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About
The Royal Opera
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears

Giustino

Opera seria

Cast sheet

Friday 10 October 2025

|

6.45pm

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

A co-production with La Nuova Musica

Approximate timings

The performance lasts approximately 2 hours and 25 minutes, including one interval
Part I
75 minutes
Interval
25 minutes
Part II
50 minutes
Credits

Music

George Frideric Handel

Libretto

after Nicolò Beregan

Pietro Pariati

Performing Edition by

Peter Jones

Director

Joe Hill-Gibbins

Designer

Rosanna Vize

Associate Director

Jenny Ogilvie

Lighting Designer

James Farncombe

Fight Director

Philip d'Orléans

Cast

Giustino

Polly Leech

Anastasio

Keri Fuge

Arianna/La Fortuna

Mireille Asselin

Leocasta

Esme Bronwen-Smith

Amanzio

Jake Arditti

Vitaliano

Benjamin Hulett

Polidarte

Jonathan Lemalu

Chorus and Orchestra

Conductor

David Bates

Orchestra

La Nuova Musica

Chorus

Kristina Ammattil, Anais Manz, Eva Stone-Barney, Louisa Stuart-Smith, William Prasetyo, Max Robbins, Matias Carbonetti Schwanek, Jan-Magnar Gard

LA NUOVA MUSICA

Violin 1

Jane Gordon, James Toll, Kirra Thomas, Simone Pirri, Anna Curzon

Violin 2

Davina Clarke, Sijie Chen, Will Mcgahon, George Clifford

Viola

Jordan Potter, Thomas Kettle

Cello

Alexander Rolton, Kinga Gáborjáni

Double Bass

Judith Evans

Oboe/Recorder

Leo Duarte, Sarah Humphrys

Bassoon

Inga Maria Klaucke

On-stage Horn

Ursula Paludan Monberg, Joseph Walters

On-stage Trumpet

Paul Sharp, Matthew Wells

Theorbo

Jonatan Bougt

Harpsichord

David Gerrard

LINBURY THEATRE

Senior Producer

Rachel Caccia

Producer

Grace Cook

Assistant Producer

Darragh Kelly

Linbury Technical Manager

Thomas Thompson

Linbury Assistant Technical Manager

Nick Manning

Senior Stage Technician

Charlie Earl

Stage Technician

Daryl Anderson

Senior Lighting Technician

Sophie Bailey

Lighting Technician

Matt Iles

Senior Sound and Video Technician

Andre Birck

Sound and Video Technician

Sharon Tsang

Armoury Manager

Max Brown

Linbury Costume Manager

Alice Lessing

Draughting and Design Studio Manager

Claire Meakin

ARTISTIC DIRECTOR

David Bates

CEO

John Summers OBE

PRODUCER

Megan Russell

CHAIR OF TRUSTEES

Cathy Wearing

At court, the widowed Empress Arianna, crowns her new husband, Anastasio. The celebrations are cut short when Polid...

Part One


At court, the widowed Empress Arianna, crowns her new husband, Anastasio. The celebrations are cut short when Polidarte delivers a message from his general, the rebel leader Vitaliano. Vitaliano offers to cease his attack on the empire if Arianna surrenders to his bed. She refuses and Anastasio departs to fight Vitaliano. Unbeknownst to her husband, Arianna follows.


Giustino, a young boy, is visited in a dream by the Goddess Fortuna, who declares that a great destiny awaits him. He wakes and immediately rescues a woman, Leocasta, from a bear. Leocasta is attracted to Giustino and sees great potential in him as a future leader. Meanwhile Amanzio, Anastasio’s political advisor, secretly plots to seize power through deception.


Arianna is captured by Polidarte and brought to Vitaliano. When she refuses to yield to Vitaliano, he decides to feed her to a sea monster. Anastasio has heard of Giustino’s brave exploits and sends him to rescue Arianna. Giustino kills the sea monster and captures Vitaliano. Amanzio grows jealous of Giustino’s favour with the Emperor. Anastasio and Arianna are reunited.

Interval

Part Two

Vitaliano is now Arianna’s captive, to her delight. Meanwhile the scheming Amanzio poisons Anastasio’s mind against Giustino. He convinces the Emperor that Arianna’s gift of a treasure to Giustino is not a reward for his heroics but evidence of infidelity. Anastasio is enraged and turns on his young champion. Leocasta is fearful for Giustino and tells Arianna that she suspects Amanzio of treachery.


Imprisoned, Giustino curses the Goddess Fortuna, and falls asleep from exhaustion. Vitaliano escapes his bonds and is about to kill Giustino when he hears the voice of his dead father warning him that he is about to murder his own brother. Vitaliano is stunned to discover the family mark on Giustino’s arm, and the brothers are reconciled.


Amanzio has usurped the throne and imprisoned Anastasio. Giustino returns and defeats Amanzio, ordering his immediate execution. In thanks, Anastasio offers Giustino Leocasta’s hand in marriage, and makes him co-regent.

Guidance
There is a gunshot after the interval at the end of Part II
Please note that, as this is a new production, age guidance and content warnings may be subject to change.
Language
Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

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The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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For people, not profit.

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