Jakub Hrůša
Music Director Designate
Oliver Mears
Director of Opera
MUSICAL DRAMA IN THREE PARTS
Monday 30 June 2025 6.30pm
The 25th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 3 hours and 5 minutes, including one interval.
45 minutes
45 minutes
25 minutes
70 minutes
A co-production with Théâtre des Champs-Elysées
George Frideric Handel
William Congreve
Peter Jones
Christian Curnyn
Oliver Mears
Annemarie Woods
Fabiana Piccioli
Sarah Fahie
Pretty Yende
Ben Bliss
Alice Coote
Brindley Sherratt
Carlo Vistoli
Niamh O'Sullivan
Marianna Hovanisyan
Lauren Bridle
Sarah Fahie
Bridget Lappin
David Rawlins
Ayla Tunali-Flynn
Harriet Leddington Wright
Theodora Laxmi Furlong
Marianna Hovanisyan is a Jette Parker Artist
Royal Opera Chorus
William Spaulding
Orchestra of the Royal Opera House
Magnus Johnston
Susanna Stranders
Oliver John Ruthven
Oliver John Ruthven
Susanna Stranders
Peggy Wu
Dan Dooner
Isabelle Kettle
Liam Bunster
Peggy Wu is a Jette Parker Artist
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
Semele is a servant in the household of Jupiter and his wife Juno. Jupiter becomes erotically interested in Semele. In response, Juno determines that Semele will instead marry her colleague Athamas (who is in love with Semele). At the wedding of Semele and Athamas, Semele’s father, Cadmus, asks Juno to bless his daughter’s marriage to Athamas. In despair, Semele, who is now in love with Jupiter, calls on him to intervene (‘Oh Jove, in pity’). Semele’s sister, Ino, speaks of her own anxiety but not its source – her own secret love for Athamas. A storm causes the household to panic and in the confusion, Jupiter abducts Semele. Ino is left alone with Athamas. Ino confesses her love for him, but his response is one of guilt: he cannot return her feelings.Cadmus brings the news that Jupiter has abducted his daughter, Semele. Installed by Jupiter as his lover, she reassures her friends and rejoices at her change in fortune – and the delights that follow (‘Endless pleasure, endless love’.)
Iris, Juno’s assistant, informs Juno of the latest developments between Semele and Jupiter. Juno vows vengeance, and plots an alliance with Somnus, bringer of sleep.In Jupiter’s penthouse, the slumbering Semele stirs from a passionate dream, longing for her lover. Jupiter soon arrives and the happy lovers are reunited. Semele confides in Jupiter that when she is alone, she feels sorrowful and uncomfortably aware of her lowly status in her new home. Eager to sooth her mind, Jupiter first commits to providing her with amusements to distract her (‘Where’er you walk’), and sends for Semele’s sister, Ino, as her companion. They then revel in the beauty and novelty of their surroundings (‘Prepare then, ye immortal choir’).
Juno and Iris wake the reluctant Somnus from his slumber (‘Leave me, loathsome light’), by baiting him with the promise of a long-desired woman, Pasithea. In exchange, Somnus agrees to conjure an erotic dream of Semele for her husband, so that when he awakens, he will be so enflamed with lust that he agrees to whatever she asks of him. Somnus also agrees to help disguise Juno as Ino, Semele’s sister.Disguised as Ino, Juno visits Semele and persuades her that she resembles a divine beauty (‘Myself I shall adore’). She encourages Semele to ask Jupiter to appear as his real self, so that she can also attain ‘immortality’.
Jupiter returns to the pregnant Semele, disturbed by a dream where she vanished from him (‘Come to my arms, my lovely fair’). When she demands that he appear to her in all his power, he refuses at first, but then agrees to grant her fatal wish. Juno revels in her revenge (‘Above pleasure’). Jupiter appears to Semele, and she is destroyed (‘Ah me, too late I now repent’). With the blessing of Jupiter and Cadmus, Ino and Athamas marry. Meanwhile, before her death Semele has produced Jupiter’s son: Bacchus.
Suitable for ages 16+
This production contains depictions of violence, murder and traumatic childbirth. There are pyrotechnics and strobe lighting in Act I.
Sung in English with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Exceptional Philanthropic Support From Royal Ballet and Opera Principal Julia Rausing Trust
Generous Philanthrophic Support From Charles Holloway OBE, the Estate of Mrs Gertrude Mary Looi, Dame Tina Taylor DBE and The Royal Opera House Endowment Fund
The role of Juno is generously supported by Kathy Uhde
The role of Ino is generously supported by Jane Hemstritch AO
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
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For people, not profit.
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