
We dedicate our performances of La Fille mal gardée to the memory of Derek Purnell, former Sadler’s Wells Royal Ballet dancer, Birmingham Royal Ballet Chief Executive and Royal Ballet Governor.
Choreography
Frederick Ashton
Music
Ferdinand Hérold
Arranged and Orchestrated by
John Lanchbery
Scenario
Jean Dauberval
Designer
Osbert Lancaster
Lighting designer
John B. Read
Staging
Christopher Carr
Principal Coaching
Alexander Agadzhanov, Stuart Cassidy, Jean Christophe Lesage, Isabel McMeekan
Senior Répétiteur
Samantha Raine
Répétiteur
Sian Murphy
Benesh Choreologist
Daniel Kraus
Widow Simone
A rich farmer
Thomas Whitehead
Lise
Her daughter
Fumi Kaneko
Colas
A young farmer in love with Lise
Matthew Ball
Thomas
A prosperous vineyard owner
Aiden O'Brien
Alain
His son
Taisuke Nakao
Cockerel
Joshua Junker
Hens
Sierra Glasheen, Scarlett Harvey, Ella Newton Severgnini, Ginevra Zambon
Lise's Friends
Mica Bradbury, Yu Hang, Sae Maeda, Nadia Mullova-Barley, Julia Roscoe, Leticia Stock, Charlotte Tonkinson, Amelia Townsend
Village Notary
James Hay
Notary's Clerk
Joshua Junker
Villagers, Harvesters, Grooms
Artists of The Royal Ballet
Conductor
Jonathan Lo
Principal Guest Concert Master
by arrangement with Trittico
Vasko Vassilev
Orchestra
Orchestra of the Royal Opera House
Director
Kevin O’Hare CBE
Music Director
Koen Kessels
Resident Choreographer
Sir Wayne McGregor CBE
Artistic Associate
Christopher Wheeldon OBE
Administrative Director
Heather Baxter
Rehearsal Director
Christopher Saunders
Clinical Director Ballet Healthcare
Shane Kelly
Lise, the only daughter of Simone who is a widow and owner of a prosperous farm, is in love with Colas, a young far...
Lise, the only daughter of Simone who is a widow and owner of a prosperous farm, is in love with Colas, a young farmer, but her mother has far more ambitious plans.
The farm girls summon Lise to play, but her mind is elsewhere. Her suspicious and ever-watchful mother catches hold of her and chastizes her. Just then Thomas, the pompous and wealthy proprietor of a vineyard, arrives with his son Alain. Simone, aware of their mission, dismisses Lise, and Thomas asks her hand for his son. When Lise returns, Alain coyly and clumsily shows off his paces. She is amused and a little shocked by his antics, but not interested. They set off for the harvest.
It is harvest time, and after working in the fields the harvesters, led by Colas, relax in a joyful dance. Lise and Alain dance, but Colas intervenes, and the young girl makes it clear where her preference lies. One of the harvesters plays the flute, to everybody’s general delight, and Alain thinks he will have a try; but the harvesters tease him and he is rescued from their horseplay by his indignant father.
The field is now left clear for the triumphant Colas, who dances with Lise. Simone joins in the merriment of the harvesters. Suddenly they are interrupted by a storm that drenches them, scattering them far and wide.
INTERVAL
ACT II
INTERIOR OF THE FARMHOUSE
Mother and daughter, soaked by the storm, return to the farmhouse. They sit down to spin; work, thinks the mother, should keep Lise out of mischief. But she is overcome by sleep, and Lise, who has seen Colas through the gate, tries to take the key from her. Simone wakes and, in order to remain watchful, plays the tambourine for Lise to dance. But the taps grow feebler, she begins to nod, and now she is fast asleep.
Colas opens the top part of the farmhouse door and leans towards Lise. She runs joyfully into his arms. The knocking of the harvesters, coming for their pay, awakens Simone. Simone tells her daughter to get on with her chores as she leaves to give the harvesters a drink. Lise, thinking she is alone, dreams of the delights of married life. Colas cannot resist, and comes out from hiding. She is bashful at having been taken by surprise, but once again they declare their love, exchanging scarves as a token.
As Simone reappears, Lise hustles Colas into her bedroom. The ever-suspicious mother realizes that the lovers have been meeting, and in her turn hustles Lise into the bedroom, locking the door.
Alain and his father now arrive with a notary to complete the contract. When it has been signed, Simone hands Alain the bedroom key. After a moment of indecision, he opens the door and to everyone’s dismay Colas and Lise are revealed together. The lovers fall on their knees to ask Simone for forgiveness and a blessing. In spite of Thomas and Alain, she finally gives in amid general rejoicing.
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