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The Royal Ballet

  • Kevin O'Hare CBE

    Director

  • Dame Ninette de Valois OM CH DBE

    Founder

  • Sir Frederick Ashton OM CH CBE

    Founder Choreographer

  • Constant Lambert

    Founder Music Director

  • Dame Margot Fonteyn DBE

    Prima Ballerina Assoluta

The Nutcracker

Ballet in Two Acts

Wednesday 26 November 2025 12.30pm

The 581st performance by The Royal Ballet at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 2 hours and 20 minutes including one interval

  • Act I

    50 minutes

  • Interval

    30 minutes

  • Act II

    50 minutes


Credits

  • Choreography

    Peter Wright after Lev Ivanov

  • Music

    Pyotr Il’yich Tchaikovsky

  • ORIGINAL SCENARIO

    Marius Petipa after E.T.A. Hoffmann's Nussknacker und Mausekönig

  • Production and scenario

    Peter Wright

  • Designer

    Julia Trevelyan Oman

  • Lighting designer

    Mark Henderson

  • Production consultant

    Roland John Wiley

  • Staging

    Christopher Carr

    Samantha Raine

  • ARABIAN DANCE ADAPTED BY

    Gary Avis

  • Senior Répétiteur

    Samira Saidi

  • Répétiteurs

    Zhan Atymtayev

    Sian Murphy

  • Principal Coaching

    Alexander Agadzhanov

    Darcey Bussell

    Stuart Cassidy

    Olga Evreinoff

    Isabel McMeekan

    Christopher Saunders

    Edward Watson

    Zenaida Yanowsky

  • BENESH CHOREOLOGIST

    Daniel Kraus

Cast

  • The Sugar Plum Fairy

    Mariko M. Sasaki

    replaces Isabella Gasparini

  • The Prince

    Giacomo Rovero

  • Herr Drosselmeyer

    James Hay

  • Clara

    Ginevra Zambon

  • Hans-Peter/The Nutcracker

    Joshua Junker

Act I

  • Drosselmeyer’s assistant

    Caspar Lench

  • Dr Stahlbaum

    Thomas Whitehead

  • Mrs Stahlbaum

    Tara-Brigitte Bhavnani

  • FRITZ

    William Florence

  • Clara’s partner

    Harrison Lee

  • Grandmother

    Julia Roscoe

  • Grandfather

    Aiden O'Brien

  • Housekeeper

    Barbara Rhodes

  • Aunts

    Caroline Jennings

    Clare Lumley

  • Dancing mistress

    Mica Bradbury

  • Captain

    Harris Bell

  • Harlequin

    James Large

  • Columbine

    Scarlett Harvey

  • Soldier

    Brayden Gallucci

  • Vivandière

    Hanna Park

  • Mouse King

    Téo Dubreuil

  • Snowflakes

    Artists of The Royal Ballet

Act II

  • Spanish Dance

    Hannah Grennell

    Hanna Park

    Scarlett Harvey

    Luc Foskett

    Harris Bell

    Blake Smith

  • Arabian dance

    Charlotte Tonkinson

    Denilson Almeida

  • Chinese dance

    Francisco Serrano

    James Large

  • Russian Dance

    Emile Gooding

    Tristan Ian Massa

  • Dance of the Mirlitons

    Chisato Katsura

    Bomin Kim

    Ella Newton Severgnini

    Amelia Townsend

Waltz of the Flowers

  • Rose Fairy

    Yuhui Choe

  • Rose Fairy Escorts

    Martin Diaz

    Nicol Edmonds

    Harrison Lee

    Taisuke Nakao

  • Leading Flowers

    Olivia Cowley

    Viola Pantuso

    Maddison Pritchard

    Yu Hang

  • Flowers

    Artists of The Royal Ballet

Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay

Music credits

  • Conductor

    Koen Kessels

  • Orchestra

    Orchestra of the Royal Opera House

  • Principal Guest Concert Master

    Vasko Vassilev

    by arrangement with Trittico

Chorus

  • Singers

    The Schola Cantorum Of The London Oratory School

    London Oratory Junior Choir

  • Director

    Charles Cole

The Royal Ballet

  • Director

    Kevin O’Hare CBE

  • Music Director

    Koen Kessels

  • Resident Choreographer

    Sir Wayne McGregor CBE

  • Artistic Associate

    Christopher Wheeldon OBE

  • Administrative Director

    Heather Baxter

  • Rehearsal Director

    Christopher Saunders

  • Clinical Director Ballet Healthcare

    Shane Kelly

Synopsis

Drosselmeyer, a timeless magician and creator of mechanical toys and clocks, was once employed in a royal palace where he invented a trap that killed off half the mouse population. In revenge the wicked Queen of the Mice cast a spell over Drosselmeyer’s nephew, Hans-Peter, which transformed him into an ugly Nutcracker Doll. The only way to break the spell was for the Nutcracker to defeat the Mouse King, thereby committing an act of great bravery, and for a young girl to love and care for him in spite of his awful appearance.

When Drosselmeyer is invited to entertain the guests at a Christmas party that his friends, the Stahlbaums, are giving, he decides that this could well be the opportunity he has been looking for.

Their daughter, Clara, is a little younger than Hans-Peter imprisoned in the Nutcracker, and what better time than Christmas, when the mice are busy stealing the leftovers, for a confrontation between the Mouse King and the Nutcracker? He decides to put the Nutcracker in the tender care of Clara and makes a special Christmas Angel to guide her through her task.

When all the guests have departed and the house is asleep, Clara, in search of the Nutcracker, creeps downstairs and discovers Drosselmeyer waiting for her. He draws her into his own special world of fantasy where time is suspended, and exerts all his powers to transform the living room into a great battlefield and summons the Mouse King. In the ensuing fight between the mice and the toy soldiers the Nutcracker defeats the Mouse King, but only through the intervention of Clara, who, out of compassion, saves the Nutcracker’s life. Transformed into his real self, he dances with Clara and they find themselves in the Land of Snow. Drosselmeyer then sends them on a magic journey to the Sugar Garden in the Kingdom of Sweets where they meet the Sugar Plum Fairy and her Prince.

Freed at last from his imprisonment inside the Nutcracker, Hans-Peter recounts to the Sugar Plum Fairy his great adventure and how Clara saved his life. They then join in a magnificent entertainment put on by Drosselmeyer to honour them for their bravery.

Returning to reality, Clara runs out into the street in search of Drosselmeyer and encounters a strangely familiar young man, while back in his workshop Drosselmeyer prays that his efforts will be rewarded. His nephew returns; the spell has indeed been broken.

— Peter Wright

Guidance

Suitable for ages 5+

There are flashing lights and dry ice used in this production. Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.

Generous support from

Further information

Digital Cast Sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

Support Us

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

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