
Kevin O'Hare CBE
Director
Dame Ninette de Valois OM CH DBE
Founder
Sir Frederick Ashton OM CH CBE
Founder Choreographer
Constant Lambert
Founder Music Director
Dame Margot Fonteyn DBE
Prima Ballerina Assoluta
THE WAYWARD DAUGHTER – Ballet in Two Acts
Saturday 18 October 2025 1.30pm
The 371st performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
This performance lasts approximately 2 hours and 15 minutes, including one interval
65 minutes
30 minutes
40 minutes
We dedicate our performances of La Fille mal gardée to the memory of Derek Purnell, former Sadler’s Wells Royal Ballet dancer, Birmingham Royal Ballet Chief Executive and Royal Ballet Governor.
Frederick Ashton
Ferdinand Hérold
John Lanchbery
Jean Dauberval
Osbert Lancaster
John B. Read
Christopher Carr
Alexander Agadzhanov
Stuart Cassidy
Jean Christophe Lesage
Isabel McMeekan
Samantha Raine
Sian Murphy
Daniel Kraus
Performances are given by permission of Boosey & Hawkes Music Publishers Limited on behalf of Oxford University Press
James Hay
A rich farmer
Anna Rose O'Sullivan
Her daughter
William Bracewell
A young farmer in love with Lise
Thomas Whitehead
A prosperous vineyard owner
Joshua Junker
His son
Caspar Lench
Sierra Glasheen
Scarlett Harvey
Ella Newton Severgnini
Ginevra Zambon
Yu Hang
Isabel Lubach
Nadia Mullova-Barley
Viola Pantuso
Julia Roscoe
Leticia Stock
Charlotte Tonkinson
Amelia Townsend
James Large
Caspar Lench
Artists of The Royal Ballet
Students of The Royal Ballet School
Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay
Audio Description is provided by Jane Brambley and Ellie Packer
Oscar the pony is supplied by Pampered Ponies. Oscar's handlers are Emily Wooley and Matilda Masters
Jonathan Lo
Vasko Vassilev
by arrangement with Trittico
Orchestra of the Royal Opera House
Kevin O’Hare CBE
Koen Kessels
Sir Wayne McGregor CBE
Christopher Wheeldon OBE
Heather Baxter
Christopher Saunders
Shane Kelly
Lise, the only daughter of Simone who is a widow and owner of a prosperous farm, is in love with Colas, a young farmer, but her mother has far more ambitious plans.
ACT ISCENE 1: THE FARMYARDThe dawn of a busy day on the farm is heralded by the cock and his attendant hens. Lise, disappointed at not seeing Colas, leaves a ribbon tied in a lover’s knot as a token of her devotion. Colas finds it and binds it to his staff. The lovers meet, but are interrupted by Simone, who sets her daughter a task churning butter. Colas, hiding in the loft, joins her. The work is shared and then forgotten as they declare their love.
The farm girls summon Lise to play, but her mind is elsewhere. Her suspicious and ever-watchful mother catches hold of her and chastizes her. Just then Thomas, the pompous and wealthy proprietor of a vineyard, arrives with his son Alain. Simone, aware of their mission, dismisses Lise, and Thomas asks her hand for his son. When Lise returns, Alain coyly and clumsily shows off his paces. She is amused and a little shocked by his antics, but not interested. They set off for the harvest.
SCENE 2: THE CORNFIELD
It is harvest time, and after working in the fields the harvesters, led by Colas, relax in a joyful dance. Lise and Alain dance, but Colas intervenes, and the young girl makes it clear where her preference lies. One of the harvesters plays the flute, to everybody’s general delight, and Alain thinks he will have a try; but the harvesters mock him and he is rescued from their horseplay by his indignant father.
The field is now left clear for the triumphant Colas, who dances with Lise. Simone joins in the merriment of the harvesters. Suddenly they are interrupted by a storm that drenches them, scattering them far and wide.
INTERVAL
ACT IIINTERIOR OF THE FARMHOUSEMother and daughter, soaked by the storm, return to the farmhouse. They sit down to spin; work, thinks the mother, should keep Lise out of mischief. But she is overcome by sleep, and Lise, who has seen Colas through the gate, tries to take the key from her. Simone wakes and, in order to remain watchful, plays the tambourine for Lise to dance. But the taps grow feebler, she begins to nod, and now she is fast asleep.Colas opens the top part of the farmhouse door and leans towards Lise. She runs joyfully into his arms. The knocking of the harvesters, coming for their pay, awakens Simone. Simone tells her daughter to get on with her chores as she leaves to give the harvesters a drink. Lise, thinking she is alone, dreams of the delights of married life. Colas cannot resist, and comes out from hiding. She is bashful at having been taken by surprise, but once again they declare their love, exchanging scarves as a token.As Simone reappears, Lise hustles Colas into her bedroom. The ever-suspicious mother realizes that the lovers have been meeting, and in her turn hustles Lise into the bedroom, locking the door.
Suitable for ages 5+
There are flashing lights and strobe lighting in this production. Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
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