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The Royal Ballet

  • Kevin O’Hare CBE

    Director

  • Koen Kessels

    Music Director

  • Sir Wayne McGregor CBE

    Resident Choreographer

  • Christopher Wheeldon OBE

    Artistic Associate

  • Heather Baxter

    Administrative Director

  • Christopher Saunders

    Rehearsal Director

  • Shane Kelly

    Clinical Director Ballet Healthcare

MADDADDAM

Inspired by Margaret Atwood’s MaddAddam Trilogy

Saturday 30 November 2024 1pm

The 7th performance by The Royal Ballet at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance will last approximately 2 hours and 40 minutes, including two intervals

  • Act I: Castaway

    40 minutes

  • Interval

    30 minutes

  • Act II: EXTINCTATHON

    30 minutes

  • Interval

    25 minutes

  • Act III: Dawn

    35 minutes


A co-production between The Royal Ballet and The National Ballet of Canada

Credits

  • Direction and Choreography

    Wayne McGregor

  • Music

    Max Richter

    © 2022 Decca Publishing, a division of Universal Music Publishing Limited

  • Creative consultant

    Margaret Atwood

  • Conductor

    Koen Kessels

  • Set designer

    We Not I

  • Costume designer

    Gareth Pugh

  • Lighting designer

    Lucy Carter

  • Film designer

    Ravi Deepres

  • Dramaturgy

    Uzma Hameed

  • Sound System Designer

    Chris Ekers

  • Staging and Assistants to the Choreographer

    Amanda Eyles

    Jenny Tattersall

    Mikaela Polley

    Jessica Wright

Cast

Act I: Castaway

  • Snowman/Jimmy

    Marcelino Sambé

  • Oryx

    Yasmine Naghdi

  • Crake

    Matthew Ball

  • Toby

    Claire Calvert

  • Zeb

    Harris Bell

  • Ren

    Viola Pantuso

  • Amanda

    Mariko M. Sasaki

  • Adam

    Leo Dixon

  • Blanco

    Thomas Whitehead

  • Blackbeard

    Charlie Waller

  • Painballer 1

    Harrison Lee

  • Painballer 2

    Brayden Gallucci

  • Prologue, Crakers, Pigoons

    Artists of The Royal Ballet

    Students of The Royal Ballet School

Act II: EXTINCTATHON

  • Player 1

    Claire Calvert

  • Player 2

    Yasmine Naghdi

  • Player 3

    Viola Pantuso

  • Player 4

    Mariko M. Sasaki

  • Player 5

    Marcelino Sambé

  • Player 6

    Matthew Ball

  • Player 7

    Harris Bell

  • Player 8

    Leo Dixon

  • Player 9

    Thomas Whitehead

  • Player 10

    Charlotte Tonkinson

  • Player 11

    Chisato Katsura

  • Player 12

    Mica Bradbury

  • Player 13

    Sumina S. Sasaki

  • Player 14

    Scarlett Harvey

  • Player 15

    Taisuke Nakao

  • Player 16

    Téo Dubreuil

  • Player 17

    Daichi Ikarashi

  • Player 18

    Harrison Lee

  • Pigoons, Craker Prototype

    Artists of The Royal Ballet

    Students of The Royal Ballet School

Act III: Dawn

  • Descendant Blackbeard

    Caspar Lench

  • Descendant Ren

    Chisato Katsura

  • Descendant Amanda

    Charlotte Tonkinson

  • Descendants, Descendant Children, Pigoons

    Artists of The Royal Ballet

    Students of The Royal Ballet School

  • Ancestor Snowman-the-Jimmy

    Marcelino Sambé

  • Ancestor Toby

    Claire Calvert

  • Ancestor Zeb

    Harris Bell

  • Ancestor Amanda

    Mariko M. Sasaki

  • Ancestor Adam

    Leo Dixon

  • Ancestor Ren

    Viola Pantuso

  • Ancestor Crake

    Matthew Ball

  • Ancestor Oryx

    Yasmine Naghdi

Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay

Music

  • Orchestra

    Orchestra of the Royal Opera House

  • Concert Master

    Sergey Levitin

  • Text Readings

    Tilda Swinton

    Josh Davidson with special thanks to Tif Loehnis

  • Vocal Recordings

    St Wendel of all the Altman’s Community Chorale

    Tenebrae 

The Royal Ballet

  • Director

    Kevin O’Hare CBE

  • Founder

    Dame Ninette de Valois OM CH DBE

  • Founder Choreographer

    Sir Frederick Ashton OM CH CBE

  • Founder Music Director

    Constant Lambert

  • Prima Ballerina Assoluta

    Dame Margot Fonteyn DBE

Synopsis

Act I: Castaway

In the aftermath of a global pandemic, a traumatised Snowman/Jimmy believes he is the last human being alive. He has led the Crakers – a peace-loving new race of hominid engineered by his one-time best friend Crake – out of the Paradice Dome, where they were created, and into the newly depopulated world. Feeling himself to be an interloper among Crake’s perfect people, he has dubbed himself ‘Snowman’ after the Abominable Snowman. He is haunted by fragments of memory about Crake and also the beautiful Oryx, Crake’s partner and the love of Jimmy’s life. Both are now dead.

Meanwhile, there are other survivors: Toby, a former member of the eco-pacifist God’s Gardeners, who hopes her friends may also be alive, especially her secret love, Zeb; Ren, an exotic dancer; Amanda, an artist and Ren’s best friend; and the Painballers, a group of violent criminals led by Toby’s former abuser, Blanco, who have escaped incarceration in the aftermath of the wipe-out.

INTERVAL

Act II: EXTINCTATHON

A game of extinction and survival inspired by the computer game played by Crake and Jimmy as teenagers. As players ‘choose their skins’, we see the communities that inhabited the pre-apocalyptic dystopian world. The God’s Gardeners create their own sanctuary where Adam, their leader, preaches against materialism. Scientists play god, the violent CorpseCorps suppress dissent, and the MADDADDAM resistance disrupt. Time scrolls forward and back as encounters between players show glimpses of characters’ past lives in the years before the wipe-out. Amidst it all, Crake has a vision of a better world and creates first the Crakers and then the BlyssPluss pill – a drug that induces euphoria, but also contains the virus that will destroy humanity in the catastrophe that the Gardeners have foretold as the ‘Waterless Flood’. At the climax of the game, the fates of Oryx, Crake and Jimmy are decided, and Act II ends where Act I began.

INTERVAL

Act III: Dawn

In the future, some generations after the Waterless Flood, the brave new world is peopled by evolved Crakers – the result of cross-breeding between Crake’s new hominids and the homo sapiens survivors of the wipe-out. As Crake had hoped, the Crakers live in harmony with nature and each other. Even romantic rivalry has been programmed out of them and reproduction occurs seasonally in a communal ritual. Yet, whilst Crake had tried to rid his species of symbolic thinking, the Crakers now honour their human ancestors through creating effigies and enacting fragments of their histories. The stories that were told to them first by Jimmy, and later by Toby, have evolved into the beginnings of a scripture in which Oryx and Crake are deities. And among the artefacts that have been preserved from the old world is a gun.

Guidance

Suitable for ages 16+

This production contains adult themes, including depictions of violence, sexual violence and animal violence. There are two gunshots in Act I: Castaway.

Generous support from

Further information

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

Support Us

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

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