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The Royal Ballet

  • Kevin O'Hare CBE

    Director

  • Dame Ninette de Valois OM CH DBE

    Founder

  • Sir Frederick Ashton OM CH CBE

    Founder Choreographer

  • Constant Lambert

    Founder Music Director

  • Dame Margot Fonteyn DBE

    Prima Ballerina Assoluta

La Fille mal gardée

THE WAYWARD DAUGHTER

Saturday 23 May 2026 7pm

The 383rd performance by The Royal Ballet at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The evening performances last approximately 2 hours and 15 minutes, including one interval. The matinee performances last approximately 2 hours and 30 minutes, including two intervals.

  • Evening

    135 minutes

  • Act I

    65 minutes

  • Interval

    30 minutes

  • Act II

    40 minutes

  • Matinee

    150 minutes

  • Act I Scene 1

    30 minutes

  • Interval

    20 minutes

  • Act I Scene 2

    35 minutes

  • Interval

    25 minutes

  • Act II

    40 minutes


Credits

  • Choreography

    Frederick Ashton

  • Music

    Ferdinand Hérold

  • Arranged and orchestrated by

    John Lanchbery

  • Scenario

    Jean Dauberval

  • Designer

    Osbert Lancaster

  • Lighting designer

    John B. Read

  • Staging

    Christopher Carr

  • Principal Coaching

    Alexander Agadzhanov

    Stuart Cassidy

    Jean Christophe Lesage

    Isabel McMeekan

  • Senior Répétiteur

    Samantha Raine

  • Répétiteurs

    Sian Murphy

    Zhan Atymtyayev

  • Benesh Choreologist

    Daniel Kraus

Performances are given by permission of Boosey & Hawkes Music Publishers Limited on behalf of Oxford University Press

Cast

  • Widow Simone

    Bennet Gartside

    A rich farmer

  • Lise

    Natalia Osipova

    Her daughter

  • Colas

    Patricio Revé

    A young farmer in love with Lise

  • Father Thomas

    Christopher Saunders

    A prosperous vineyard owner

  • Alain

    Taisuke Nakao

    His son

  • Cockerel

    Joshua Junker

  • Hens

    Madison Bailey

    Sierra Glasheen

    Bomin Kim

    Marianna Tsembenhoi

  • Lise's Friends

    Mica Bradbury

    Olivia Cowley

    Yu Hang

    Chisato Katsura

    Nadia Mullova-Barley

    Viola Pantuso

    Julia Roscoe

    Lara Turk

  • Flute Boy

    Marco Masciari

  • Village Notary

    James Large

  • Notary's Clerk

    Joshua Junker

  • Villagers, Harvesters, Grooms

    Artists of The Royal Ballet

Music credits

  • Conductor

    José Salazar

  • Concert Master

    Sergey Levitin

  • Orchestra

    Orchestra of the Royal Opera House

The Royal Ballet

  • Director

    Kevin O’Hare CBE

  • Music Director

    Koen Kessels

  • Resident Choreographer

    Sir Wayne McGregor CBE

  • Artistic Associate

    Christopher Wheeldon OBE

  • Administrative Director

    Heather Baxter

  • Rehearsal Director

    Christopher Saunders

  • Clinical Director Ballet Healthcare

    Shane Kelly

Synopsis

Lise, the only daughter of Simone who is a widow and owner of a prosperous farm, is in love with Colas, a young farmer, but her mother has far more ambitious plans.

Act I

Scene 1: The farmyard

The dawn of a busy day on the farm is heralded by the cock and his attendant hens. Lise, disappointed at not seeing Colas, leaves a ribbon tied in a lover’s knot as a token of her devotion. Colas finds it and binds it to his staff. The lovers meet, but are interrupted by Simone, who sets her daughter a task churning butter. Colas, hiding in the loft, joins her. The work is shared and then forgotten as they declare their love.

The farm girls summon Lise to play, but her mind is elsewhere. Her suspicious and ever-watchful mother catches hold of her and chastizes her. Just then Thomas, the pompous and wealthy proprietor of a vineyard, arrives with his son Alain. Simone, aware of their mission, dismisses Lise, and Thomas asks her hand for his son. When Lise returns, Alain coyly and clumsily shows off his paces. She is amused and a little shocked by his antics, but not interested. They set off for the harvest.Scene 2: The cornfield

It is harvest time, and after working in the fields the harvesters, led by Colas, relax in a joyful dance. Lise and Alain dance, but Colas intervenes, and the young girl makes it clear where her preference lies. One of the harvesters plays the flute, to everybody’s general delight, and Alain thinks he will have a try; but the harvesters mock him and he is rescued from their horseplay by his indignant father.

The field is now left clear for the triumphant Colas, who dances with Lise. Simone joins in the merriment of the harvesters. Suddenly they are interrupted by a storm that drenches them, scattering them far and wide.

Act II

Interior of the farmhouse

Mother and daughter, soaked by the storm, return to the farmhouse. They sit down to spin; work, thinks the mother, should keep Lise out of mischief. But she is overcome by sleep, and Lise, who has seen Colas through the gate, tries to take the key from her. Simone wakes and, in order to remain watchful, plays the tambourine for Lise to dance. But the taps grow feebler, she begins to nod, and now she is fast asleep.

Colas opens the top part of the farmhouse door and leans towards Lise. She runs joyfully into his arms. The knocking of the harvesters, coming for their pay, awakens Simone. Simone tells her daughter to get on with her chores as she leaves to give the harvesters a drink. Lise, thinking she is alone, dreams of the delights of married life. Colas cannot resist, and comes out from hiding. She is bashful at having been taken by surprise, but once again they declare their love, exchanging scarves as a token.

As Simone reappears, Lise hustles Colas into her bedroom. The ever-suspicious mother realizes that the lovers have been meeting, and in her turn hustles Lise into the bedroom, locking the door.

Alain and his father now arrive with a notary to complete the contract. When it has been signed, Simone hands Alain the bedroom key. After a moment of idiotic indecision, he opens the door and to everyone’s dismay Colas and Lise come out. The lovers fall on their knees to ask Simone for forgiveness and a blessing. In spite of Thomas and Alain, she finally gives in amid general rejoicing.

Guidance

Suitable for ages 5+

There are flashing lights and strobe lighting in this production. Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.

Generous support from

Further information

Companies of the Royal Ballet and Opera

The Royal Ballet

Based at the Royal Opera House in Covent Garden, The Royal Ballet unites tradition and heritage with innovation and artistry to produce extraordinary theatre. See the full Company here.The Orchestra of the Royal Opera House

The Orchestra accompanies The Royal Opera and The Royal Ballet on the Main Stage under the music direction of Jakub Hrůša (The Royal Opera) and Koen Kessels (The Royal Ballet). See the full Orchestra here.

The Royal Opera Chorus

Since 1947 the chorus has been the backbone of The Royal Opera, performing in an average of 20 productions each season, in a wide repertory ranging from Baroque through to newly commissioned works. See the full Chorus list here.

Support Us

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

Digital Cast Sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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