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The Royal Opera

  • Jakub Hrůša

    Music Director

  • Oliver Mears

    Director of Opera

Peter Grimes

Opera in a Prologue and Three Acts

Friday 8 May 2026 7pm

The 127th performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 3 hours and 35 minutes, including two intervals

  • Act I

    65 minutes

  • Interval

    25 minutes

  • Act II

    55 minutes

  • Interval

    25 minutes

  • Act III

    45 minutes


A co-production with Teatro Real, Madrid, Opéra National de Paris and Teatro dell'Opera di Roma 

Credits

  • Music

    Benjamin Britten

  • Libretto

    Montagu Slater

    after The Borough by George Crabbe

    Given by permission of Boosey & Hawkes Music Publishers Limited

  • Conductor

    Jakub Hrůša

  • Director

    Deborah Warner

  • Set Designer

    Michael Levine

  • Costume Designer

    Luis F. Carvalho

  • Lighting Designer

    Peter Mumford

  • Choreographer

    Kim Brandstrup

Cast

  • Peter Grimes

    Allan Clayton

  • Ellen Orford

    Maria Bengtsson

  • Captain Balstrode

    Bryn Terfel

  • Swallow

    Clive Bayley

  • Ned Keene

    Jacques Imbrailo

  • Auntie

    Catherine Wyn-Rogers

  • Mrs Sedley

    Christine Rice

  • Bob Boles

    John Graham-Hall

  • Hobson

    Barnaby Rea

  • Rev. Horace Adams

    James Gilchrist

  • First Niece

    Jennifer France

  • Second Niece

    Natalia Labourdette

  • Solo Voices

    Eugene Dillon-Hooper

    Dawid Kimberg

    Andrew Macnair

    Dominic Barrand

    Patrick Ashcroft

    Nigel Cliffe

    John Bernays

    Jonathan Fisher

    Dominic Barrand

    Jonathan Fisher

    Miranda Westcott

    Luke Price

    Tamsin Coombs

    Thomas Barnard

  • The Boy

    Johnny Imbrailo

  • Aerialist

    Jack Horner

  • Actors

    Dom Blackwood

    Barry Callan

    Kieran Dee

    Craig Hamilton

    Simon Jaymes

    Xavi Monreal

    Douglas Santillo

    Christopher Sherwood

    Anna Smith

    Bryony Tebbutt

Chorus and Orchestra

  • Orchestra

    Orchestra of the Royal Opera House

  • Concert Master

    Magnus Johnston

  • Chorus

    Royal Opera Chorus

  • Chorus Director

    William Spaulding

Extra Chorus

  • Sopranos

    Kathryn Jenkin

    Alison Rayner

    Elizabeth Roberts

    Rosalind Waters

    Vanessa Woodfine

  • Mezzo-sopranos

    Jeanette Ager

    Maria Brown

    Felicity Buckland

    Siobhain Gibson

    Maria Jones

    Jennifer Westwood

  • Tenors

    Simon Biazeck

    Andrew Busher

    Richard Monk

  • Basses

    Oscar Castellino

    Oliver Gibbs

    Gavin Horsley

    Peter Willcock

Production credits

  • Music preparation

    Christopher Willis

    Susanna Stranders

    Richard Hetherington

    Nick Fletcher

    Jo Ramadan

    Kate Golla

  • Assistant Directors

    Dan Dooner

    Isabelle Kettle

  • Assistant Choreographer

    Joanna O’Keeffe

  • Interlude Projections

    Justin Nardella

The Royal Opera

  • Patron

    HM The King

  • Music Director

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

Prologue

In a dream, the fisherman Peter Grimes relives the recent inquest held into the death of his young apprentice. The coroner has cast an open verdict, leaving the town speculating and gossiping. Ellen Orford, the school mistress, arrives and lulls Peter into a calmer sleep.

