Choreography
Christopher Wheeldon
Music
Joby Talbot
The Dying Swan
Conductor
Koen Kessels
Costume Designer
Narciso Rodriguez
Lighting designer
Penny Jacobus
Staging
Jason Fowler
Senior Répétiteur to the Visiting Choreographers
Deirdre Chapman
Senior Benesh Choreologist and Assistant Répétiteur
Gregory Mislin
Akane Takada, William Bracewell
Marianela Nuñez, Lukas B. Brændsrød
Viola Pantuso, Liam Boswell
Téo Dubreuil, Annette Buvoli, Giacomo Rovero
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
Choreography
Christopher Wheeldon
Music
Joni Mitchell
I Don’t Know Where I Stand, Urge for Going, Both Sides Now and You Turn Me on I'm a Radio
Orchestrated By
Gordon Hamilton
Conductor
Koen Kessels
Lighting Designer
Natasha Katz
Costume Designers
Harriet Jung, Reid Bartelme
Principal Coaching
Robbie Fairchild, Zenaida Yanowsky
Dancers
Lauren Cuthbertson, Calvin Richardson
Singer
Julia Fordham
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
Choreography
Christopher Wheeldon
Music
Keaton Henson
Conductor
Koen Kessels
Lighting Designer
Natasha Katz
Costume designer
Katherine Watt
Rehearsal Director
Christopher Saunders
Principal Coaching
Stuart Cassidy, Deirdre Chapman, Robbie Fairchild, Michael Nunn, William Trevitt
Dancers
Matthew Ball, Joseph Sissens
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
Choreography
Christopher Wheeldon
Music
George Gershwin
Conductor
Koen Kessels
Designer
Bob Crowley
Lighting designer
Natasha Katz
Original Video Designs
59 Studio
Realisation and additional Video Designs
FRAY Studio
Design Associates
Jaimie Todd, Lynette Mauro
Staging
Dustin Layton
Rehearsal Director
Christopher Saunders
Principal Coaching
Jacquelin Barrett
Senior Répétiteur
Samantha Raine
Benesh Choreologist
Daniel Kraus
Lise
Anna Rose O'Sullivan
replaces Francesca Hayward
Jerry
Cesar Corrales
Dancers
Artists of The Royal Ballet
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
Director
Kevin O’Hare CBE
Music Director
Koen Kessels
Resident Choreographer
Sir Wayne McGregor CBE
Artistic Associate
Christopher Wheeldon OBE
Administrative Director
Heather Baxter
Rehearsal Director
Christopher Saunders
Clinical Director Ballet Healthcare
Shane Kelly
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.
For people, not profit.
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)