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The Royal Ballet
Director
Kevin O'Hare CBE
Founder
Dame Ninette de Valois OM CH DBE
Founder Choreographer
Sir Frederick Ashton OM CH CBE
Founder Music Director
Constant Lambert
Prima Ballerina Assoluta
Dame Margot Fonteyn DBE

Mayerling

BALLET IN THREE ACTS

Cast sheet

Saturday 4 April 2026

|

7.30pm

The 176th performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

Generous philanthropic support from The Goldhammer Foundation, Sir Lloyd and Lady Dorfman OBE, Ida Levine, Stephen and Dina Lucas, Doug and Ceri King, John and Susan Burns, Royal Ballet and Opera Young Philanthropists and the Royal Opera House Endowment Fund

The 2025/26 Royal Ballet Season is generously supported by Aud Jebsen

Young RBO is generously made possible by Sir Lloyd and Lady Dorfman OBE, Tim and Sarah Bunting, Sir Simon and Lady Robey and The John Browne Foundation

The role of Countess Larisch is supported by Sue Butcher

Approximate timings

The performance lasts approximately 2 hours and 45 minutes, including two intervals
Act I
40 minutes
Interval
20 minutes
Act II
50 minutes
Interval
20 minutes
Act III
35 minutes
Credits

Choreography

Kenneth MacMillan

Music

Franz Liszt

Arranged and Orchestrated by

John Lanchbery

Designer

Nicholas Georgiadis

Scenario

Gillian Freeman

Lighting designer

John B. Read

Rehearsal Director

Christopher Saunders

Staging and Artistic Supervisor for the MacMillan Estate

Laura Morera

Staging

Grant Coyle

Senior Répétiteur

Samira Saidi

Répétiteurs

Sian Murphy, Zhan Atymtayev

Principal Coaching

Alexander Adgadzhanov, Leanne Benjamin, Stuart Cassidy, Edward Watson

Benesh Choreologist

Gregory Mislin

Intimacy Consultant

Johannes Stepanek

Cast

Crown Prince Rudolf of Austria-Hungary

Matthew Ball

Baroness Mary Vetsera

His mistress

Melissa Hamilton

Princess Stephanie

His wife

Meaghan Grace Hinkis

Emperor Franz Josef of Austria-Hungary

His father

Christopher Saunders

Empress Elisabeth

His mother

Kristen McNally

Countess Marie Larisch

Lady-in-waiting to Elisabeth and ex-mistress of Rudolf

Mayara Magri

Baroness Helene Vetsera

Mary Vetsera’s mother

Elizabeth McGorian

Bratfisch

Rudolf’s private cab-driver and entertainer

Luca Acri

Archduchess Sophie

Mother of Franz Josef

Sian Murphy

Mitzi Caspar

A high-class prostitute and Rudolf’s regular mistress

Mariko Sasaki

Colonel 'Bay' Middleton

Elisabeth’s lover

Giacomo Rovero

Four Hungarian Officers

Lukas B. Brændsrød, Harris Bell, Téo Dubreuil, Francisco Serrano

Katherina Schratt

Franz Josef’s friend

Catherine Carby

Alfred Grünfeld

A pianist

Robert Clark

Count Eduard Taafe

Prime Minister of Austria-Hungary

Bennet Gartside

Count Hoyos

Friend of Rudolf

Denilson Almeida

Princess Louise

Stephanie’s sister

Mica Bradbury

Prince Philipp of Coburg

Her husband and friend of Rudolf

Joshua Junker

Princess Gisela

Rudolf’s elder sister

Isabel Lubach

Princess Valerie

Rudolf’s younger sister

Julia Roscoe

Princess Valerie as a Child

Madison Bailey

Mary Vetsera as a Child

Melissa Hamilton

Loschek

Rudolf’s valet

Alejandro Muñoz

Count Larisch

James Hay

Guests, chambermaids, prostitutes, gentlemen, servants, ladies-in-waiting

Artists of The Royal Ballet

Actors of The Royal Ballet: Rain de Rye Barrett, Jean Pierre Blanchard, Georgia Reid Hamilton, Caroline Jennings, John Long, Kim Mendez, Barbara Rhodes, Olga Sabadoch, Alan Schneider, Damien Lee Stirk, Suleiman Suleiman, Daniel Swan, Peter Taylor, Victoria Taylor, Jeremy Wallis, Tim Webster
Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay The Royal Ballet School celebrates 100 years of excellence in 2026.
Music credits

Conductor

Martin Georgiev

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Director

Kevin O’Hare CBE

Music Director

Koen Kessels

Resident Choreographer

Sir Wayne McGregor CBE

Artistic Associate

Christopher Wheeldon OBE

Administrative Director

Heather Baxter

Rehearsal Director

Christopher Saunders

Clinical Director Ballet Healthcare

Shane Kelly

Crown Prince Rudolf of Austria-Hungary is emotionally unstable and haunted by his obsession with death...

ACT I

Crown Prince Rudolf of Austria-Hungary is emotionally unstable and haunted by his obsession with death. For political reasons, he is forced to marry Princess Stephanie. At the celebratory ball, he behaves badly towards her, flirting with Princess Louise. Countess Larisch tries to revive her affair with Rudolf. He visits his mother, the Empress, in her apartments and attempts to engage her sympathies. He then forces himself on Stephanie, terrifying her with a revolver.

Interval
ACT II

A visit to a notorious tavern is interrupted by a police raid. Mitzi Caspar betrays Rudolf’s presence to the Prime Minister. Countess Larisch introduces him to a new mistress, Mary Vetsera, a young woman who shares his morbid fascination. Countess Larisch encourages the relationship on both sides, conveying a letter from Mary to Rudolf at a birthday party for the Emperor. Rudolf and Mary meet in secret.

Interval
ACT III

At a shoot in the countryside, Rudolf kills a courtier and almost wounds the Emperor. Back in his apartments, Rudolf asks Mary to die with him.At the hunting lodge Mayerling, Rudolf is drinking with friends. When they leave, Mary arrives. She and Rudolf form a suicide pact. They make love before Rudolf shoots first Mary and then himself. The royal family covers up the tragedy.

Guidance
Suitable for ages 14+
This production contains depictions of drug use, sexual violence and suicide. There are gunshots in each act.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

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