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The Royal Opera

  • Jakub Hrůša

    Music Director

  • Oliver Mears

    Director of Opera

The Sicilian Vespers

OPERA IN FIVE ACTS

Friday 26 September 2025 6.30pm

The 17th performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 3 hours and 55 mins, including two intervals

  • Act I

    40 minutes

  • Act II

    40 minutes

  • Interval

    25 minutes

  • Act III

    35 minutes

  • Interval

    25 minutes

  • Act IV

    60 minutes

  • Act V

    10 minutes


A co-production with The Royal Danish Opera, Copenhagen

Credits

  • Music

    Giuseppe Verdi

  • Libretto

    Eugène Scribe

    Charles Duveyrier

    after their libretto Le Duc d’Albe

  • Conductor

    Speranza Scappucci

  • Director

    Stefan Herheim

  • Revival Director

    Dan Dooner

  • Set designer

    Philipp Fürhofer

  • Costume designer

    Gesine Völlm

  • Lighting designer

    Anders Poll

  • Choreographer

    André de Jong

  • Dramaturg

    Alexander Meier-Dörzenbach

Critical edition by Claudio Toscani © Casa Ricordi Srl, a division of Universal Music Publishing Group By arrangement with G. Ricordi & Co. (London) Ltd

Cast

  • Hélène

    Joyce El-Khoury

    replaces Marina Rebeka

  • Henri

    Valentyn Dytiuk

    replaces SeokJong Baek

  • Jean Procida

    Ildebrando D'Arcangelo

  • Guy de Montfort

    Quinn Kelsey

  • Le Sire de Béthune

    Blaise Malaba

  • Le Comte de Vaudemont

    Thomas D Hopkinson

  • Robert

    Vartan Gabrielian

  • Thibault

    Neal Cooper

  • Ninetta

    Jingwen Cai

  • Daniéli

    Michael Gibson

    replaces Emmanuel Fonoti-Fuimaono

  • Mainfroid

    Giorgi Guliashvili

  • Young Henri

    Jonah McGovern

  • Dancers

    Romy Adair

    Cherese Binedell

    Laura Boulter

    Krystine Cunningham

    Olivia Devine

    Serina Faull

    Christina Gibbs

    Anna Hirst

    Michaela Marrable

    Carolina Ranieri

    Holly Saw

    Rosie Southall

    Sophie Tierney

    Hayley Walker

Jingwen Cai and Giorgi Guliashvili are Jette Parker Artists

Chorus and Orchestra

  • Chorus

    Royal Opera Chorus

  • Chorus Director

    William Spaulding

  • Orchestra

    Orchestra of the Royal Opera House

  • Principal Guest Concert Master

    Vasko Vassilev

    by arrangement with Trittico

Extra chorus

  • Sopranos

    Katy Batho

    Rachel Chapman

    Stephanie Corley

    Celeste Gattai

    Rebecca Goulden

    Kathryn Jenkin

    Bernadette Lord

    Alison Rayner

    Elizabeth Roberts

    Rosalind Waters

    Vanessa Woodfine

  • Mezzo-sopranos

    Maria Brown

    Siobhain Gibson

    Zoë Haydn

    Frances Jellard

    Maria Jones

    Dervla Ramsay

    Jennifer Westwood

  • Tenors

    Robert Amon

    Phillip Bell

    Phillip Brown

    Andrew Busher

    Mark Chaundy

    Jon English

    Darrell Forkin

    Andrew Friedhoff

    James Geer

    Nick Hardy

    Andrew Mackenzie-Wicks

    Richard Monk

    Alexander Pidgen

    Henry Strutt

    Alex Wall

  • Basses

    Oscar Castellino

    Oliver Gibbs

    Lawrence Gillians

    Gabriel Gottlieb

    Gavin Horsley

    John Morgan

    John Morrissey

    Martin Nelson

    Paul Parfitt

    Simon Preece

    Mark Saberton

    Jochem van Ast

    Jonathan Wood

Production credits

  • Music preparation

    Valeria Racco

    Patrick Milne

    Richard Hetherington

  • Assistant Directors

    Paul Higgins

    Monica Nicolaides

  • Assistant to the Choreographer

    Cherese Binedell

  • Intimacy Coordinator

    Ingrid Mackinnon

  • Language Coach

    Sonja Nerdrum

The Royal Opera

  • Patron

    HM The King

  • Music Director

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

PRELUDE

French troops conquer Sicily and wound Procida, forcing him into exile. The French leader Montfort violates a Sicilian woman, who subsequently gives birth to a son. She raises Henri in fanatical political opposition to her attacker, but does not reveal the identity of his father, who has remained in power as Governor.

