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The Royal Opera

  • Jakub Hrůša

    Music Director

  • Oliver Mears

    Director of Opera

La traviata

OPERA IN THREE ACTS

Monday 19 January 2026 7pm

The 589th performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 3 hours 15 minutes, including two intervals

  • Act I

    35 minutes

  • Interval

    30 minutes

  • Act II

    65 minutes

  • Interval

    25 minutes

  • Act III

    40 minutes


Credits

  • Music

    Giuseppe Verdi

  • Libretto

    Francesco Maria Piave

    after Alexandre Dumas fils’ play La Dame aux Camélias

  • Conductor

    Antonello Manacorda

  • Director

    Richard Eyre

  • Revival Director

    Simon Iorio

  • Designer

    Bob Crowley

  • Lighting designer

    Jean Kalman

  • Director of movement

    Jane Gibson

Cast

  • Violetta Valéry

    Pretty Yende

  • Alfredo Germont

    Bekhzod Davronov

  • Giorgio Germont

    Amartuvshin Enkhbat

  • Annina

    Renata Skarelyte

  • Doctor Grenvil

    Barnaby Rea

  • Flora Bervoix

    Jingwen Cai

  • Baron Douphol

    Siphe Kwani

  • Gastone de Letorières

    Emyr Lloyd Jones

  • Marquis D'Obigny

    Freddie Tong

  • Giuseppe

    Luke Price

  • Messenger

    Dawid Kimberg

  • Servant

    Thomas Barnard

  • Flowergirl

    Emilia Menzies

  • Actors

    Peter Cooney

    Richard Gittins

    Paulo Lopes

    Dana Myzer

    Vidal Sancho

    Daniel Swan

  • Dancers

    Fabrizio Amanajas

    Ariana Armenakas

    Priscilla Gomez Cabrales

    Rain de Rye Barrett

    Stefanos Dimoulas

    Julia Ruiz Fernandez

    Nic James

    Simon Jaymes

    Mark Joslin

    Sebastian Kapps

    Natasha Moss

    David Murley

    Eduardo Nunez

    Paula Puga

    Barnaby Quarendon

    Laura Canela Queralt

    Leticia Sanchez

    Vlad Troncea

    Robert Wilkes

Jingwen Cai, Siphe Kwani and Emyr Lloyd Jones are Jette Parker Artists

Chorus and Orchestra

  • Chorus

    Royal Opera Chorus

  • Chorus Director

    William Spaulding

  • Orchestra

    Orchestra of the Royal Opera House

  • Principal Guest Concert Master

    Vasko Vassilev

Extra Chorus

  • Sopranos

    Bernadette Lord

    Rosalind Waters

    Vanessa Woodfine

  • Mezzo-sopranos

    Jeanette Ager

    Clare McCaldin

  • Tenors

    Simon Biazeck

    Andrew Busher

    Andrew Mackenzie-Wicks

    Richard Monk

  • Basses

    Oliver Gibbs

    Gavin Horsley

Production credits

  • Music preparation

    Patrick Milne

    William Spaulding

    Peggy Wu

    Nick Fletcher

    Ben-San Lau

    David Sutton Anderson

  • Assistant Directors

    Cecilia Stinton

    Oscar Simms

  • Assistant to the Director of Movement

    Paula Puga

  • Language coaches

    Emma Abbate

    Isabella Radcliffe

  • Audio Description

    Julia Grundy

    Jonathan Nash

Peggy Wu is a Jette Parker Artist

The Royal Opera

  • Patron

    HM The King

  • Music Director Designate

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

ACT I

A SALON IN VIOLETTA’S HOUSE; AUGUST

Violetta is a well-known Parisian courtesan. At one of her parties, her guest Gastone introduces her to Alfredo Germont. Alfredo and Violetta sing together in praise of wine and pleasure. Violetta invites her guests to dance, but suddenly feels unwell – she is seriously ill with tuberculosis. The guests go on without her, but Alfredo stays behind. He tells Violetta that he is in love with her, and offers to take care of her. The guests leave. Alone, Violetta realizes she is attracted to Alfredo, but in her situation thinks she can only expect to live for pleasure. Her resolve wavers when she hears Alfredo outside.

INTERVAL

ACT II

A COUNTRY HOUSE NEAR PARIS; THE FOLLOWING JANUARY

Alfredo and Violetta have been living together for three months. Alfredo learns from Violetta’s maid Annina that Violetta has been selling her possessions to pay their bills. He leaves for Paris to raise more funds himself. Violetta receives an unexpected visit from Alfredo’s father, Giorgio Germont. His daughter’s forthcoming marriage is threatened by the scandal of Violetta’s affair with Alfredo. He asks Violetta to give up his son. She reluctantly agrees to leave Alfredo, but begs Germont to comfort his son after she has gone. Germont departs, praising her courage. Alfredo returns and after Violetta begs him to always love her, she goes out. A messenger brings Alfredo a note from Violetta, saying that she has left him. Germont returns to comfort his son and beg him to come back to the family home. Alfredo, who doesn’t know all that has happened, decides to follow Violetta to Paris.

A SALON IN FLORA’S HOUSE

Guests gossip, dance and play cards at an elegant party given by Violetta’s friend Flora Bervoix. Alfredo arrives and gambles recklessly. Violetta and her new protector Baron Douphol arrive, which provokes Alfredo to challenge the Baron to a game of cards. Alfredo wins. Violetta asks to see Alfredo alone. When she refuses to leave with him, he summons the other guests, and throws his winnings at her as payment for their life together. Germont arrives and denounces his son’s insulting behaviour, and the Baron challenges Alfredo to a duel.

INTERVAL

ACT III

VIOLETTA’S BEDROOM: FEBRUARY

Violetta is dying. She sends Annina to watch the Carnival festivities, and re-reads a letter in which Germont tells her that Alfredo now knows the truth about her sacrifice and will come to her. To Violetta’s joy, Alfredo arrives with Annina. Violetta and Alfredo excitedly plan a new life together away from Paris. But they realize that their plans are in vain: Violetta is too ill to recover. With Alfredo, his father, Annina and Doctor Grenvil in attendance, Violetta resigns herself to death. A sudden rush of life convinces her she has recovered, but it is a symptom of the final stage of her illness. She collapses dead in Alfredo’s arms.

Guidance

Suitable for ages 5+

Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.

Language

Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.

Generous support from

Further information

Digital Cast Sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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rbo.org.uk/donate

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