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The Royal Opera
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears

Samson et Dalila

OPERA IN THREE ACTS

Cast sheet

Wednesday 13 May 2026

|

7.30pm

The 110th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

The words Rolex in green capital letters with a gold crown sitting above the words

Generously supported by Rolex, Principal Partner, The Royal Opera

Approximate timings

The performance lasts approximately 2 hours and 30 minutes, including one interval.
Act I
45 minutes
Act II
45 minutes
Interval
25 minutes
Act III
35 minutes
Credits

Music

Camille Saint-Saëns

Libretto

Ferdinand Lemaire

Conductor

Alexander Soddy

Director

Richard Jones

Revival Director

Benjamin Davis

Set designer

Hyemi Shin

Costume designer

Nicky Gillibrand

Lighting designer

Andreas Fuchs

Choreographer and Movement Director.

Lucy Burge

Revival Choreographer

Róisín Whelan

Performance materials for Samson et Dalila edited by Andreas Jacon and Fabien Guilloux, published by Bärenreiter-Verlag, Kassel. Performed by arrangement with Faber Music Ltd, London.
Cast

Samson

SeokJong Baek

Dalila

Aigul Akhmetshina

High Priest of Dagon

Łukasz Goliński

Samson’s Rabbi

William Thomas

Abimelech

Ossian Huskinson

First Philistine

Emmanuel Fonoti-Fuimaono

Second Philistine

Siphe Kwani

Philistine Messenger

Emyr Lloyd Jones

Dancers

Solomon Adlam, Bradley Applewhaite, Angus Bartlett, Luis Dunn, Martin Harding, Anthony Kurt-Gabel, Alexander Love, Louis Partridge, Jack Thomson, Harry Wilson

Actor

Lucy Burns

Ossian Huskinson, Emmanuel Fonoti-Fuimaono, Siphe Kwani and Emyr Lloyd Jones are Jette Parker Artists
Music credits

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Extra chorus

Sopranos

Jessica Broad, Bernadette Lord, Helen Miles, Alison Rayner, Elizabeth Roberts, Anna Samant, Rosalind Waters, Joanna Weeks, Vanessa Woodfine

Mezzo-sopranos

Jeanette Ager, Maria Brown, Siobhain Gibson, Vanessa Heine, Frances Jellard, Maria Jones, Deborah Miles-Johnson, Jennifer Westwood

Tenors

Phillip Bell, Simon Biazeck, Andrew Busher, Darrell Forkin, Richard Monk, James Scarlett

Basses

James Birchall, Oscar Castellino, Oliver Gibbs, Gavin Horsley, Simon Preece, Jochem van Ast, Peter Willcock, Jonathan Wood

Production credits

Music preparation

Matt Scott Rogers, Patrick Milne, Nick Fletcher

Assistant Director

Simon Iorio

Video Designer

Akhila Krishnan

Fight Director

Bret Yount

Language Coach

Florence Daguerre de Hureaux

Patron

HM The King

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

The Hebrews beg Jehovah to free them from their oppression by the Philistines...

ACT I

The Hebrews beg Jehovah to free them from their oppression by the Philistines. Samson chastises his people for their lack of faith, and rouses them to war. Abimélech, a Philistine commander and kinsman of Dalila, denounces the Jews and their God. Enraged by this insult, Samson kills him. 

The High Priest of Dagon curses Samson and his strength. The Jews celebrate their victory. Samson sees Dalila, his lover. The Old Hebrew warns him against returning to Dalila.


ACT II

Urged to vengeance by the Philistines and the High Priest, Dalila resolves to betray Samson. A storm is brewing when Samson arrives, consumed with his passion for Dalila. She accuses him of inconstancy, and demands he prove his love for her by revealing the source of his strength. Samson hears a warning from God in the sound of the thunder – but ultimately gives into Dalila’s seduction. Philistine soldiers capture and blind Samson.


INTERVAL


ACT III

Alone and imprisoned, the blinded Samson is racked with guilt and remorse. He prays for his people whose voices he hears, raised in anguish against him. Samson is paraded before the Philistines. In the temple of Dagon, the Philistines worship their god. As their celebrations turn into a wild Bacchanale, Dalila and the High Priest taunt Samson, demanding he kneel before a statue of Dagon. Samson prays to God to restore his strength. His wish is granted: with a mighty effort, he destroys the temple, crushing everyone within.

Guidance
Parental guidance recommended
This performance features flashing lights in Act II and acts of violence. There are strobe lighting effects during Acts II and III.
Language
Sung in French with English surtitles, which are displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

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