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About
The Royal Ballet
Director
Kevin O'Hare CBE
Founder
Dame Ninette de Valois OM CH DBE
Founder Choreographer
Sir Frederick Ashton OM CH CBE
Founder Music Director
Constant Lambert
Prima Ballerina Assoluta
Dame Margot Fonteyn DBE

The Nutcracker

Ballet in Two Acts

Cast sheet

Wednesday 26 November 2025

|

7pm

The 582nd performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

Generous philanthropic support from Kenneth and Susan Green, Sandra and Anthony Gutman, Alan and Caroline Howard and Huo Family Foundation

The 2025/26 Royal Ballet Season is generously supported by Aud Jebsen

Production generously sponsored by Van Cleef & Arpels

The role of The Sugar Plum Fairy is generously supported by Mimi and Alistair Macrae-Yan and Alexandra and Sam Morgan

Approximate timings

The performance lasts approximately 2 hours and 20 minutes including one interval
Act I
50 minutes
Interval
30 minutes
Act II
50 minutes
Credits

Choreography

Peter Wright after Lev Ivanov

Music

Pyotr Il’yich Tchaikovsky

ORIGINAL SCENARIO

Marius Petipa after E.T.A. Hoffmann's Nussknacker und Mausekönig

Production and scenario

Peter Wright

Designer

Julia Trevelyan Oman

Lighting designer

Mark Henderson

Production consultant

Roland John Wiley

Staging

Christopher Carr, Samantha Raine

ARABIAN DANCE ADAPTED BY

Gary Avis

Senior Répétiteur

Samira Saidi

Répétiteurs

Zhan Atymtayev, Sian Murphy

Principal Coaching

Alexander Agadzhanov, Darcey Bussell, Stuart Cassidy, Olga Evreinoff, Isabel McMeekan, Christopher Saunders, Edward Watson, Zenaida Yanowsky

BENESH CHOREOLOGIST

Daniel Kraus

Cast

The Sugar Plum Fairy

Marianela Nuñez

The Prince

Vadim Muntagirov

Herr Drosselmeyer

Thomas Whitehead

replaces Gary Avis

Clara

Viola Pantuso

Hans-Peter/The Nutcracker

Leo Dixon

Act I

Drosselmeyer’s assistant

Harrison Lee

Dr Stahlbaum

Christopher Saunders

Mrs Stahlbaum

Elizabeth McGorian

FRITZ

Rafferty Smale

Clara’s partner

Joshua Junker

Grandmother

Lara Turk

Grandfather

Philip Mosley

Housekeeper

Barbara Rhodes

Aunts

Caroline Jennings, Clare Lumley

Dancing mistress

Tara-Brigitte Bhavnani

Captain

Aiden O'Brien

Harlequin

Téo Dubreuil

Columbine

Mica Bradbury

Soldier

Daichi Ikarashi

Vivandière

Yu Hang

Mouse King

Francisco Serrano

Snowflakes

Artists of The Royal Ballet

Act II

Spanish Dance

Brayden Gallucci, Sumina S. Sasaki, Joshua Junker, Lara Turk, Madison Bailey, Aiden O'Brien

Arabian dance

Melissa Hamilton, Nicol Edmonds

Chinese dance

Marco Masciari, Harrison Lee

Russian Dance

Caspar Lench, Martin Diaz

Dance of the Mirlitons

Charlotte Tonkinson, Marianna Tsembenhoi, Yu Hang, Ginevra Zambon

Waltz of the Flowers

Rose Fairy

Amelia Townsend

Rose Fairy Escorts

Harris Bell, Téo Dubreuil, Daichi Ikarashi, Joonhyuk Jun

Leading Flowers

Mica Bradbury, Annette Buvoli, Olivia Cowley, Sae Maeda

Flowers

Artists of The Royal Ballet

Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay
Music credits

Conductor

Koen Kessels

Orchestra

Orchestra of the Royal Opera House

Principal Guest Concert Master

by arrangement with Trittico

Vasko Vassilev

Chorus

Singers

The Schola Cantorum Of The London Oratory School, London Oratory Junior Choir

Director

Charles Cole

Director

Kevin O’Hare CBE

Music Director

Koen Kessels

Resident Choreographer

Sir Wayne McGregor CBE

Artistic Associate

Christopher Wheeldon OBE

Administrative Director

Heather Baxter

Rehearsal Director

Christopher Saunders

Clinical Director Ballet Healthcare

Shane Kelly

Drosselmeyer, a timeless magician and creator of mechanical toys and clocks, was once employed in a royal palace...

Drosselmeyer, a timeless magician and creator of mechanical toys and clocks, was once employed in a royal palace where he invented a trap that killed off half the mouse population. In revenge the wicked Queen of the Mice cast a spell over Drosselmeyer’s nephew, Hans-Peter, which transformed him into an ugly Nutcracker Doll. The only way to break the spell was for the Nutcracker to defeat the Mouse King, thereby committing an act of great bravery, and for a young girl to love and care for him in spite of his awful appearance.

When Drosselmeyer is invited to entertain the guests at a Christmas party that his friends, the Stahlbaums, are giving, he decides that this could well be the opportunity he has been looking for.

Their daughter, Clara, is a little younger than Hans-Peter imprisoned in the Nutcracker, and what better time than Christmas, when the mice are busy stealing the leftovers, for a confrontation between the Mouse King and the Nutcracker? He decides to put the Nutcracker in the tender care of Clara and makes a special Christmas Angel to guide her through her task.

When all the guests have departed and the house is asleep, Clara, in search of the Nutcracker, creeps downstairs and discovers Drosselmeyer waiting for her. He draws her into his own special world of fantasy where time is suspended, and exerts all his powers to transform the living room into a great battlefield and summons the Mouse King. In the ensuing fight between the mice and the toy soldiers the Nutcracker defeats the Mouse King, but only through the intervention of Clara, who, out of compassion, saves the Nutcracker’s life. Transformed into his real self, he dances with Clara and they find themselves in the Land of Snow. Drosselmeyer then sends them on a magic journey to the Sugar Garden in the Kingdom of Sweets where they meet the Sugar Plum Fairy and her Prince.

Freed at last from his imprisonment inside the Nutcracker, Hans-Peter recounts to the Sugar Plum Fairy his great adventure and how Clara saved his life. They then join in a magnificent entertainment put on by Drosselmeyer to honour them for their bravery.

Returning to reality, Clara runs out into the street in search of Drosselmeyer and encounters a strangely familiar young man, while back in his workshop Drosselmeyer prays that his efforts will be rewarded. His nephew returns; the spell has indeed been broken.

— Peter Wright

Guidance
Suitable for ages 5+
There are flashing lights and dry ice used in this production. Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

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