La Fille du régiment
Cast sheet
Friday 10 July 2026
|
7.30pm
Royal Ballet and Opera Principal The Julia Rausing Trust
Royal Ballet and Opera Friends
Rolex, Principal Partner, The Royal Opera
Co-production with Vienna State Opera and Metropolitan Opera, New York
Approximate timings
Music
Gaetano Donizetti
Libretto
Jules-Henri Vernoy de Saint-Georges and Jean-François-Alfred Bayard
Jules-Henri Vernoy de Saint-Georges, Jean-François Alfred Bayard
Conductor
Yves Abel
Director and Costume Designer
Laurent Pelly
Revival Director
Dan Dooner
Dialogue Adaptation
Agathe Mélinand
Set designer
Chantal Thomas
Lighting designer
Joël Adam
Choreographer
Laura Scozzi
Revival Choreographer
Karine Girard
Marie
Sara Blanch
Tonio
Juan Diego Flórez
Sulpice Pingot
Paolo Bordogna
La Marquise de Berkenfield
Sonia Ganassi
Hortensius
Donald Maxwell
La Duchesse de Crakentorp
Tamsin Greig
Corporal
Eugene Dillon-Hooper
Peasant
Luke Price
Actors
Jean-Pierre Blanchard, Dom Blackwood, Charles Blyth, Barry Callan, Peter Cooney, Chris Edgerley, Fabrizio Lloris, Laurent Maria, Martin McGlade, Eduardo Nunez, Joe Rain, Daniel Swan, Peter Taylor, Bao Tieu
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Associate Concert Master
Peter Schulmeister
Music preparation
Charlotte Corderoy, Patrick Milne, Susanna Stranders
Assistant Director
Franciska Éry
Language Coach
Sonja Nerdrum
Patron
HM The King
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears
Director of Casting
Peter Mario Katona
Associate Director
Netia Jones
Administrative Director
Cormac Simms
Synopsis
Marie was found as a baby on a battlefield...
Marie was found as a baby on a battlefield, and raised by the 21st Regiment as their ‘daughter’. Her foster-father Sulpice has decreed she must marry a soldier from the Regiment. However, Marie has fallen in love with the Tyrolean peasant Tonio. When she tells Tonio about Sulpice’s decree, he determines to do whatever it takes to become Marie’s husband.
The Marquise de Berkenfield and her steward Hortensius have been caught in the conflict between French and Austrians. Sulpice recognizes the Marquise’s name from papers found near the infant Marie on the battlefield. The Marquise claims to be Marie’s aunt. She determines to take Marie away with her to give her a proper education. Marie has to leave behind her Regiment – and Tonio, who has enlisted in order to marry her.
The Marquise plans to marry Marie to Duke Scipio of Crakentorp. Marie is not happy about this, or about her aunt’s attempts to train her to be a lady. She longs for the Regiment. To her joy, they rush in to see her.
Tonio pleads with the Marquise to be allowed to marry Marie. When she refuses, he reveals that he knows that Marie is the Marquise’s illegitimate daughter. The Marquise and the formidable Duchesse de Crakentorp try to force Marie to sign her marriage contract.
When Marie learns that the Marquise is her mother she prepares to sign the papers, but is stopped by the Regiment, who come crashing in, led by Tonio. The Marquise decides she cannot make her daughter unhappy and gives Marie permission to marry Tonio after all. Everyone celebrates.
Further information
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.
For people, not profit.
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)