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The Royal Opera
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears

Jette Parker Artists Summer Performance 2025

Cast sheet

Sunday 20 July 2025

|

2pm

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate timings

The performance will last approximately 2 hours and 15 minutes, including one interval
Part I
50 minutes
Interval
25 minutes
Part II
60 minutes
Credits

Conductor

Richard Hetherington, José Salazar, Peggy Wu

Director

Sophie Gilpin

Movement Director

Natasha Harrison

Fight Director

Richard Gittins

Cast

Soprano

Isabela Díaz

Soprano

Marianna Hovanisyan

Soprano

Valentina Puskás

Mezzo Soprano

Veena Akama-Makia

Mezzo Soprano

Jingwen Cai

Tenor

Ryan Vaughan Davies

Baritone

Siphe Kwani

Baritone

Grisha Martirosyan

Bass Baritone

Ossian Huskinson

Bass

Jamie Woollard

Chorus and Orchestra

Orchestra

Orchestra of the Royal Opera House

Patron

HM The King

Music Director Designate

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

LES PÊCHEURS DE PERLES, ACT III

Music GEORGES BIZET  

Libretto EUGÈNE CORMON, MICHEL CARRÉ  

Conductor JOSÉ SALAZAR

LES PÊCHEURS DE PERLES, ACT III

Music GEORGES BIZET  

Libretto EUGÈNE CORMON, MICHEL CARRÉ  

Conductor JOSÉ SALAZAR

Zurga GRISHA MARTIROSYAN   

Leïla ISABELA DÍAZ

To preserve their childhood friendship, fishermen Zurga and Nadir have sworn an oath that neither man would act on their feelings for the priestess Leïla. When Nadir breaks his promise – and Leïla reneges on her religious commitment to remain chaste – they are both arrested. In this duet Zurga, who still harbours a deep desire for Leïla, confronts her about her feelings for Nadir. As Leïla pleads for Nadir’s life, Zurga’s jealousy and anger intensify.

LUISA MILLER, ACT II, SCENE 1

Music GIUSEPPE VERDI  

Libretto SALVADORE CAMMARANO  

Conductor PEGGY WU


Luisa VALENTINA PUSKÁS  

Wurm JAMIE WOOLLARD  

Laura ISABELA DÍAZ

Count Walter’s son Rodolfo has fallen in love with Luisa, a girl from the village. Luisa’s father has been arrested after being involved in a violent altercation to protect his daughter. The villagers warn Luisa that he has been sentenced to death before Wurm, a courtier also in love with Luisa, arrives with the news that he can save Miller’s life. He offers to secure Miller’s freedom on the condition that Luisa writes a letter declaring her love for Wurm and denying that her feelings for Rodolfo were ever sincere.



LA FAVORITA, ACT IV, SCENE 4

Music GAETANO DONIZETTI  

Libretto ALPHONSE ROYER, GUSTAVE VAËZ, EUGÈNE SCRIBE  

Conductor RICHARD HETHERINGTON

Leonora VEENA AKAMA-MAKIA  

Fernando RYAN VAUGHAN DAVIES

Fernando has left his religious order after falling in love with Leonora. Unaware Leonora was the King’s favourite lover, Fernando asks him for her hand in marriage. Leonora’s message about her true identity does not reach Fernando until after their wedding. When he discovers their relationship, Fernando’s feelings of betrayal and dishonour cause him to abandon his new wife and return to his previous life of celibacy. Leonora arrives broken-hearted, desperate to tell Fernando the full truth and earn his forgiveness.

IL BARBIERE DI SIVIGLIA, ACT II

Music GIOACHINO ROSSINI  

Libretto CESARE STERBINI  

Conductor PEGGY WU

Rosina JINGWEN CAI  

Figaro SIPHE KWANI  

Almaviva RYAN VAUGHAN DAVIES  

Bartolo OSSIAN HUSKINSON 

Basilio JAMIE WOOLLARD  

Berta MARIANNA HOVANISYAN  

Officiale GRISHA MARTIROSYAN

Rosina has fallen in love with Lindoro who she believes to be a student musician. Unbeknownst to her, Lindoro is really the wealthy Count Almaviva who had enlisted the local barber and jack-of-all trades Figaro to help him woo her. After the storm Almaviva and Figaro climb a ladder into Rosina’s home. Almaviva reveals his true identity and quickly marries Rosina before her guardian Dr Bartolo can.


LE NOZZE DI FIGARO, ACT IV


Music WOLFGANG AMADEUS MOZART  

Libretto LORENZO DA PONTE  

Conductor RICHARD HETHERINGTON

Countess Almaviva VALENTINA PUSKÁS  

Susanna MARIANNA HOVANISYAN  

Barbarina ISABELA DÍAZ  

Cherubino JINGWEN CAI  

Marcellina VEENA AKAMA-MAKIA  

Basilio RYAN VAUGHAN DAVIES  

Count Almaviva GRISHA MARTIROSYAN  

Figaro OSSIAN HUSKINSON  

Bartolo JAMIE WOOLLARD  

Antonio SIPHE KWANI


Some years later, Count Almaviva’s marriage to Rosina – now the Countess – has started to lose its spark. Having invoked the ancient droit du seigneur which permits the Count to sleep with Figaro’s fiancée on her wedding night, the Count is expecting to meet Susanna in the courtyard for a tryst. Little does he know that Susanna and the Countess have switched clothes to play a trick on Rosina’s philandering husband and Susanna’s jealous fiancé. Chaos ensues but can love triumph in the end?

Guidance
Suitable for 7+
This production features mild violence and depictions of a suicide. There are strobe lights in this performance. They will be used in short bursts at the beginning of the performance for around 2 minutes and after the first interval for around 2 minutes to depict storms.
Further information

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

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