
Kevin O'Hare CBE
Director
Dame Ninette de Valois OM CH DBE
Founder
Sir Frederick Ashton OM CH CBE
Founder Choreographer
Constant Lambert
Founder Music Director
Dame Margot Fonteyn DBE
Prima Ballerina Assoluta
Ballet in Two Acts
Wednesday 26 November 2025 12.30pm
The 581st performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 2 hours and 20 minutes including one interval
50 minutes
30 minutes
50 minutes
Peter Wright after Lev Ivanov
Pyotr Il’yich Tchaikovsky
Marius Petipa after E.T.A. Hoffmann's Nussknacker und Mausekönig
Peter Wright
Julia Trevelyan Oman
Mark Henderson
Roland John Wiley
Christopher Carr
Samantha Raine
Gary Avis
Samira Saidi
Zhan Atymtayev
Sian Murphy
Alexander Agadzhanov
Darcey Bussell
Stuart Cassidy
Olga Evreinoff
Isabel McMeekan
Christopher Saunders
Edward Watson
Zenaida Yanowsky
Daniel Kraus
Mariko M. Sasaki
replaces Isabella Gasparini
Giacomo Rovero
James Hay
Ginevra Zambon
Joshua Junker
Caspar Lench
Thomas Whitehead
Tara-Brigitte Bhavnani
William Florence
Harrison Lee
Julia Roscoe
Aiden O'Brien
Barbara Rhodes
Caroline Jennings
Clare Lumley
Mica Bradbury
Harris Bell
James Large
Scarlett Harvey
Brayden Gallucci
Hanna Park
Téo Dubreuil
Artists of The Royal Ballet
Hannah Grennell
Hanna Park
Scarlett Harvey
Luc Foskett
Harris Bell
Blake Smith
Charlotte Tonkinson
Denilson Almeida
Francisco Serrano
James Large
Emile Gooding
Tristan Ian Massa
Chisato Katsura
Bomin Kim
Ella Newton Severgnini
Amelia Townsend
Yuhui Choe
Martin Diaz
Nicol Edmonds
Harrison Lee
Taisuke Nakao
Olivia Cowley
Viola Pantuso
Maddison Pritchard
Yu Hang
Artists of The Royal Ballet
Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay
Koen Kessels
Orchestra of the Royal Opera House
Vasko Vassilev
by arrangement with Trittico
The Schola Cantorum Of The London Oratory School
London Oratory Junior Choir
Charles Cole
Kevin O’Hare CBE
Koen Kessels
Sir Wayne McGregor CBE
Christopher Wheeldon OBE
Heather Baxter
Christopher Saunders
Shane Kelly
Drosselmeyer, a timeless magician and creator of mechanical toys and clocks, was once employed in a royal palace where he invented a trap that killed off half the mouse population. In revenge the wicked Queen of the Mice cast a spell over Drosselmeyer’s nephew, Hans-Peter, which transformed him into an ugly Nutcracker Doll. The only way to break the spell was for the Nutcracker to defeat the Mouse King, thereby committing an act of great bravery, and for a young girl to love and care for him in spite of his awful appearance.
When Drosselmeyer is invited to entertain the guests at a Christmas party that his friends, the Stahlbaums, are giving, he decides that this could well be the opportunity he has been looking for.
Their daughter, Clara, is a little younger than Hans-Peter imprisoned in the Nutcracker, and what better time than Christmas, when the mice are busy stealing the leftovers, for a confrontation between the Mouse King and the Nutcracker? He decides to put the Nutcracker in the tender care of Clara and makes a special Christmas Angel to guide her through her task.
When all the guests have departed and the house is asleep, Clara, in search of the Nutcracker, creeps downstairs and discovers Drosselmeyer waiting for her. He draws her into his own special world of fantasy where time is suspended, and exerts all his powers to transform the living room into a great battlefield and summons the Mouse King. In the ensuing fight between the mice and the toy soldiers the Nutcracker defeats the Mouse King, but only through the intervention of Clara, who, out of compassion, saves the Nutcracker’s life. Transformed into his real self, he dances with Clara and they find themselves in the Land of Snow. Drosselmeyer then sends them on a magic journey to the Sugar Garden in the Kingdom of Sweets where they meet the Sugar Plum Fairy and her Prince.
Freed at last from his imprisonment inside the Nutcracker, Hans-Peter recounts to the Sugar Plum Fairy his great adventure and how Clara saved his life. They then join in a magnificent entertainment put on by Drosselmeyer to honour them for their bravery.
Returning to reality, Clara runs out into the street in search of Drosselmeyer and encounters a strangely familiar young man, while back in his workshop Drosselmeyer prays that his efforts will be rewarded. His nephew returns; the spell has indeed been broken.
— Peter Wright
Suitable for ages 5+
There are flashing lights and dry ice used in this production. Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing TrustGenerous philanthropic support from Kenneth and Susan Green, Sandra and Anthony Gutman, Alan and Caroline Howard and Huo Family FoundationThe 2025/26 Royal Ballet Season is generously supported by Aud JebsenProduction generously sponsored by Van Cleef & ArpelsThe role of The Sugar Plum Fairy is generously supported by Mimi and Alistair Macrae-Yan and Alexandra and Sam Morgan
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.
For people, not profit.
rbo.org.uk/donate
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)