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The Royal Opera
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears

La bohème

OPERA IN FOUR ACTS

Cast sheet

Wednesday 1 July 2026

|

7.30pm

The 713th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Exceptional philanthropic support from

Royal Ballet and Opera Principal The Julia Rausing Trust

Generous philanthropic support from

The Kirkland and Ellis Partners’ Circle

The Youth Opera Company is generously supported by

Yvonne and Bjarne Rieber

A co-production with Teatro Real, Madrid and Lyric Opera of Chicago

Approximate timings

The performance lasts approximately 2 hours 35 minutes, including one interval
Act I
40 minutes
Act II
20 minutes
Interval
30 minutes
Act III
30 minutes
Act IV
35 minutes
Credits

Music

Giacomo Puccini

Libretto

after Henri Murger’s novel Scènes de la vie de Bohème

Giuseppe Giacosa, Luigi Illica

Conductor

Lorenzo Passerini

Director

Richard Jones

Revival Director

Simon Iorio

Designer

Stewart Laing

Lighting Designer

Mimi Jordan Sherin

Movement Director

Sarah Fahie

Revival Movement Director

Danielle Urbas

Cast

Mimì

Juliana Grigoryan

Rodolfo

Freddie De Tommaso

Marcello

Luca Micheletti

Musetta

Marina Monzó

Schaunard

Modestas Sedlevičius

Colline

Gianluca Buratto

Benoît

Eddie Wade

Alcindoro

Freddie Tong

Parpignol

Andrew Macnair

Customs Officer

Robert Winslade Anderson

Sergeant

Charbel Mattar

Solo Voices

Madeleine Mitchell, Renata Skarelyte, Olle Zetterström, Dawid Kimberg, Timothy Parker-Langston

Children (Singing)

Andrei Caprar

Children (Singing)

Anika Jain

Children (Singing)

Arinzé Obi

Children (Singing)

Atharva Goswami

Children (Singing)

Eos Groen

Children (Singing)

Felix Flynn

Children (Singing)

Georgiana Bamford

Children (Singing)

Isla Faulkner

Children (Singing)

James Halliday

Children (Singing)

Jasmine Essayah

Children (Singing)

Jessica Roulston

Children (Singing)

Joy Hang Hui

Children (Singing)

Leo Giron

Children (Singing)

Lily-Rose Gardillou

Children (Singing)

Lucy Varga

Children (Singing)

Marco Giuliani

Children (Singing)

Mimi Kwei

Children (Singing)

Viola Massetani

Children (Singing)

William McCauley-Tinniswood

Children (Singing)

Zakariya Safdar

Actors

Lucy Brenchley, Kieran Dee, Paul Dennison, Richard Gittins, Simon Jaymes, Anthony Kurt-Gabel, Tom Levermore, Laura Canela Queralt, Davy Quistin, Charlie Venables, Addis Williams, Timo Willman

Chorus and Orchestra

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Extra Chorus

Sopranos

Celeste Gattai, Bernadette Lord, Alison Rayner, Rosalind Waters

Mezzo-sopranos

Tamsin Dalley, Maria Jones, Jennifer Westwood

Tenors

Jonathan English, Andrew Friedhoff, James Greer

Basses

James Birchall, Gavin Horsley, Simon Preece, Jonathan Wood

Children’s Chorus

Youth Opera Company

Music Director

Youth Opera Company

Patrick Barrett

Production credits

Music preparation

Christopher Willis, Susanna Stranders, Nick Fletcher, Aleksandra Myslek, Mark Packwood, Elizabeth Rowe

Assistant Directors

Talia Stern, Ashley Pearson

Language Coach

Francesca Matta

Talia Stern is a Jette Parker Artist

Patron

HM The King

Music Director Designate

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

Rodolfo and Marcello complain about the bitter cold...

