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The Royal Opera

  • Jakub Hrůša

    Music Director

  • Oliver Mears

    Director of Opera

I puritani

OPERA IN THREE ACTS

Tuesday 30 June 2026 7pm

The 81st performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 3 hours and 5 minutes, including one interval.

  • Act I

    75 minutes

  • Interval

    25 minutes

  • Act II

    50 minutes

  • Act III

    40 minutes


Credits

  • Music

    Vincenzo Bellini

  • Libretto

    Carlo Pepoli

  • Conductor

    Riccardo Frizza

  • Director

    Richard Jones

  • Set Designer

    Hyemi Shin

  • Costume Designer

    Nicky Gillibrand

  • Lighting Designer

    Adam Silverman

  • Movement Director

    Sarah Fahie

  • Video Designer

    Sasha Balmazi-Owen

Cast

  • Elvira

    Lisette Oropesa

  • Lord Arturo Talbo

    Francesco Demuro

  • Sir Riccardo Forth

    Andrzej Filończyk

  • Sir Giorgio Valton

    Ildebrando D'Arcangelo

  • Enrichetta di Francia

    Marcela Rahal

  • Lord Gualtiero Valton

    Blaise Malaba

  • Sir Bruno Roberton

    Giorgi Guliashvili

  • Actors

    Michael Barnes

    Lauren Bridle

    Jordan Cork

    Ashton Hall

    Bridget Lappin

    Caroline Lofthouse

    Luke Murphy

    Anthony Pereira

    Sebastian Rose

    Jay Yule

Giorgi Guliashvili is a Jette Parker Artist

Chorus and Orchestra

  • Chorus

    Royal Opera Chorus

  • Chorus Director

    William Spaulding

  • Orchestra

    Orchestra of the Royal Opera House

  • Associate Concert Master

    Peter Schulmeister

Extra chorus

  • Sopranos

    Joanne Appleby

    Jessica Broad

    Eleanor Garside

    Sarah Jane Lewis

    Stephanie Poropat

    Eryl Royle

  • Mezzo-sopranos

    Cathy Bell

    Sophie Goldrick

    Susanne Holmes

  • Tenors

    Mark Chaundy

    Philippe Durrant

    Nathan Vale

  • Basses

    Oscar Castellino

    Mark Campbell-Griffiths

    Peter Willcock

Production credits

  • Music preparation

    Richard Hetherington

    Richard Fu

    Elizabeth Rowe

    Nicholas Ansdell-Evans

  • Assistant Directors

    Deborah Cohen

    Oliver Platt

  • Fight Director

    Bret Yount

  • Language Coach

    Emma Abbate

Richard Fu is a Jette Parker Artist

The Royal Opera

  • Patron

    HM The King

  • Music Director

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

Plymouth, England. Following increasingly violent anti-Royalist sentiments within the Puritan community, King Charles I is executed. Soon after, civil war breaks out.

ACT I

Elvira, the daughter of Puritan commander Gualtiero (Lord Walter Valton), has fallen in love with Arturo (Lord Arthur Talbo), the son of a staunch Royalist. Though her father has planned for Elvira to marry Riccardo (Sir Richard Forth), a Puritan, he eventually goes back on his word, agreeing to his daughter’s union with Arturo.

Citizens of Plymouth arrive for what they believe to be the wedding between Elvira and Riccardo, but it is actually that of Elvira and Arturo. Believing Elvira should be his property, Riccardo is deeply disappointed by Valton’s revision.

Elvira is greeted by her uncle Giorgio, who informs her of her father’s change of mind.

Arturo arrives to meet his bride and to declare his unyielding commitment. Within the walls of the fortress, he encounters a mysterious noblewoman being kept prisoner. She is about to be escorted to London for interrogation. Left alone with Arturo, she reveals her true identity: she is Enrichetta (Queen Henrietta), widow of King Charles I. Arturo’s loyalty to the Stuart cause compels him to save her.

When he is alone with Enrichetta, Arturo tells her that Elvira’s wedding veil will provide a disguise for her escape. As the two are leaving, Riccardo discovers them, but allows them to get away as he knows this will ruin Arturo. Arturo escorts Enrichetta out – the crowd believe they are the newlywedded. Elvira enters, believes herself betrayed and becomes increasingly distressed.

INTERVAL

ACT II

Months later, Plymouth is under siege and Elvira has descended into madness. Riccardo reports that Arturo has been condemned to death by Parliament. Driven insane, Elvira sees Arturo everywhere and dreams of her wedding. Alone with Riccardo, Giorgio tries to convince him to save Arturo for the sake of Elvira’s health. The two men strike a deal: if Arturo is found fighting for the Royalists, he will die, but if he is found off the battlefield, he will be saved and allowed to reunite with Elvira. Meanwhile, the civilian populace determine to go to war, and hunt down Arturo.ACT III

Disturbed by Elvira’s increasingly erratic state, Arturo returns to Plymouth. When he and Elvira reunite he is shocked by her mental deterioration. The two reaffirm their love and Arturo expresses regret at leaving.

Arturo reflects on his feelings of guilt over Elvira’s madness. The community arrest Arturo and prepare him for his execution. Suddenly there is an announcement: The Royalists have been defeated, and Cromwell has called for amnesty for all offenders. Everyone celebrates victory and wishes Elvira and Arturo happiness.

Guidance

There are depictions of knife violence. Some of the characters in this production experience the challenges of mental health.

Please note that, as this is a new production, age guidance and content warnings may be subject to change.

Language

Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.

Generous support from

Further information

Digital Cast Sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

Support Us

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For people, not profit.

rbo.org.uk/donate

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