Exceptional Philanthropic Support From Royal Ballet and Opera Principal Julia Rausing Trust
Generous Philanthrophic Support From Charles Holloway OBE, the Estate of Mrs Gertrude Mary Looi, Dame Tina Taylor DBE and The Royal Opera House Endowment Fund
The role of Juno is generously supported by Kathy Uhde
The role of Ino is generously supported by Jane Hemstritch AO
A co-production with Théâtre des Champs-Elysées
Music
George Frideric Handel
Libretto
William Congreve
Performing edition by
Peter Jones
Conductor
Christian Curnyn
Director
Oliver Mears
Designer
Annemarie Woods
Lighting designer
Fabiana Piccioli
Movement Director
Sarah Fahie
Semele
Pretty Yende
Jupiter
Ben Bliss
Juno
Alice Coote
Cadmus/Somnus
Brindley Sherratt
Athamas
Carlo Vistoli
Ino
Niamh O'Sullivan
Iris
Marianna Hovanisyan
Children
Esme-Rose Russell, Elise Moseman, Rosie Jones
Actors
Lauren Bridle, Bridget Lappin, Bailey Pepper, David Rawlins
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Concert Master
Magnus Johnston
Chamber Organ
Susanna Stranders
Harpsichord
Oliver John Ruthven
Cello Continuo
Anastasia Feruleva
Theorbo
Sergio Bucheli, Eligio Luis Quinteiro
Double Bass Continuo
Tony Hougham
Music preparation
Oliver John Ruthven, Susanna Stranders, Peggy Wu
Assistant Directors
Dan Dooner, Isabelle Kettle
Design Assistant
Liam Bunster
Patron
HM The King
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears
Director of Casting
Peter Mario Katona
Associate Director
Netia Jones
Administrative Director
Cormac Simms
Semele is a servant in the household of Jupiter and his wife Juno. Jupiter becomes erotically interested in Semele....
Semele is a servant in the household of Jupiter and his wife Juno. Jupiter becomes erotically interested in Semele. In response, Juno determines that Semele will instead marry her colleague Athamas (who is in love with Semele). At the wedding of Semele and Athamas, Semele’s father, Cadmus, asks Juno to bless his daughter’s marriage to Athamas. In despair, Semele, who is now in love with Jupiter, calls on him to intervene (‘Oh Jove, in pity’). Semele’s sister, Ino, speaks of her own anxiety but not its source – her own secret love for Athamas. A storm causes the household to panic and in the confusion, Jupiter abducts Semele. Ino is left alone with Athamas. Ino confesses her love for him, but his response is one of guilt: he cannot return her feelings.
Cadmus brings the news that Jupiter has abducted his daughter, Semele. Installed by Jupiter as his lover, she reassures her friends and rejoices at her change in fortune – and the delights that follow (‘Endless pleasure, endless love’.)
Iris, Juno’s assistant, informs Juno of the latest developments between Semele and Jupiter. Juno vows vengeance, and plots an alliance with Somnus, bringer of sleep.
In Jupiter’s penthouse, the slumbering Semele stirs from a passionate dream, longing for her lover. Jupiter soon arrives and the happy lovers are reunited. Semele confides in Jupiter that when she is alone, she feels sorrowful and uncomfortably aware of her lowly status in her new home. Eager to sooth her mind, Jupiter first commits to providing her with amusements to distract her (‘Where’er you walk’), and sends for Semele’s sister, Ino, as her companion. They then revel in the beauty and novelty of their surroundings (‘Prepare then, ye immortal choir’).
Juno and Iris wake the reluctant Somnus from his slumber (‘Leave me, loathsome light’), by baiting him with the promise of a long-desired woman, Pasithea. In exchange, Somnus agrees to conjure an erotic dream of Semele for her husband, so that when he awakens, he will be so enflamed with lust that he agrees to whatever she asks of him. Somnus also agrees to help disguise Juno as Ino, Semele’s sister.
Disguised as Ino, Juno visits Semele and persuades her that she resembles a divine beauty (‘Myself I shall adore’). She encourages Semele to ask Jupiter to appear as his real self, so that she can also attain ‘immortality’.
Jupiter returns to the pregnant Semele, disturbed by a dream where she vanished from him (‘Come to my arms, my lovely fair’). When she demands that he appear to her in all his power, he refuses at first, but then agrees to grant her fatal wish. Juno revels in her revenge (‘Above pleasure’). Jupiter appears to Semele, and she is destroyed (‘Ah me, too late I now repent’). With the blessing of Jupiter and Cadmus, Ino and Athamas marry. Meanwhile, before her death Semele has produced Jupiter’s son: Bacchus.
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
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Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
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Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)