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The Royal Opera

  • Jakub Hrůša

    Music Director

  • Oliver Mears

    Director of Opera

Siegfried

Music drama in three Acts 

Tuesday 31 March 2026 4.30pm

The 182nd performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance will last approximately 5 hours and 45 minutes, including two intervals

  • Act I

    80 minutes

  • Interval

    30 minutes

  • Act II

    75 minutes

  • Interval

    80 minutes

  • Act III

    80 minutes


Credits

  • Music

    Richard Wagner

    The Richard Wagner Complete Edition - Schott Music GmbH & Co.KG

  • Libretto

    Richard Wagner

  • Conductor

    Antonio Pappano

  • Director

    Barrie Kosky

  • Set Designer

    Rufus Didwiszus

  • Costume Designer

    Victoria Behr

  • Lighting Designer

    Alessandro Carletti

Cast

  • Siegfried

    Andreas Schager

  • Mime

    Peter Hoare

  • Der Wanderer

    Christopher Maltman

  • Brünnhilde

    Elisabet Strid

  • Alberich

    Christopher Purves

  • Fafner

    Soloman Howard

  • Erda

    Wiebke Lehmkuhl

  • Woodbird

    Sarah Dufresne

  • Actor (Erda)

    Illona Linthwaite

Music credits

  • Orchestra

    Orchestra of the Royal Opera House

  • Concert Master

    Magnus Johnston

Production credits

  • Music preparation

    Christopher Willis

    Edward Reeve

    Richard Fu

    Giovanni Fanizza

    Nick Fletcher

  • Assistant Directors

    Simon Iorio

    Johannes Stepanek

    Talia Stern

  • Assistant to the Set Designer

    Hsuan Huang 

  • Fight Director

    Philip d’Orléans 

  • Intimacy Coordinators

    Anna Morrissey

    Johannes Stepanek

  • Language Coach

    Franziska Roth

Richard Fu, Giovanni Fanizza and Talia Stern are Jette Parker Artists

The Royal Opera

  • Patron

    HM The King

  • Music Director

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

Act I

To gain access to the ring, Mime has spent years trying to make a sword for Siegfried. When he offers Siegfried his latest sword, it breaks as easily. Siegfried attacks Mime for his incompetence, but Mime reminds him of the care he has lavished on him over the years. Siegfried remains unmoved; Mime’s insistence that he is both his father and mother enrages Siegfried, who demands to know who his true parents were.

Mime reveals how he found Sieglinde dying in childbirth and claims that she entrusted her infant, Siegfried, into his care. When asked for proof he produces the fragments of Nothung, once wielded by Siegfried’s father. Revelling in his release from any bond to Mime, Siegfried demands that Nothung be reforged so that he may go out into the world.

Wotan appears in disguise as the Wanderer and offers wisdom in exchange for hospitality. He suggests to the unwilling Mime that they play a game of riddles, the stake being their heads. The Wanderer easily answers Mime’s questions about the dwarves, giants and gods. In turn, Mime proves that he knows of Siegfried’s relationship to Wotan (he is his grandson), and that Siegfried is destined to kill Fafner with Nothung, but he cannot say who will forge the sword. The Wanderer tells the desperate Mime that ‘only he who never felt fear can fashion Nothung now’, and that Mime will also lose his head.

Siegfried returns to find Mime in a state of terror. Seeking a way out of his dilemma, Mime attempts to teach the boy what it feels like to be afraid. Siegfried finds the idea tantalizing and is eager to learn fear from encountering Fafner. When Mime confesses that he cannot forge Nothung, Siegfried takes on the task himself. Amazed by Siegfried’s methods, Mime is delighted to see that the boy will succeed, but to save himself he brews a drugged drink to offer Siegfried after his fight with the dragon. He will then kill Siegfried and seize the ring.

Interval

Act II

Alberich keeps watch outside Fafner’s cave, waiting for an opportunity to regain the ring. When the Wanderer appears, Alberich recognizes him as Wotan and attacks him as a thief. Wotan claims he is no longer interested in the ring and warns Alberich of Mime’s intentions. Playing on Alberich’s desire and fear, Wotan suggests that Alberich pass on the warning. He wakes Fafner, who is not troubled. Alberich swears that he will regain the ring and bring about the downfall of the gods.

At the cave, Mime’s dread only provokes curiosity in Siegfried, who is confident of his ability to defeat Fafner. Left on his own to wait, Siegfried contemplates his origins and his loneliness and begins to understand his being in terms of what confronts him in nature. He tries to communicate with the birds, first with a pipe and then with his horn, which wakes Fafner. Siegfried kills Fafner but does not understand his warning about the ring’s curse. The Woodbird tells him to seek the ring and the Tarnhelm in the cave.

While Siegfried is in the cave, Mime and Alberich bicker. Siegfried returns and the Woodbird tells him that he will now understand Mime’s murderous plans. Siegfried kills Mime, as the Wanderer predicted. He asks the Woodbird for more advice: how can he find a companion? The bird tells him of the wonderful woman who sleeps on a rock surrounded by fire.

Interval

Act III

Wotan wakes Erda, hoping her knowledge will provide him with some self-justification. She is unresponsive and tells him to seek answers from the Norns or from their own daughter, Brünnhilde. When Wotan reveals how he punished Brünnhilde for disobedience, Erda accuses him of hypocrisy. Wotan sees she has nothing to offer him and dismisses her. He now claims that he desires the end of the gods. He believes that Siegfried and Brünnhilde, glorying in love,  will redeem the world from the curse of the ring.

Wotan prepares to meet Siegfried for the first time, as the Wanderer. Siegfried becomes irritated with the older man’s questions. Provoked, the Wanderer alludes to his true relationship to Siegfried. When Siegfried smashes Wotan’s spear, Wotan has to accept that his power is at an end.

Siegfried discovers Brünnhilde. He removes her armour and, seeing a female form, is afraid for the first time in his life. Calling on his mother for courage, he kisses Brünnhilde and wakes her. Brünnhilde avoids responding to his passion. Confused, Siegfried briefly takes her to be his mother. While she tries to explain her spiritual love and his duty to the world, his fervour increases. Siegfried’s persistence and passion ultimately conquer Brünnhilde. Full of ardour, she calls for the destruction of Valhalla and the twilight of the gods.

Guidance

Parental guidance recommended

This performance contains nudity and violence. There are themes of incest. There are pyrotechnics used towards the end of Act I.

Language

Sung in German with English surtitles, which are displayed on screens above the stage and around the auditorium.

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Further information

Digital Cast Sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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