
Kevin O'Hare CBE
Director
Dame Ninette de Valois OM CH DBE
Founder
Sir Frederick Ashton OM CH CBE
Founder Choreographer
Constant Lambert
Founder Music Director
Dame Margot Fonteyn DBE
Prima Ballerina Assoluta
THE WAYWARD DAUGHTER – Ballet in Two Acts
Wednesday 5 November 2025 7.30pm
The 377th performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
This performance lasts approximately 2 hours and 15 minutes, including one interval
65 minutes
30 minutes
40 minutes
We dedicate our performances of La Fille mal gardée to the memory of Derek Purnell, former Sadler’s Wells Royal Ballet dancer, Birmingham Royal Ballet Chief Executive and Royal Ballet Governor.
Frederick Ashton
Ferdinand Hérold
John Lanchbery
Jean Dauberval
Osbert Lancaster
John B. Read
Christopher Carr
Alexander Agadzhanov
Stuart Cassidy
Jean Christophe Lesage
Isabel McMeekan
Samantha Raine
Sian Murphy
Daniel Kraus
Performances are given by permission of Boosey & Hawkes Music Publishers Limited on behalf of Oxford University Press
James Hay
A rich farmer
Francesca Hayward
Her daughter
Marcelino Sambé
A young farmer in love with Lise
Christopher Saunders
A prosperous vineyard owner
Joshua Junker
His son
Liam Boswell
Madison Bailey
Bomin Kim
Leticia Stock
Marianna Tsembenhoi
Mica Bradbury
Annette Buvoli
Leticia Dias
Hannah Grennell
Chisato Katsura
Sae Maeda
Mariko M. Sasaki
Charlotte Tonkinson
Aiden O'Brien
Liam Boswell
Artists of The Royal Ballet
Oscar the pony is supplied by Pampered Ponies. Oscar's handlers are Emily Wooley and Matilda Masters
Jonathan Lo
Vasko Vassilev
by arrangement with Trittico
Orchestra of the Royal Opera House
Kevin O’Hare CBE
Koen Kessels
Sir Wayne McGregor CBE
Christopher Wheeldon OBE
Heather Baxter
Christopher Saunders
Shane Kelly
Lise, the only daughter of Simone who is a widow and owner of a prosperous farm, is in love with Colas, a young farmer, but her mother has far more ambitious plans.
ACT ISCENE 1: THE FARMYARDThe dawn of a busy day on the farm is heralded by the cock and his attendant hens. Lise, disappointed at not seeing Colas, leaves a ribbon tied in a lover’s knot as a token of her devotion. Colas finds it and binds it to his staff. The lovers meet, but are interrupted by Simone, who sets her daughter a task churning butter. Colas, hiding in the loft, joins her. The work is shared and then forgotten as they declare their love.
The farm girls summon Lise to play, but her mind is elsewhere. Her suspicious and ever-watchful mother catches hold of her and chastizes her. Just then Thomas, the pompous and wealthy proprietor of a vineyard, arrives with his son Alain. Simone, aware of their mission, dismisses Lise, and Thomas asks her hand for his son. When Lise returns, Alain coyly and clumsily shows off his paces. She is amused and a little shocked by his antics, but not interested. They set off for the harvest.
SCENE 2: THE CORNFIELD
It is harvest time, and after working in the fields the harvesters, led by Colas, relax in a joyful dance. Lise and Alain dance, but Colas intervenes, and the young girl makes it clear where her preference lies. One of the harvesters plays the flute, to everybody’s general delight, and Alain thinks he will have a try; but the harvesters tease him and he is rescued from their horseplay by his indignant father.
The field is now left clear for the triumphant Colas, who dances with Lise. Simone joins in the merriment of the harvesters. Suddenly they are interrupted by a storm that drenches them, scattering them far and wide.
INTERVAL
ACT IIINTERIOR OF THE FARMHOUSEMother and daughter, soaked by the storm, return to the farmhouse. They sit down to spin; work, thinks the mother, should keep Lise out of mischief. But she is overcome by sleep, and Lise, who has seen Colas through the gate, tries to take the key from her. Simone wakes and, in order to remain watchful, plays the tambourine for Lise to dance. But the taps grow feebler, she begins to nod, and now she is fast asleep.Colas opens the top part of the farmhouse door and leans towards Lise. She runs joyfully into his arms. The knocking of the harvesters, coming for their pay, awakens Simone. Simone tells her daughter to get on with her chores as she leaves to give the harvesters a drink. Lise, thinking she is alone, dreams of the delights of married life. Colas cannot resist, and comes out from hiding. She is bashful at having been taken by surprise, but once again they declare their love, exchanging scarves as a token.As Simone reappears, Lise hustles Colas into her bedroom. The ever-suspicious mother realizes that the lovers have been meeting, and in her turn hustles Lise into the bedroom, locking the door.
Alain and his father now arrive with a notary to complete the contract. When it has been signed, Simone hands Alain the bedroom key. After a moment of indecision, he opens the door and to everyone’s dismay Colas and Lise are revealed together. The lovers fall on their knees to ask Simone for forgiveness and a blessing. In spite of Thomas and Alain, she finally gives in amid general rejoicing.
Suitable for ages 5+
There are flashing lights and strobe lighting in this production. Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing TrustExceptional philanthropic support from Sir Lloyd and Lady Dorfman OBE, Francesca Storey-Harris In memory of Judy Harris, Charles Holloway OBE, The Jean Sainsbury Royal Opera House Fund, Claire Jeffs, Doug and Ceri King, The Thompson Family Charitable Trust, Lindsay and Sarah Tomlinson, The La Fille mal gardée Production Syndicate and Royal Ballet and Opera FriendsThe 2025/26 Royal Ballet Season is generously supported by Aud JebsenPart of Ashton Worldwide the Frederick Ashton Foundation’s international festival 2024-28
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Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
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