Jakub Hrůša
Music Director Designate
Oliver Mears
Director of Opera
Sunday 20 July 2025 2pm
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance will last approximately 2 hours and 15 minutes, including one interval
50 minutes
25 minutes
60 minutes
Richard Hetherington
José Salazar
Peggy Wu
Sophie Gilpin
Natasha Harrison
Richard Gittins
Isabela Díaz
Marianna Hovanisyan
Valentina Puskás
Veena Akama-Makia
Jingwen Cai
Ryan Vaughan Davies
Siphe Kwani
Grisha Martirosyan
Ossian Huskinson
Jamie Woollard
Orchestra of the Royal Opera House
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
LES PÊCHEURS DE PERLES, ACT III
Music GEORGES BIZET
Libretto EUGÈNE CORMON, MICHEL CARRÉ
Conductor JOSÉ SALAZARZurga GRISHA MARTIROSYAN
Leïla ISABELA DÍAZTo preserve their childhood friendship, fishermen Zurga and Nadir have sworn an oath that neither man would act on their feelings for the priestess Leïla. When Nadir breaks his promise – and Leïla reneges on her religious commitment to remain chaste – they are both arrested. In this duet Zurga, who still harbours a deep desire for Leïla, confronts her about her feelings for Nadir. As Leïla pleads for Nadir’s life, Zurga’s jealousy and anger intensify.LUISA MILLER, ACT II, SCENE 1
Music GIUSEPPE VERDI
Libretto SALVADORE CAMMARANO
Conductor PEGGY WU
Luisa VALENTINA PUSKÁS
Wurm JAMIE WOOLLARD
Laura ISABELA DÍAZ
Count Walter’s son Rodolfo has fallen in love with Luisa, a girl from the village. Luisa’s father has been arrested after being involved in a violent altercation to protect his daughter. The villagers warn Luisa that he has been sentenced to death before Wurm, a courtier also in love with Luisa, arrives with the news that he can save Miller’s life. He offers to secure Miller’s freedom on the condition that Luisa writes a letter declaring her love for Wurm and denying that her feelings for Rodolfo were ever sincere.
LA FAVORITA, ACT IV, SCENE 4
Music GAETANO DONIZETTI
Libretto ALPHONSE ROYER, GUSTAVE VAËZ, EUGÈNE SCRIBE
Conductor RICHARD HETHERINGTON
Leonora VEENA AKAMA-MAKIA
Fernando RYAN VAUGHAN DAVIES
Fernando has left his religious order after falling in love with Leonora. Unaware Leonora was the King’s favourite lover, Fernando asks him for her hand in marriage. Leonora’s message about her true identity does not reach Fernando until after their wedding. When he discovers their relationship, Fernando’s feelings of betrayal and dishonour cause him to abandon his new wife and return to his previous life of celibacy. Leonora arrives broken-hearted, desperate to tell Fernando the full truth and earn his forgiveness.
IL BARBIERE DI SIVIGLIA, ACT II
Music GIOACHINO ROSSINI
Libretto CESARE STERBINI
Conductor PEGGY WURosina JINGWEN CAI
Figaro SIPHE KWANI
Almaviva RYAN VAUGHAN DAVIES
Bartolo OSSIAN HUSKINSON
Basilio JAMIE WOOLLARD
Berta MARIANNA HOVANISYAN
Officiale GRISHA MARTIROSYANRosina has fallen in love with Lindoro who she believes to be a student musician. Unbeknownst to her, Lindoro is really the wealthy Count Almaviva who had enlisted the local barber and jack-of-all trades Figaro to help him woo her. After the storm Almaviva and Figaro climb a ladder into Rosina’s home. Almaviva reveals his true identity and quickly marries Rosina before her guardian Dr Bartolo can.
LE NOZZE DI FIGARO, ACT IVMusic WOLFGANG AMADEUS MOZART
Libretto LORENZO DA PONTE
Conductor RICHARD HETHERINGTON
Countess Almaviva VALENTINA PUSKÁS
Susanna MARIANNA HOVANISYAN
Barbarina ISABELA DÍAZ
Cherubino JINGWEN CAI
Marcellina VEENA AKAMA-MAKIA
Basilio RYAN VAUGHAN DAVIES
Count Almaviva GRISHA MARTIROSYAN
Figaro OSSIAN HUSKINSON
Bartolo JAMIE WOOLLARD
Antonio SIPHE KWANI
Some years later, Count Almaviva’s marriage to Rosina – now the Countess – has started to lose its spark. Having invoked the ancient droit du seigneur which permits the Count to sleep with Figaro’s fiancée on her wedding night, the Count is expecting to meet Susanna in the courtyard for a tryst. Little does he know that Susanna and the Countess have switched clothes to play a trick on Rosina’s philandering husband and Susanna’s jealous fiancé. Chaos ensues but can love triumph in the end?
Suitable for 7+
This production features mild violence and depictions of a suicide. There are strobe lights in this performance. They will be used in short bursts at the beginning of the performance for around 2 minutes and after the first interval for around 2 minutes to depict storms.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
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