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The Royal Opera
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears

Peter Grimes

Opera in a Prologue and Three Acts

Cast sheet

Friday 8 May 2026

|

7pm

The 127th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

Generous philanthropic support from The Britten Production Syndicate and Royal Ballet and Opera Patrons

In loving memory of Dr Richard Phillips

The role of Peter Grimes is supported by Jane Hemstritch AO and Malcolm Herring

A co-production with Teatro Real, Madrid, Opéra National de Paris and Teatro dell'Opera di Roma 

Approximate timings

The performance lasts approximately 3 hours and 35 minutes, including two intervals
Act I
65 minutes
Interval
25 minutes
Act II
55 minutes
Interval
25 minutes
Act III
45 minutes
Credits

Music

Benjamin Britten

Libretto

after The Borough by George Crabbe

Montagu Slater

Given by permission of Boosey & Hawkes Music Publishers Limited

Conductor

Jakub Hrůša

Director

Deborah Warner

Set Designer

Michael Levine

Costume Designer

Luis F. Carvalho

Lighting Designer

Peter Mumford

Choreographer

Kim Brandstrup

Cast

Peter Grimes

Allan Clayton

Ellen Orford

Maria Bengtsson

Captain Balstrode

Bryn Terfel

Swallow

Clive Bayley

Ned Keene

Jacques Imbrailo

Auntie

Catherine Wyn-Rogers

Mrs Sedley

Christine Rice

Bob Boles

John Graham-Hall

Hobson

Barnaby Rea

Rev. Horace Adams

James Gilchrist

First Niece

Jennifer France

Second Niece

Natalia Labourdette

Solo Voices

Eugene Dillon-Hooper, Dawid Kimberg, Andrew Macnair, Dominic Barrand, Patrick Ashcroft, Nigel Cliffe, John Bernays, Jonathan Fisher, Dominic Barrand, Jonathan Fisher, Miranda Westcott, Luke Price, Tamsin Coombs, Thomas Barnard

The Boy

Johnny Imbrailo

Aerialist

Jack Horner

Actors

Dom Blackwood, Barry Callan, Kieran Dee, Craig Hamilton, Simon Jaymes, Xavi Monreal, Douglas Santillo, Christopher Sherwood, Anna Smith, Bryony Tebbutt

Chorus and Orchestra

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Extra Chorus

Sopranos

Kathryn Jenkin, Alison Rayner, Elizabeth Roberts, Rosalind Waters, Vanessa Woodfine

Mezzo-sopranos

Jeanette Ager, Maria Brown, Felicity Buckland, Siobhain Gibson, Maria Jones, Jennifer Westwood

Tenors

Simon Biazeck, Andrew Busher, Richard Monk

Basses

Oscar Castellino, Oliver Gibbs, Gavin Horsley, Peter Willcock

Production credits

Music preparation

Christopher Willis, Susanna Stranders, Richard Hetherington, Nick Fletcher, Jo Ramadan, Kate Golla

Assistant Directors

Dan Dooner, Isabelle Kettle

Assistant Choreographer

Joanna O’Keeffe

Interlude Projections

Justin Nardella

Patron

HM The King

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

In a dream, the fisherman Peter Grimes relives the recent inquest held into the death of his young apprentice...

Prologue

In a dream, the fisherman Peter Grimes relives the recent inquest held into the death of his young apprentice. The coroner has cast an open verdict, leaving the town speculating and gossiping. Ellen Orford, the school mistress, arrives and lulls Peter into a calmer sleep.


Interlude I

Act I
Scene One

When Grimes returns from fishing, only the retired sea captain, Balstrode, and Ned Keene, the local ‘chemist’, are willing to help bring in his boat. Keene tells Grimes that he has arranged for a new apprentice to come and work for him. When asked to collect the boy, Hobson – the carter – refuses, but consents when Ellen offers to accompany the boy on the journey. A powerful storm threatens, during which Balstrode suggests to Grimes that he should leave the town or marry Ellen and change his solitary ways. Grimes rejects his advice, declaring ‘I am native, rooted here,’ and that he will only marry Ellen when he has enough money to earn the respect of the Borough.


Interlude II

Scene Two

With the storm raging outside, the townsfolk are sheltering in the local pub. To the annoyance of Auntie – the landlady – Mrs Sedley, a widow addicted to laudanum, arrives to wait for Ned Keene, her supplier. Auntie’s ‘nieces’ are teasing the inebriated Methodist fisherman Bob Boles, when Ned Keene arrives with the news that part of the cliff has collapsed by Grimes’s hut. To the astonishment of the onlookers Grimes bursts in – as wild as the storm – distracted and disoriented. When a fight threatens to break out between him and Boles, Balstrode calls for a song to calm the atmosphere. The song is interrupted by the arrival of Hobson, Ellen and the new apprentice, soaked to the skin and exhausted from their journey. Instead of allowing him to rest, Grimes insists on taking the boy straight home and carries him out into the night.

Act II
Scene One

It is Sunday and Ellen has decided not to go to church, but to question the silent apprentice about his life. While trying to encourage the boy to speak, she notices that his clothing is torn and that he has a bruise on his neck. Grimes arrives and orders the boy to go fishing. Ellen intervenes, reminding him that the apprentice is entitled to a day of rest. He loses his temper, pushing Ellen to the ground and running off with the boy. When the locals emerge from church, Bob Boles, who has witnessed this incident, stirs the Borough into action against Grimes. Allowed to vent their anger, the townsmen resolve to set out for his hut to get to the truth – ‘with the branding iron and knife’. They leave Ellen, Auntie and the two Nieces alone on the beach, reflecting on their role and relationship to the men in the Borough.


Interlude IV

Grimes and the apprentice prepare for the fishing trip. Peter is very distracted, fearing that his dream of marrying Ellen is now crushed. When he hears the men from the Borough approaching, he panics and hurries the boy down the steep ladder to the beach. With the knock on the door he hears the boy scream, and fearing an accident, scrambles quickly after him. Reverend Adams, Mayor Swallow, Keene and Balstrode enter the hut and are surprised by its orderly state, but neither Grimes nor the boy are there.

Act III


Interlude V

Grimes finds the dead apprentice at the base of the cliff.

Scene One

The annual Borough dance is in full swing. Auntie’s ‘nieces’ are teasing the lawyer Swallow, who, like everyone else, is extremely drunk. Mrs Sedley, re-imagining herself as the local sleuth, tries to convince Ned Keene that Grimes has killed his apprentice. A few days have passed, with no sign of him or the boy. Balstrode arrives with Ellen, who has discovered the boy’s jumper on the tide line. Balstrode tells Ellen that he has seen Grimes’s boat, and together they commit to finding him before the mob do. When they have gone, Mrs Sedley, who has overheard their conversation, incites the Borough to action and the manhunt for Grimes begins.


Interlude VI

Scene Two

Grimes is alone, seized by visions and tortured by the death of the two boys. In the distance is the sound of the mob calling his name. Ellen and Balstrode find him, but in his distressed state, he does not fully recognise them. Balstrode tells him to sail his boat out into deep water and sink it. Dawn breaks and Swallow reports that a boat is sinking out at sea. The Borough turns its back and goes about its business – as it always has, and always will.

Guidance
Suitable for ages 12+
This production contains themes of child cruelty, the death of a child and depictions of suicide. There are flashing lights in Act I.
Language
Sung in English with surtitles, which are displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

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Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

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