Interlude I

Act I

Scene One

When Grimes returns from fishing, only the retired sea captain, Balstrode, and Ned Keene, the local ‘chemist’, are willing to help bring in his boat. Keene tells Grimes that he has arranged for a new apprentice to come and work for him. When asked to collect the boy, Hobson – the carter – refuses, but consents when Ellen offers to accompany the boy on the journey. A powerful storm threatens, during which Balstrode suggests to Grimes that he should leave the town or marry Ellen and change his solitary ways. Grimes rejects his advice, declaring ‘I am native, rooted here,’ and that he will only marry Ellen when he has enough money to earn the respect of the Borough.

Interlude II

Scene Two

With the storm raging outside, the townsfolk are sheltering in the local pub. To the annoyance of Auntie – the landlady – Mrs Sedley, a widow addicted to laudanum, arrives to wait for Ned Keene, her supplier. Auntie’s ‘nieces’ are teasing the inebriated Methodist fisherman Bob Boles, when Ned Keene arrives with the news that part of the cliff has collapsed by Grimes’s hut. To the astonishment of the onlookers Grimes bursts in – as wild as the storm – distracted and disoriented. When a fight threatens to break out between him and Boles, Balstrode calls for a song to calm the atmosphere. The song is interrupted by the arrival of Hobson, Ellen and the new apprentice, soaked to the skin and exhausted from their journey. Instead of allowing him to rest, Grimes insists on taking the boy straight home and carries him out into the night.

Act II

Scene One

It is Sunday and Ellen has decided not to go to church, but to question the silent apprentice about his life. While trying to encourage the boy to speak, she notices that his clothing is torn and that he has a bruise on his neck. Grimes arrives and orders the boy to go fishing. Ellen intervenes, reminding him that the apprentice is entitled to a day of rest. He loses his temper, pushing Ellen to the ground and running off with the boy. When the locals emerge from church, Bob Boles, who has witnessed this incident, stirs the Borough into action against Grimes. Allowed to vent their anger, the townsmen resolve to set out for his hut to get to the truth – ‘with the branding iron and knife’. They leave Ellen, Auntie and the two Nieces alone on the beach, reflecting on their role and relationship to the men in the Borough.

Interlude IV

Grimes and the apprentice prepare for the fishing trip. Peter is very distracted, fearing that his dream of marrying Ellen is now crushed. When he hears the men from the Borough approaching, he panics and hurries the boy down the steep ladder to the beach. With the knock on the door he hears the boy scream, and fearing an accident, scrambles quickly after him. Reverend Adams, Mayor Swallow, Keene and Balstrode enter the hut and are surprised by its orderly state, but neither Grimes nor the boy are there.

Act III

Interlude V

Grimes finds the dead apprentice at the base of the cliff.

Scene One

The annual Borough dance is in full swing. Auntie’s ‘nieces’ are teasing the lawyer Swallow, who, like everyone else, is extremely drunk. Mrs Sedley, re-imagining herself as the local sleuth, tries to convince Ned Keene that Grimes has killed his apprentice. A few days have passed, with no sign of him or the boy. Balstrode arrives with Ellen, who has discovered the boy’s jumper on the tide line. Balstrode tells Ellen that he has seen Grimes’s boat, and together they commit to finding him before the mob do. When they have gone, Mrs Sedley, who has overheard their conversation, incites the Borough to action and the manhunt for Grimes begins.

Interlude VI

Scene Two

Grimes is alone, seized by visions and tortured by the death of the two boys. In the distance is the sound of the mob calling his name. Ellen and Balstrode find him, but in his distressed state, he does not fully recognise them. Balstrode tells him to sail his boat out into deep water and sink it. Dawn breaks and Swallow reports that a boat is sinking out at sea. The Borough turns its back and goes about its business – as it always has, and always will.

Guidance

Suitable for ages 12+

This production contains themes of child cruelty, the death of a child and depictions of suicide. There are flashing lights in Act I.

Language

Sung in English with surtitles, which are displayed on screens above the stage and around the auditorium.

Generous support from

Further information

Digital Cast Sheets

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Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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