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The Royal Opera
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears

Rigoletto

Cast sheet

Saturday 4 April 2026

|

12pm

The 546th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

Generous philanthropic support from Sandra and Anthony Gutman and Royal Ballet and Opera Friends

Generously supported by Rolex, Principal Partner, The Royal Opera

Approximate timings

The performance lasts approximately 2 hours 40 minutes, including one interval
Act I
60 minutes
Interval
25 minutes
Act II
35 minutes
Act III
40 minutes
Credits

Composer

Giuseppe Verdi

Libretto

after Victor Hugo's play 'Le roi s’amuse'

Francesco Maria Piave

Conductor

Mark Elder

Director

Oliver Mears

Set Designer

Simon Lima Holdsworth

Costume Designer

Ilona Karas

Lighting Designer

Fabiana Piccioli

Movement Director

Anna Morrissey

Cast

Rigoletto

George Petean

Gilda

Aida Garifullina

Duke of Mantua

Iván Ayón Rivas

replaces Liparit Avetisyan

Sparafucile

William Thomas

replaces Andrea Mastroni

Maddalena

Anne Marie Stanley

Count Monterone

Blaise Malaba

Count Ceprano

Thomas D Hopkinson

Giovanna

Jingwen Cai

Marullo

Sam Hird

Matteo Borsa

Emmanuel Fonoti-Fuimaono

Countess Ceprano

Amanda Baldwin

Page

Elizabeth Weisberg

Court Usher

Nigel Cliffe

Count Monterone’s Daughter

Sabina Arthur

Dancers

Cristina Chinchilla, Chloe Dowell, Aimee Dulake, Keiko Hewitt-Teale, Sarah Hirsch, Soledad de la Hoz, Belinda Roy

Actors

Jamie Francis, Suleiman Suleiman, Addis Williams

Jingwen Cai, Sam Hird and Emmanuel Fonoti-Fuimaono are Jette Parker Artists
Chorus and Orchestra

Orchestra

Orchestra of the Royal Opera House

Concert Master

Sergey Levitin

Chorus

Royal Opera Chorus

Chorus Master

Genevieve Ellis

Chorus Director

William Spaulding

Extra Chorus

Tenors

Simon Biazeck, Phillip Bell, Phillip Brown, Andrew Busher, Jon English, Andrew Friedhoff, Richard Monk

Basses

James Birchall, Oliver Gibbs, Gabriel Gottlieb, Gavin Horsley, Jonathan Wood

Production credits

Music preparation

Catriona Beveridge, Nick Fletcher, Ben-San Lau, Erika Gundesen

Associate Director

Sophie Gilpin

Assistant Director

Bence Kalo

Assistant to the Movement Director

Aimee Dulake

Fight Director

Kev McCurdy

Language Coaches

Matteo Dalle Fratte, Alessandra Fasolo

Patron

HM The King

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

The Duke of Mantua is hosting a party...

Act I, Scene 1

The Duke of Mantua is hosting a party. He has seen a young woman in church and tells his associate Borsa that he intends to seduce her. Count Ceprano is at the party with his wife Countess Ceprano. The Duke turns his attention to her in front of her jealous husband. Rigoletto mocks the Count. Another associate of the Duke, Marullo, announces that Rigoletto is keeping a mistress. The Duke and Rigoletto discuss how to deal with Ceprano. Should he be banished or beheaded? Ceprano, Marullo, Borsa and the other guests want to take revenge on Rigoletto. The nobleman Monterone arrives at the palace. He is angry because the Duke seduced and abandoned his daughter. Rigoletto taunts him mercilessly, and the Duke orders Monterone’s arrest. Monterone curses them both.

