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The Royal Opera

  • Jakub Hrůša

    Music Director

  • Oliver Mears

    Director of Opera

Giustino

Opera seria

Sunday 12 October 2025 2pm

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 2 hours and 25 minutes, including one interval

  • Part I

    75 minutes

  • Interval

    25 minutes

  • Part II

    50 minutes


A co-production with La Nuova Musica

Credits

  • Music

    George Frideric Handel

  • Libretto

    Pietro Pariati

    after Nicolò Beregan

  • Performing Edition by

    Peter Jones

  • Director

    Joe Hill-Gibbins

  • Designer

    Rosanna Vize

  • Associate Director

    Jenny Ogilvie

  • Lighting Designer

    James Farncombe

  • Fight Director

    Philip d'Orléans

Cast

  • Giustino

    Polly Leech

  • Anastasio

    Keri Fuge

  • Arianna/La Fortuna

    Mireille Asselin

  • Leocasta

    Esme Bronwen-Smith

  • Amanzio

    Jake Arditti

  • Vitaliano

    Benjamin Hulett

  • Polidarte

    Jonathan Lemalu

Chorus and Orchestra

  • Conductor

    David Bates

  • Orchestra

    La Nuova Musica

  • Chorus

    Kristina Ammattil

    Anais Manz

    Eva Stone-Barney

    Louisa Stuart-Smith

    William Prasetyo

    Max Robbins

    Matias Carbonetti Schwanek

    Jan-Magnar Gard

LA NUOVA MUSICA

  • Violin 1

    Jane Gordon

    James Toll

    Kirra Thomas

    Simone Pirri

    Anna Curzon

  • Violin 2

    Davina Clarke

    Sijie Chen

    Will Mcgahon

    George Clifford

  • Viola

    Jordan Potter

    Thomas Kettle

  • Cello

    Alexander Rolton

    Kinga Gáborjáni

  • Double Bass

    Judith Evans

  • Oboe/Recorder

    Leo Duarte

    Sarah Humphrys

  • Bassoon

    Inga Maria Klaucke

  • On-stage Horn

    Ursula Paludan Monberg

    Joseph Walters

  • On-stage Trumpet

    Paul Sharp

    Matthew Wells

  • Theorbo

    Jonatan Bougt

  • Harpsichord

    David Gerrard

LINBURY THEATRE

  • Senior Producer

    Rachel Caccia

  • Producer

    Grace Cook

  • Assistant Producer

    Darragh Kelly

  • Linbury Technical Manager

    Thomas Thompson

  • Linbury Assistant Technical Manager

    Nick Manning

  • Senior Stage Technician

    Charlie Earl

  • Stage Technician

    Daryl Anderson

  • Senior Lighting Technician

    Sophie Bailey

  • Lighting Technician

    Matt Iles

  • Senior Sound and Video Technician

    Andre Birck

  • Sound and Video Technician

    Sharon Tsang

  • Armoury Manager

    Max Brown

  • Linbury Costume Manager

    Alice Lessing

  • Draughting and Design Studio Manager

    Claire Meakin

La Nuova Musica

  • ARTISTIC DIRECTOR

    David Bates

  • CEO

    John Summers OBE

  • PRODUCER

    Megan Russell

  • CHAIR OF TRUSTEES

    Cathy Wearing

Synopsis

Part OneAt court, the widowed Empress Arianna, crowns her new husband, Anastasio. The celebrations are cut short when Polidarte delivers a message from his general, the rebel leader Vitaliano. Vitaliano offers to cease his attack on the empire if Arianna surrenders to his bed. She refuses and Anastasio departs to fight Vitaliano. Unbeknownst to her husband, Arianna follows.

Giustino, a young boy, is visited in a dream by the Goddess Fortuna, who declares that a great destiny awaits him. He wakes and immediately rescues a woman, Leocasta, from a bear. Leocasta is attracted to Giustino and sees great potential in him as a future leader. Meanwhile Amanzio, Anastasio’s political advisor, secretly plots to seize power through deception.

Arianna is captured by Polidarte and brought to Vitaliano. When she refuses to yield to Vitaliano, he decides to feed her to a sea monster. Anastasio has heard of Giustino’s brave exploits and sends him to rescue Arianna. Giustino kills the sea monster and captures Vitaliano. Amanzio grows jealous of Giustino’s favour with the Emperor. Anastasio and Arianna are reunited.Interval

Part TwoVitaliano is now Arianna’s captive, to her delight. Meanwhile the scheming Amanzio poisons Anastasio’s mind against Giustino. He convinces the Emperor that Arianna’s gift of a treasure to Giustino is not a reward for his heroics but evidence of infidelity. Anastasio is enraged and turns on his young champion. Leocasta is fearful for Giustino and tells Arianna that she suspects Amanzio of treachery.

Imprisoned, Giustino curses the Goddess Fortuna, and falls asleep from exhaustion. Vitaliano escapes his bonds and is about to kill Giustino when he hears the voice of his dead father warning him that he is about to murder his own brother. Vitaliano is stunned to discover the family mark on Giustino’s arm, and the brothers are reconciled.

Amanzio has usurped the throne and imprisoned Anastasio. Giustino returns and defeats Amanzio, ordering his immediate execution. In thanks, Anastasio offers Giustino Leocasta’s hand in marriage, and makes him co-regent.

Guidance

There is a gunshot after the interval at the end of Part II

Please note that, as this is a new production, age guidance and content warnings may be subject to change.

Language

Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.

Further information

Digital Cast Sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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