Jakub Hrůša
Music Director Designate
Oliver Mears
Director of Opera
OPERA IN THREE ACTS
Tuesday 17 September 2024 7pm
The 581st performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 3 hours, including two intervals
30 minutes
30 minutes
65 minutes
25 minutes
30 minutes
Giuseppe Verdi
Francesco Maria Piave
after Alexandre Dumas fils’ play La Dame aux Camélias
Alexander Joel
Richard Eyre
Bob Crowley
Jean Kalman
Jane Gibson
Hrachuhí Bassénz
Ismael Jordi
Simon Keenlyside
Barnaby Rea
Veena Akama-Makia
Jingwen Cai
Grisha Martirosyan
Ryan Vaughan Davies
Ossian Huskinson
Luke Price
Dawid Kimberg
John Morrissey
Evelyn Rose Rata
Anastasiya Hristova
Peter Cooney
Dana Myzer
Richard Gittins
Paulo Lopes
Harold Addo
Vidal Sancho
Fabrizio Amanajas
Andrew Ashton
Rain de Rye Barrett
Natasha Moss
Laura Boulter
Stefanos Dimoulas
Nicholas James
Simon Jaymes
Mark Joslin
Bless Klepcharek
Claudia Mia
David Murley
Eduardo Nunez
Paula Puga
Laura Canela Queralt
Leticia Sanchez
Josie Sinnadurai
Vlad Troncea
Robert Wilkes
Veena Akama-Makia, Jingwen Cai, Grisha Martirosyan, Ryan Vaughan Davies and Ossian Huskinson are Jette Parker Artists
BSL Interpretation provided by Wendy Ebsworth, with assistance from Caroline Jaya-Ratnam
Royal Opera Chorus
William Spaulding
Genevieve Ellis
Orchestra of the Royal Opera House
Vasko Vassilev
Rebecca Goulden
Rosalind Waters
Kathryn Jenkin
Vanessa Woodfine
Jeanette Ager
Clare McCaldin
Zoë Haydn
Simon Biazeck
Andrew Busher
Andrew Mackenzie-Wicks
Oliver Gibbs
Gavin Horsley
Richard Hetherington
Ben-San Lau
Leanne Singh-Levett
Edward Reeve
David Sutton-Anderson
Ruth Knight
Paula Puga
Isabella Radcliffe
Emma Jealouse
Ian Costello
Nicholas Lynne
Amedine Bello
Annette Herold
Julia Grundy
Jonathan Nash
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
Violetta is a well-known Parisian courtesan. At one of her parties, her guest Gastone introduces her to Alfredo Germont. Alfredo and Violetta sing together in praise of wine and pleasure. Violetta invites her guests to dance, but suddenly feels unwell – she is seriously ill with tuberculosis. The guests go on without her, but Alfredo stays behind. He tells Violetta that he is in love with her, and offers to take care of her. The guests leave. Alone, Violetta realizes she is attracted to Alfredo, but in her situation thinks she can only expect to live for pleasure. Her resolve wavers when she hears Alfredo outside.
Alfredo and Violetta have been living together for three months. Alfredo learns from Violetta’s maid Annina that Violetta has been selling her possessions to pay their bills. He leaves for Paris to raise more funds himself. Violetta receives an unexpected visit from Alfredo’s father, Giorgio Germont. His daughter’s forthcoming marriage is threatened by the scandal of Violetta’s affair with Alfredo. He asks Violetta to give up his son. She reluctantly agrees to leave Alfredo, but begs Germont to comfort his son after she has gone. Germont departs, praising her courage. Alfredo returns and after Violetta begs him to always love her, she goes out. A messenger brings Alfredo a note from Violetta, saying that she has left him. Germont returns to comfort his son and beg him to come back to the family home. Alfredo, who doesn’t know all that has happened, decides to follow Violetta to Paris.
Guests gossip, dance and play cards at an elegant party given by Violetta’s friend Flora Bervoix. Alfredo arrives and gambles recklessly. Violetta and her new protector Baron Douphol arrive, which provokes Alfredo to challenge the Baron to a game of cards. Alfredo wins. Violetta asks to see Alfredo alone. When she refuses to leave with him, he summons the other guests, and throws his winnings at her as payment for their life together. Germont arrives and denounces his son’s insulting behaviour, and the Baron challenges Alfredo to a duel.
Violetta is dying. She sends Annina to watch the Carnival festivities, and re-reads a letter in which Germont tells her that Alfredo now knows the truth about her sacrifice and will come to her. To Violetta’s joy, Alfredo arrives with Annina. Violetta and Alfredo excitedly plan a new life together away from Paris. But they realize that their plans are in vain: Violetta is too ill to recover. With Alfredo, his father, Annina and Doctor Grenvil in attendance, Violetta resigns herself to death. A sudden rush of life convinces her she has recovered, but it is a symptom of the final stage of her illness. She collapses dead in Alfredo’s arms.
Suitable for ages 5+
Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from
Royal Ballet and Opera Principal Julia Rausing Trust
Generous philanthropic support from
Professor Paul Cartledge and Judith Portrait OBE
Position of Head of Music Richard Hetherington generously supported by
Bertrand and Elisabeth Meunier
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.
For people, not profit.
rbo.org.uk/donate
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)