The opera is set in Paris

ACT I

An attic in the Latin Quarter, Christmas Eve


Rodolfo and Marcello complain about the bitter cold. They need to light their stove: Marcello suggests using a chair, but Rodolfo offers the manuscript of the play he is writing. Colline arrives and the remaining acts of the play are burnt.

Schaunard arrives with wood, food and wine. He explains that an Englishman engaged him to play his violin to hasten the death of a parrot. The friends decide to go and eat in the Latin Quarter but are interrupted by Benoît, their landlord, who has come for the rent. They ply him with wine and Benoît boasts of his sexual prowess. The bohemians pretend outrage at Benoît’s immorality and push him out.

Marcello, Colline and Schaunard head to Café Momus, leaving Rodolfo behind to finish an article. There is a knock at the door. It is a girl who asks for a light for her candle. She feels faint from climbing the stairs. As she is leaving her candle flickers out again and she realizes that she has lost her key. Rodolfo’s candle also goes out and they search for her key in the moonlight. Rodolfo takes the girl’s icy hand and tells her of his life as a poet. The girl tells him her name, Mimì, and describes her simple life as a flower embroiderer. Schaunard, Colline and Marcello shout up to Rodolfo to hurry. Mimì asks if she may join them at the Café Momus. Rodolfo suggests they might stay in, but eventually they leave together singing of their love.

ACT II

The Latin Quarter


Rodolfo and Mimì wander through the Christmas Eve crowds. Rodolfo introduces Mimì to his friends. When Mimì shows her new friends the bonnet Rodolfo has brought her, Marcello expresses cynicism about romance.

As they propose a toast, Marcello’s ex-girlfriend Musetta appears, accompanied by Alcindoro, her rich admirer. Agitated at being ignored by Marcello, Musetta launches into a song – to provoke and seduce him. She complains of a painful foot and dispatches Alcindoro to buy new shoes. The bill for supper arrives, but the bohemians have already spent their money. Musetta places their bill on Alcindoro’s plate. A marching band arrives, and the bohemians leave with Musetta. Alcindoro returns and is presented with the bill.

INTERVAL
ACT III

Outside the Barrière d'Enfer


Workers arrive from out of town to enter the city. From inside a tavern comes the voice of Musetta. Mimì enters, ill and racked with coughing. She asks for Marcello. He tells her that he and Musetta are now living at the inn and that Rodolfo turned up in the night. Mimì explains that Rodolfo’s jealousy is destroying their relationship and he wants to leave her. Marcello advises Mimì to go, but she hides nearby.

Rodolfo comes out of the tavern and says he will break up with Mimì: her flirting has incensed him. Eventually, however, he reveals the real reason for their separation: she is so ill that his miserable poverty offers her nothing but the prospect of death. They hear Mimì crying and coughing. As Rodolfo hurries to her, Musetta’s laugh is heard and Marcello goes to see what she is doing. Mimì says farewell to Rodolfo and asks him to send on her possessions. She proposes that he keep her bonnet as a memento of their love. Marcello and Musetta quarrel and separate. Rodolfo and Mimì decide to postpone their separation until the spring.

ACT IV

The Attic, Autumn


Marcello and Rodolfo taunt each other about their ex-lovers: Rodolfo has seen Musetta in a fine carriage and Marcello has seen Mimì dressed like a queen. They pretend not to miss the girls but then admit that they do. Schaunard and Colline arrive with bread and a herring and the four eat and amuse each other.

Suddenly Musetta enters. She has brought Mimì, who is desperately ill: Musetta explains that she met her in the street and that Mimì begged to be taken to Rodolfo. Mimì rallies and greets the friends. Musetta instructs Marcello to sell her earrings to pay for medicine and a doctor. Colline leaves to pawn his coat. Mimì, alone with Rodolfo, expresses her boundless love for him. He shows her the bonnet and they reminisce about their first meeting. The others return with a muff and medicine, promising that a doctor will come. Mimì dies unnnoticed while they are preparing her medicine. Colline arrives with money from the pawnbroker, but it is too late.

Guidance
Suitable for age 5+
Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
Language
Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

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