ACT I

French soldiers commemorate their victory, while the Sicilians bitterly complain about their defeat and oppression. Duchess Hélène, a hostage of Montfort, deplores the fact that the execution of her brother Frédéric the previous year remains unavenged due to the cowardice of the Sicilians. The French laugh at her, and Robert, a soldier of low rank, forces her to sing. Her song becomes a rallying call to the defeated Sicilians to rise and advance on the French. The agitated crowd of Sicilians finally attacks the soldiers, but Montfort’s appearance frightens them and they quickly retreat.

Henri, just released from prison, enters and assures Hélène how deeply he despises the Governor. Montfort, overhearing this, orders Hélène to leave and approaches Henri in a strangely cordial way, offering him a powerful position among his men if he stays away from Hélène. Henri angrily refuses, mocks Montfort’s arrogance and follows Hélène.

ACT II

Procida expresses his joy at returning to his homeland from exile. He and his followers swear vengeance on the French. Henri and Hélène arrive and all seek a way to animate the Sicilians to free themselves – even if it means using violence. Alone, Henri exuberantly declares his love for Hélène. She tells him that she will accept him if he will avenge her brother’s death.

Béthune, one of Montfort’s men, orders Henri to attend a ball at Montfort’s palace that evening. When Henri refuses, he is dragged away by soldiers. Hélène and Procida are determined to continue with the uprising. Their presence motivates French soldiers to abuse Sicilian brides on the way to their weddings; Hélène and Procida scold the petrified men for their cowardice. As the French prepare for the Governor’s ball, Procida, Hélène and their Sicilian followers decide to attend the festivity in masks and assassinate Montfort.

INTERVAL

ACT III

Alone, Montfort broods over his past and repeatedly reads a letter from the woman he once violated, which reveals that Henri is his son and has been raised to hate the Governor. Waiting for Henri to be brought to his palace, he meditates on his loneliness and the futility of power. Henri arrives and is deeply shocked when Montfort reveals himself to be his father. Fearing that he may lose Hélène, he refuses to embrace Montfort and leaves him.

At Montfort’s ball, Hélène and Procida meet with Henri and tell him of their plan to assassinate Montfort. Henri, though refusing to take his father’s side, implores Montfort to leave the ball. The Governor ignores the warning, and when Hélène and Procida draw their daggers, Henri prevents his father’s death by leaping in front of him. The conspirators are arrested and curse Henri as a traitor. He tries to follow them but is restrained by Montfort.

INTERVAL

ACT IV

Henri comes to visit the imprisoned Hélène. He laments his position, torn between duty to his father and love for his country and for Hélène. When she arrives, he begs her to understand his actions and reveals to her his true identity. Hélène is horrified, but when Henri swears his willingness to die for her, she admits that she still loves him.

Procida has secretly received a letter in his cell and tells Hélène that foreign forces are prepared to help the Sicilian resistance. Montfort appears and announces that the prisoners are to be executed. When Procida and Hélène mount the scaffold, Montfort notices Henri’s anguish and promises him to show mercy, if Henri will accept him as his father. Henri gives in, Montfort pardons Procida and orders Henri’s marriage to Hélène. All rejoice; only Procida remains intent on vengeance on the French.

ACT V

French and Sicilians come together to prepare for the marriage of Hélène and Henri. Hélène thanks everyone for their flowers and good wishes, while Henri praises the beautiful evening and exults in his happiness.

Alone with Hélène, Procida scolds her for betraying the Sicilians by marrying Montfort’s son. He tells her that the sound of the wedding bells will also be the signal for the uprising against the French. Hélène does not dare to reveal Procida’s plot. However, she wants to save Henri’s life and thus refuses, to his astonishment, to allow the marriage to go ahead. In consternation, Henri informs his father of Hélène’s strange behaviour, and Montfort commands the wedding celebrations to commence. The bells are rung and the massacre begins.

Guidance

Suitable for ages 12+

This performance contains depictions of rape, torture, and murder. There are gunshots in Act I and II.

Language

Sung in French with English surtitles, which are displayed on screens above the stage and around the auditorium.

Generous support from

Further information

Digital Cast Sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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