
A co-commission with Guildhall School of Music & Drama
Composer
Oliver Leith
Librettist and Art Director
Matt Copson
Co-directors
Anna Morrissey, Matt Copson
Set designer
Grace Smart
Costume Designer
Nat Turner
Lighting designer
Prema Mehta
Sound Design
Sound Intermedia
Blake
Jake Dunn
Superfan
Patricia Auchterlonie
Housemate
Edmund Danon
Delivery Driver / Housemate
Mimi Doulton
Groundskeeper
Sion Goronwy
Private Investigator
Jimmy Holliday
MORMONS / HOUSEMATES
Kate Howden, Zahid Siddiqui
Magician
Henry Jenkinson
Trip (Blake's Manager)
Pre-recorded role
Cole Morrison
Opera singer
Pre-recorded role
Caroline Polachek
Conductor
Jack Sheen
Orchestra
12 Ensemble
Orchestra
GBSR Duo
Co-Artistic Directors
Eloisa-Fleur Thom, Max Ruisi
Musicians
Eloisa-Fleur Thom, Alessandro Ruisi, Oliver Cave, Ellie Consta, Luba Tunnicliffe, Matthew Kettle, Max Ruisi, Peteris Sokolovskis, Toby Hughes
Percussionist
George Barton
Pianist
Siwan Rhys
Associate Director
Netia Jones
Senior Producer
Rachel Caccia
Producer
Grace Cook
Assistant Producer
Darragh Kelly
Linbury Technical Manager
Thomas Thompson
Linbury Assistant Technical Manager
Nick Manning
Senior Stage Technician
Charlie Earl
Stage Technician
Daryl Anderson
Senior Lighting Technician
Sophie Bailey
Lighting Technician
Matt Iles
Senior Sound and Video Technician
Andre Birck
Sound and Video Technician
Sharon Tsang
Linbury Costume Manager
Alice Lessing
Wigs and Make-up Senior Technician
Keisha Banya
Armoury Manager
Max Brown
Surtitle Manager
Andrew Kingsmill
Blake, a successful musician, has recently escaped rehab to return home...
Blake, a successful musician, has recently escaped rehab to return home. The safety of his house is soon disrupted by a slew of unwelcome guests – an insistent delivery worker, a pair of Mormons on a mission, a chorus of scrounging friends and the ominous figure of the property’s groundskeeper. Matters are made worse by the never-ending phone calls from his Manager and presence of a Private Investigator and Superfan stalking nearby. Blake responds by hiding and disassociating from his surroundings.
As the chaos around him reaches an apex, a ghostly apparition of a magician appears before Blake, offering him a way out – in the form of a bullet. Blake is left alone – at last – with nothing to confront but himself. Realising he is existentially trapped, he chooses to end it all, and with his death the last days are over.
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.
For people, not profit.
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)