbaru
Lauren Bridle
Viva Foster
Alex Gotch
Sebastien Kapps
Dak Mashava
Milo McCarthy
Sam Morris
Audrey Page
Sophie Tierney
Róisín Whelan
Siphe Kwani and Jamie Woollard are Jette Parker Artists
Royal Opera Chorus
William Spaulding
Orchestra of the Royal Opera House
Vasko Vassilev
by Arrangement with TRITTICO
Christine Cunnold
Celeste Gattai
Alison Rayner
Elinor Rolfe Johnson
Rosalind Waters
Vanessa Woodfine
Siobhain Gibson
Zoë Haydn
Frances Jellard
Simon Biazeck
Phillip Brown
Andrew Busher
Andrew Friedhoff
Oscar Castellino
Oliver Gibbs
James Quilligan
Jonathan Wood
Sergey Rybin
Christopher Willis
Richard Fu
Simon Iorio
Eleanor Burke
Róisín Whelan
Liuba Orfenova
Carlotta De Gregori of RC-Annie Ltd
Yarit Dor
Richard Fu is a Jette Parker Artist
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
In the garden of the Larin country estate, Tatyana and her sister Olga are singing an old love song. Their mother Madame Larina reflects with the girls’ nurse Filipyevna on the days before her marriage. A group of neighbours arrives to celebrate the harvest with song and dance. Vladimir Lensky, Olga’s childhood friend and suitor, arrives at the estate and introduces his new neighbour Eugene Onegin to the sisters. Tatyana falls deeply for Onegin.
Unable to sleep, Tatyana asks Filipyevna about her own youth and early marriage. Tatyana writes a letter to Onegin confessing her love for him. At dawn, she asks Filipyevna to arrange for the letter to be delivered to Onegin.
Onegin tells Tatyana that he was touched by her letter, but that he would not be a good husband for her or anybody. He warns her to be more cautious in the future.
At a party celebrating Tatyana’s name day, neighbours gossip about her and Onegin. He dances with Olga instead, and Lensky becomes jealous. Monsieur Triquet, an elderly Frenchman, sings a song composed by Lensky for Tatyana. Lensky confronts Olga. She dismisses his anxiety and continues to flirt with Onegin. Lensky challenges Onegin to a duel.
In a field near the Larin estate, Lensky waits for Onegin and reflects on the possibility of meeting an early death. Onegin arrives and both privately regret being in this circumstance. The men prepare their pistols. Lensky dies.
Onegin returns to St Petersburg after years travelling alone. He meets his relative Prince Gremin at a society ball. Gremin introduces Onegin to his wife: Tatyana. The unexpected meeting stirs up old feelings for both Onegin and Tatyana. Gremin describes to Onegin how happy Tatyana has made him. Onegin realises his terrible mistake in rejecting her and writes a letter, declaring his love for her.
Onegin, having no answer to his letter, arrives at the Gremin palace and begs Tatyana to run away with him. Tatyana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is devastated.
Suitable for ages 8+
There are gunshots 15 minutes into Scene Five. This production contains themes of suicide.
Sung in Russian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from
Royal Ballet and Opera Principal
Julia Rausing Trust
Generous philanthropic support from Fondation Socindec, Huo Family Foundation and Crevan O’Grady & Jane McClenahan
The role of Eugene Onegin is supported by Alan and Christine Jay
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
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For people, not profit.
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