
Choreography
Jerome Robbins
Music
Fryderyk Chopin
Costume designer
Anthony Dowell
Lighting
Jennifer Tipton
Lighting re-created by
Kevin Briard
Rehearsal Director
Christopher Saunders
Staging
Christine Redpath
Dancers
Fumi Kaneko, Vadim Muntagirov
Mayara Magri, Lukas B. Brændsrød
Marianela Nuñez, Matthew Ball
Solo Piano
Kate Shipway
Choreography
Le Corsaire
Marius Petipa
Music
Le Corsaire
Riccardo Drigo
Lighting Designer
Le Corsaire
Chris Wilkinson
Principal Coaching
Le Corsaire
Christopher Saunders, Alexander Agadzhanov
Choreography
Infra
Wayne McGregor
Music
Infra
Max Richter
Costume Designer
Infra
Moritz Junge
Lighting Designer
Infra
Chris Wilkinson
Principal Coaching
Infra
Edward Watson
Choreography
Romeo and Juliet
Kenneth MacMillan
Music
Romeo and Juliet
Sergei Prokoviev
Designer
Romeo and Juliet
Nicholas Georgiadis
Lighting Designer
Romeo and Juliet
Chris Wilkinson
Principal Coaching
Romeo and Juliet
Christopher Saunders
Choreography
After The Rain
Christopher Wheeldon
Music
After The Rain
Arvo Pärt
Costume Designer
After The Rain
Holly Hynes
Lighting Designer
After The Rain
Chris Wilkinson
Principal Coaching
After The Rain
Christopher Saunders
Choreography
Tchaikovsky Pas de Deux
George Balanchine
Music
Tchaikovsky Pas de Deux
Pyotr Il’yich Tchaikovsky
Costume Designer
Tchaikovsky Pas de Deux
Anthony Dowell
Lighting Designer
Tchaikovsky Pas de Deux
Chris Wilkinson
Principal Coaching
Tchaikovsky Pas de Deux
Christopher Saunders
Le Corsaire pas de deux
Marianela Nuñez, Vadim Muntagirov
Infra pas de deux
Akane Takada, Calvin Richardson
Balcony pas de deux from Romeo and Juliet
Mayara Magri, Matthew Ball
After The Rain pas de deux
Fumi Kaneko, Lukas B. Brændsrød
Tchaikovsky pas de deux
Marianela Nuñez, Patricio Revé
Conductor
Paul Murphy
Orchestra
Royal Ballet Sinfonia
Concert Master
Robert Gibbs
Solo Piano
Kate Shipway
Solo Violin
Robert Gibbs
Due to a structural issue, Marguerite and Armand will be not be performed within the full set at today’s performance.
Choreography
Frederick Ashton
Music
Franz Liszt
Orchestration
Dudley Simpson
Designer
Cecil Beaton
Lighting designer
John B. Read
Staging
Grant Coyle
Principal Coaching
Alexander Agadzhanov
Rehearsal Director
Christopher Saunders
Lighting recreated by
Chris Wilkinson
Marguerite
Marianela Nuñez
Armand
William Bracewell
His Father
Christopher Saunders
A Duke
Aiden O'Brien
Admirers of Marguerite
Denilson Almeida, Amos Child, Luc Foskett, Emile Gooding, James Large, Tristan-Ian Massa, Alejandro Muñoz, Blake Smith
Maid
Olivia Findlay
Conductor
Paul Murphy
Orchestra
Royal Ballet Sinfonia
Solo Piano
Robert Clark
Concert Master
Robert Gibbs
Senior Stage Manager
JOHANNA ADAMS FARLEY
Deputy Stage Manager
TASH HOLDAWAY
Assistant Stage Managers
SOFIA ALTAMIRANO
Production Manager
JENNY WHEELER
Costume Production Managers
LIZZIE BARKER, GIUSEPPINA COVIELLO, ESTER MANGAS, ILARIA MARTELLO
Senior Costume Performance Manager
ADRIAN VILLASENOR
Costume Technicians
NATASHA BLUMSON-LEASK, ALEXANDRA KANINI-PARSONS
Dressers
FANNY BOSELLI, OLIVIA KOPLICK, FAY REILLY
Wigs, Hair and Make-up Supervisors
SALLY COSTELLO, TRUSHA DESAI
Wigs, hair and make-up Technicians
ANJA BISSINGER, KAMILIA HARCHI, SANJA GOLUBOVICH, HIDEKO UEDA
Marguerite and Armand Set Design Photography
BILL COOPER, ALICE PENNEFATHER
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.
For people, not profit.
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)