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The Royal Ballet
Director
Kevin O'Hare CBE
Founder
Dame Ninette de Valois OM CH DBE
Founder Choreographer
Sir Frederick Ashton OM CH CBE
Founder Music Director
Constant Lambert
Prima Ballerina Assoluta
Dame Margot Fonteyn DBE

La Fille mal gardée

THE WAYWARD DAUGHTER – Ballet in Two Acts

Cast sheet

Saturday 18 October 2025

|

1.30pm

The 371st performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

We dedicate our performances of La Fille mal gardée to the memory of Derek Purnell, former Sadler’s Wells Royal Ballet dancer, Birmingham Royal Ballet Chief Executive and Royal Ballet Governor. 

Approximate timings

This performance lasts approximately 2 hours and 15 minutes, including one interval
Act I
65 minutes
Interval
30 minutes
Act II
40 minutes
Credits

Choreography

Frederick Ashton

Music

Ferdinand Hérold

Arranged and Orchestrated by

John Lanchbery

Scenario

Jean Dauberval

Designer

Osbert Lancaster

Lighting designer

John B. Read

Staging

Christopher Carr

Principal Coaching

Alexander Agadzhanov, Stuart Cassidy, Jean Christophe Lesage, Isabel McMeekan

Senior Répétiteur

Samantha Raine

Répétiteur

Sian Murphy

Benesh Choreologist

Daniel Kraus

Performances are given by permission of Boosey & Hawkes Music Publishers Limited on behalf of Oxford University Press
Cast

Widow Simone

A rich farmer

James Hay

Lise

Her daughter

Anna Rose O'Sullivan

Colas

A young farmer in love with Lise

William Bracewell

Thomas

A prosperous vineyard owner

Thomas Whitehead

Alain

His son

Joshua Junker

Cockerel

Caspar Lench

Hens

Sierra Glasheen, Scarlett Harvey, Ella Newton Severgnini, Ginevra Zambon

Lise's Friends

Yu Hang, Isabel Lubach, Nadia Mullova-Barley, Viola Pantuso, Julia Roscoe, Leticia Stock, Charlotte Tonkinson, Amelia Townsend

Village Notary

James Large

Notary's Clerk

Caspar Lench

Villagers, Harvesters, Grooms

Artists of The Royal Ballet, Students of The Royal Ballet School

Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay
Audio Description is provided by Jane Brambley and Ellie Packer
Oscar the pony is supplied by Pampered Ponies. Oscar's handlers are Emily Wooley and Matilda Masters
Music credits

Conductor

Jonathan Lo

Principal Guest Concert Master

by arrangement with Trittico

Vasko Vassilev

Orchestra

Orchestra of the Royal Opera House

Director

Kevin O’Hare CBE

Music Director

Koen Kessels

Resident Choreographer

Sir Wayne McGregor CBE

Artistic Associate

Christopher Wheeldon OBE

Administrative Director

Heather Baxter

Rehearsal Director

Christopher Saunders

Clinical Director Ballet Healthcare

Shane Kelly

Lise, the only daughter of Simone who is a widow and owner of a prosperous farm, is in love with Colas, a young far...

Lise, the only daughter of Simone who is a widow and owner of a prosperous farm, is in love with Colas, a young farmer, but her mother has far more ambitious plans.

ACT I


SCENE 1: THE FARMYARD



The dawn of a busy day on the farm is heralded by the cock and his attendant hens. Lise, disappointed at not seeing Colas, leaves a ribbon tied in a lover’s knot as a token of her devotion. Colas finds it and binds it to his staff. The lovers meet, but are interrupted by Simone, who sets her daughter a task churning butter. Colas, hiding in the loft, joins her. The work is shared and then forgotten as they declare their love.

The farm girls summon Lise to play, but her mind is elsewhere. Her suspicious and ever-watchful mother catches hold of her and chastizes her. Just then Thomas, the pompous and wealthy proprietor of a vineyard, arrives with his son Alain. Simone, aware of their mission, dismisses Lise, and Thomas asks her hand for his son. When Lise returns, Alain coyly and clumsily shows off his paces. She is amused and a little shocked by his antics, but not interested. They set off for the harvest.

SCENE 2: THE CORNFIELD


It is harvest time, and after working in the fields the harvesters, led by Colas, relax in a joyful dance. Lise and Alain dance, but Colas intervenes, and the young girl makes it clear where her preference lies. One of the harvesters plays the flute, to everybody’s general delight, and Alain thinks he will have a try; but the harvesters mock him and he is rescued from their horseplay by his indignant father.

The field is now left clear for the triumphant Colas, who dances with Lise. Simone joins in the merriment of the harvesters. Suddenly they are interrupted by a storm that drenches them, scattering them far and wide.

INTERVAL


ACT II

INTERIOR OF THE FARMHOUSE



Mother and daughter, soaked by the storm, return to the farmhouse. They sit down to spin; work, thinks the mother, should keep Lise out of mischief. But she is overcome by sleep, and Lise, who has seen Colas through the gate, tries to take the key from her. Simone wakes and, in order to remain watchful, plays the tambourine for Lise to dance. But the taps grow feebler, she begins to nod, and now she is fast asleep.

Colas opens the top part of the farmhouse door and leans towards Lise. She runs joyfully into his arms. The knocking of the harvesters, coming for their pay, awakens Simone. Simone tells her daughter to get on with her chores as she leaves to give the harvesters a drink. Lise, thinking she is alone, dreams of the delights of married life. Colas cannot resist, and comes out from hiding. She is bashful at having been taken by surprise, but once again they declare their love, exchanging scarves as a token.

As Simone reappears, Lise hustles Colas into her bedroom. The ever-suspicious mother realizes that the lovers have been meeting, and in her turn hustles Lise into the bedroom, locking the door.

Guidance
Suitable for ages 5+
There are flashing lights and strobe lighting in this production. Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

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