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The Royal Opera
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears

The Magic Flute

SINGSPIEL IN TWO ACTS

Cast sheet

Sunday 12 October 2025

|

3pm

The 393rd performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

Production generously supported by Veuve Clicquot

Veuve Clicquot Logo.

In partnership with Rolex, Principal Partner, The Royal Opera

The words Rolex in green capital letters with a gold crown sitting above the words

Approximate timings

The performance lasts approximately 3 hours 5 minutes, including one interval
Act I
70 minutes
Interval
25 minutes
Act II
90 minutes
Credits

Music

Wolfgang Amadeus Mozart

Libretto

Emanuel Schikaneder

Conductor

Marie Jacquot

Director

David McVicar

Revival Director

Ruth Knight

Designer

John Macfarlane

Lighting designer

Paule Constable

Movement director

Leah Hausman

Revival Movement Director

Angelo Smimmo

The edition of Die Zauberflöte (The Magic Flute) used in these performances is published by Bärenreiter Verlag, Kassel and supplied by Faber Music, London.
Cast

Pamina

Lucy Crowe

replaces Julia Bullock

Tamino

Amitai Pati

Papageno

Huw Montague Rendall

Queen of the Night

Kathryn Lewek

Sarastro

Soloman Howard

Monostatos

Gerhard Siegel

Papagena

Marianna Hovanisyan

First Lady

Hannah Edmunds

Second Lady

Ellen Pearson

Third Lady

Emma Carrington

Speaker of the Temple

Matthew Rose

First Priest

Harry Nicoll

Second Priest

Wyn Pencarreg

First Man in Armour

Stuart Jackson

Second Man in Armour

Graeme Broadbent

Third Priest

Nigel Cliffe

First Child

Leo Ogungbemi

Second Child

Eos Groen

Third Child

Sophia Cullingford

Children

Emilia Rose, Svyatoslav Colotelo, Nico Smith, Keturah Arusiuka-Hill, Fleur Mauxion, Emilia Ostroumoff, Lara Rose Ostroumoff

Actors

Michael Barnes, Clare Barrett, Richard Gittins, Ángel Gutiérrez, Martin Harding, Anthony Kurt Gabel, Mai Matsuki, Jazz Morrison, Mette Nilsen, Belinda Roy, Bryony Tebbutt, Addis Williams, Corina Wuersch

Marianna Hovanisyan, Hannah Edmunds and Ellen Pearson are Jette Parker Artists
Chorus and Orchestra

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Orchestra

Orchestra of the Royal Opera House

Concert Master

Sergey Levitin

Extra Chorus

Soprano

Susan Boyd

Tenor

James Geer

Bass

Simon Preece

Production credits

Music preparation

Peggy Wu, Nick Fletcher, Richard Hetherington

Keyed Glockenspiel

Susanna Stranders

Assistant Directors

Simon Iorio, Harriet Taylor

Language Coach

Dominik Dengler

Peggy Wu is a Jette Parker Artist

Patron

HM The King

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

Tamino is pursued by a monstrous serpent and falls unconscious. Three Ladies slay the monster and decide to inform ...

ACT I

Tamino is pursued by a monstrous serpent and falls unconscious. Three Ladies slay the monster and decide to inform their mistress, the Queen of the Night, of the Prince’s arrival. When Tamino wakes, Papageno the bird-catcher takes the credit for rescuing him. The Three Ladies punish Papageno’s lies by padlocking his mouth, and show Tamino a portrait of Pamina, the Queen’s daughter. On the Queen’s instructions, Tamino – who has fallen in love with Pamina - vows to rescue her from her evil captor, Sarastro. To protect Tamino and Papageno, the Three Ladies present them with a magic flute and magic bells, as the Three Children guide them on their way.

Papageno rescues Pamina from the lustful advances of Monostatos, and together they flee in search of Prince Tamino. At the Temple of Wisdom, the Speaker informs Tamino that Sarastro is a wise and noble ruler. Tamino plays his flute and strange animals gather around him, while Papageno’s magic bells prevent Monostatos from attacking him and Pamina again. Sarastro punishes Monostatos but informs Pamina and Tamino that they cannot be united until Tamino obtains wisdom.‎

‎Interval‎

ACT II‎

To Papageno’s dismay, Tamino has decided to undergo the trials to enter Sarastro’s brotherhood. The Three Ladies attempt to persuade the Prince and the bird-catcher to break their vow of silence but are unsuccessful. The Queen of the Night orders Pamina to kill Sarastro, threatening to disown her if she doesn’t. Sarastro reassures Pamina that love, not evil, will triumph in his sacred halls. Pamina is heartbroken when Tamino – still observing his vow of silence – shuns her. Meanwhile Papageno’s magic bells summon an old woman who turns into the woman of his dreams – Papagena! – only for her to be taken away from him.

Pamina unites with Tamino for his final trial. Aided by the magic flute, they triumph and are welcomed into the brotherhood. Longing for Papagena, Papageno contemplates suicide, when he suddenly remembers his magic bells, and they are reunited. Sarastro banishes the Queen, her Ladies and Monostatos to infinite darkness. Day has defeated night, and everyone joins in a hymn of praise.

Guidance
Suitable for ages 5+
This production contains themes of suicide.
Language
Sung in German with English surtitles, which are displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

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