Scene 2

Rigoletto is on his way home, disturbed by Monterone’s curse. He meets Sparafucile, an assassin. Sparafucile has been watching the house and knows that Rigoletto keeps a woman there. Sparafucile surmises that Rigoletto must have a love rival, and so offers his services. Rigoletto sends him away. Full of self-hatred, Rigoletto ponders his similarities to Sparafucile. It is not Rigoletto’s mistress but his daughter, Gilda, who lives in the house. She greets him warmly but Rigoletto will answer none of her questions about her dead mother, or even tell her his own name. When she begs to go out into the city, he forbids her. He orders Giovanna, his servant, to watch over his daughter. They are overheard by the Duke, who is hiding in the shadows.

When Rigoletto leaves, Gilda feels guilty: she has not told her father about the man she saw in church (who is actually the Duke in disguise). The Duke pays Giovanna to leave him alone with Gilda. He declares his love for her and she reciprocates. He tells her he is only a poor student. Giovanna hears footsteps outside. She thinks it is Rigoletto coming home, and warns the Duke – he leaves and Gilda reflects on their meeting. The footsteps belong to Marullo, Borsa, Ceprano and the other courtiers. They have come to capture the girl they believe to be Rigoletto’s mistress.

Rigoletto appears. Marullo tells the others to be quiet. He tells Rigoletto they have come to kidnap Countess Ceprano from the palace across the street. They trick him into wearing a blindfold and holding a ladder. They break into Rigoletto’s house and capture Gilda. Realizing he has been tricked, Rigoletto discovers the empty house. In anguish, he remembers Monterone’s curse.

Interval
Act II

The Duke returned to see Gilda but the house was empty. Now back in his palace, he curses whoever has robbed him of his prize. His courtiers rush in to tell him about their exploits of the previous night. The Duke guesses that Rigoletto’s ‘mistress’ and daughter are the same person. He goes to find Gilda.

Rigoletto arrives, searching for Gilda and soon realises that the Duke is already with his daughter. Rigoletto reveals that Gilda is his daughter. He attacks the courtiers in his efforts to reach her. When they stop him, he pleads with them to have pity on him. Gilda appears and tells him everything that has happened between her and the man she now knows is the Duke. Monterone is sent to prison. He despairs that his curse on the Duke failed. Rigoletto swears he will have revenge on the Duke

Act III

A month has passed, and Rigoletto has planned his revenge: he has hired Sparafucile to murder the Duke. He waits with Gilda outside Sparafucile’s home. Sparafucile’s sister, Maddalena, has lured the Duke there for the night. The Duke enters, again disguised (this time as a soldier), and asks Sparafucile for wine and for Maddalena.

Rigoletto forces Gilda to witness the Duke seducing Maddalena. Gilda is heartbroken. Rigoletto tells her to go home and, dressed in boy’s clothes, to flee to Verona where he will join her the next day.Sparafucile, unaware of the Duke’s identity, asks the name of his victim. ‘He is Crime’, answers Rigoletto, ‘I am Punishment’. Sparafucile shows the Duke to an upper room to wait for Maddalena. The Duke drifts off to sleep. A storm gathers. Maddalena has fallen for the Duke, and tries to persuade her brother to let him live. He refuses.

Gilda listens outside. Maddalena proposes a plan to kill Rigoletto when he returns with the money, and so spare the Duke’s life. Sparafucile at last agrees to kill any traveller who comes to their door by midnight and present their body to Rigoletto instead. Torn between her father and the man she loves, Gilda chooses to die herself, and knocks on the door. Sparafucile stabs Gilda. At midnight, Rigoletto returns to claim his prize. Sparafucile drags out a heavy sack and urges him to throw it into the river. Rigoletto gloats over the body and begins to pull it towards the river when he hears the Duke singing in the distance. He opens the sack to discover the dying Gilda, who begs him to forgive her. She dies, and Rigoletto recalls the curse of Monterone for the final time.

Guidance
Suitable for ages 12+
This production contains violence, gore, murder and implied sexual assault. There are depictions of sexual activity. Rigoletto features strobe lighting in Act III.
Language
Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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