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The Royal Opera

  • Jakub Hrůša

    Music Director Designate

  • Oliver Mears

    Director of Opera

Jette Parker Artists Summer Performance 2025

Sunday 20 July 2025 2pm

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance will last approximately 2 hours and 15 minutes, including one interval

  • Part I

    50 minutes

  • Interval

    25 minutes

  • Part II

    60 minutes


Credits

  • Conductor

    Richard Hetherington

    José Salazar

    Peggy Wu

  • Director

    Sophie Gilpin

  • Movement Director

    Natasha Harrison

  • Fight Director

    Richard Gittins

Cast

  • Soprano

    Isabela Díaz

  • Soprano

    Marianna Hovanisyan

  • Soprano

    Valentina Puskás

  • Mezzo Soprano

    Veena Akama-Makia

  • Mezzo Soprano

    Jingwen Cai

  • Tenor

    Ryan Vaughan Davies

  • Baritone

    Siphe Kwani

  • Baritone

    Grisha Martirosyan

  • Bass Baritone

    Ossian Huskinson

  • Bass

    Jamie Woollard

Chorus and Orchestra

  • Orchestra

    Orchestra of the Royal Opera House

The Royal Opera

  • Patron

    HM The King

  • Music Director Designate

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Programme

LES PÊCHEURS DE PERLES, ACT III

Music GEORGES BIZET

Libretto EUGÈNE CORMON, MICHEL CARRÉ

Conductor JOSÉ SALAZARZurga GRISHA MARTIROSYAN

Leïla ISABELA DÍAZTo preserve their childhood friendship, fishermen Zurga and Nadir have sworn an oath that neither man would act on their feelings for the priestess Leïla. When Nadir breaks his promise – and Leïla reneges on her religious commitment to remain chaste – they are both arrested. In this duet Zurga, who still harbours a deep desire for Leïla, confronts her about her feelings for Nadir. As Leïla pleads for Nadir’s life, Zurga’s jealousy and anger intensify.LUISA MILLER, ACT II, SCENE 1

Music GIUSEPPE VERDI

Libretto SALVADORE CAMMARANO

Conductor PEGGY WU

Luisa VALENTINA PUSKÁS

Wurm JAMIE WOOLLARD

Laura ISABELA DÍAZ

Count Walter’s son Rodolfo has fallen in love with Luisa, a girl from the village. Luisa’s father has been arrested after being involved in a violent altercation to protect his daughter. The villagers warn Luisa that he has been sentenced to death before Wurm, a courtier also in love with Luisa, arrives with the news that he can save Miller’s life. He offers to secure Miller’s freedom on the condition that Luisa writes a letter declaring her love for Wurm and denying that her feelings for Rodolfo were ever sincere.

LA FAVORITA, ACT IV, SCENE 4

Music GAETANO DONIZETTI

Libretto ALPHONSE ROYER, GUSTAVE VAËZ, EUGÈNE SCRIBE

Conductor RICHARD HETHERINGTON

Leonora VEENA AKAMA-MAKIA

Fernando RYAN VAUGHAN DAVIES

Fernando has left his religious order after falling in love with Leonora. Unaware Leonora was the King’s favourite lover, Fernando asks him for her hand in marriage. Leonora’s message about her true identity does not reach Fernando until after their wedding. When he discovers their relationship, Fernando’s feelings of betrayal and dishonour cause him to abandon his new wife and return to his previous life of celibacy. Leonora arrives broken-hearted, desperate to tell Fernando the full truth and earn his forgiveness.

IL BARBIERE DI SIVIGLIA, ACT II

Music GIOACHINO ROSSINI

Libretto CESARE STERBINI

Conductor PEGGY WURosina JINGWEN CAI

Figaro SIPHE KWANI

Almaviva RYAN VAUGHAN DAVIES

Bartolo OSSIAN HUSKINSON

Basilio JAMIE WOOLLARD

Berta MARIANNA HOVANISYAN

Officiale GRISHA MARTIROSYANRosina has fallen in love with Lindoro who she believes to be a student musician. Unbeknownst to her, Lindoro is really the wealthy Count Almaviva who had enlisted the local barber and jack-of-all trades Figaro to help him woo her. After the storm Almaviva and Figaro climb a ladder into Rosina’s home. Almaviva reveals his true identity and quickly marries Rosina before her guardian Dr Bartolo can.

LE NOZZE DI FIGARO, ACT IVMusic WOLFGANG AMADEUS MOZART

Libretto LORENZO DA PONTE

Conductor RICHARD HETHERINGTON

Countess Almaviva VALENTINA PUSKÁS

Susanna MARIANNA HOVANISYAN

Barbarina ISABELA DÍAZ

Cherubino JINGWEN CAI

Marcellina VEENA AKAMA-MAKIA

Basilio RYAN VAUGHAN DAVIES

Count Almaviva GRISHA MARTIROSYAN

Figaro OSSIAN HUSKINSON

Bartolo JAMIE WOOLLARD

Antonio SIPHE KWANI

Some years later, Count Almaviva’s marriage to Rosina – now the Countess – has started to lose its spark. Having invoked the ancient droit du seigneur which permits the Count to sleep with Figaro’s fiancée on her wedding night, the Count is expecting to meet Susanna in the courtyard for a tryst. Little does he know that Susanna and the Countess have switched clothes to play a trick on Rosina’s philandering husband and Susanna’s jealous fiancé. Chaos ensues but can love triumph in the end?

Guidance

Suitable for 7+

This production features mild violence and depictions of a suicide. There are strobe lights in this performance. They will be used in short bursts at the beginning of the performance for around 2 minutes and after the first interval for around 2 minutes to depict storms.

Further information

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

Digital Cast Sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

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