
Jakub Hrůša
Music Director
Oliver Mears
Director of Opera
Saturday 4 April 2026 12pm
The 546th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 2 hours 40 minutes, including one interval
60 minutes
25 minutes
35 minutes
40 minutes
Giuseppe Verdi
Francesco Maria Piave
after Victor Hugo's play 'Le roi s’amuse'
Mark Elder
Oliver Mears
Simon Lima Holdsworth
Ilona Karas
Fabiana Piccioli
Anna Morrissey
George Petean
Aida Garifullina
Iván Ayón Rivas
replaces Liparit Avetisyan
William Thomas
replaces Andrea Mastroni
Anne Marie Stanley
Blaise Malaba
Thomas D Hopkinson
Jingwen Cai
Sam Hird
Emmanuel Fonoti-Fuimaono
Amanda Baldwin
Elizabeth Weisberg
Nigel Cliffe
Sabina Arthur
Cristina Chinchilla
Chloe Dowell
Aimee Dulake
Keiko Hewitt-Teale
Sarah Hirsch
Soledad de la Hoz
Belinda Roy
Jamie Francis
Suleiman Suleiman
Addis Williams
Jingwen Cai, Sam Hird and Emmanuel Fonoti-Fuimaono are Jette Parker Artists
Orchestra of the Royal Opera House
Sergey Levitin
Royal Opera Chorus
Genevieve Ellis
William Spaulding
Simon Biazeck
Phillip Bell
Phillip Brown
Andrew Busher
Jon English
Andrew Friedhoff
Richard Monk
James Birchall
Oliver Gibbs
Gabriel Gottlieb
Gavin Horsley
Jonathan Wood
Catriona Beveridge
Nick Fletcher
Ben-San Lau
Erika Gundesen
Sophie Gilpin
Bence Kalo
Aimee Dulake
Kev McCurdy
Matteo Dalle Fratte
Alessandra Fasolo
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
The Duke of Mantua is hosting a party. He has seen a young woman in church and tells his associate Borsa that he intends to seduce her. Count Ceprano is at the party with his wife Countess Ceprano. The Duke turns his attention to her in front of her jealous husband. Rigoletto mocks the Count. Another associate of the Duke, Marullo, announces that Rigoletto is keeping a mistress. The Duke and Rigoletto discuss how to deal with Ceprano. Should he be banished or beheaded? Ceprano, Marullo, Borsa and the other guests want to take revenge on Rigoletto. The nobleman Monterone arrives at the palace. He is angry because the Duke seduced and abandoned his daughter. Rigoletto taunts him mercilessly, and the Duke orders Monterone’s arrest. Monterone curses them both.
Rigoletto is on his way home, disturbed by Monterone’s curse. He meets Sparafucile, an assassin. Sparafucile has been watching the house and knows that Rigoletto keeps a woman there. Sparafucile surmises that Rigoletto must have a love rival, and so offers his services. Rigoletto sends him away. Full of self-hatred, Rigoletto ponders his similarities to Sparafucile. It is not Rigoletto’s mistress but his daughter, Gilda, who lives in the house. She greets him warmly but Rigoletto will answer none of her questions about her dead mother, or even tell her his own name. When she begs to go out into the city, he forbids her. He orders Giovanna, his servant, to watch over his daughter. They are overheard by the Duke, who is hiding in the shadows.When Rigoletto leaves, Gilda feels guilty: she has not told her father about the man she saw in church (who is actually the Duke in disguise). The Duke pays Giovanna to leave him alone with Gilda. He declares his love for her and she reciprocates. He tells her he is only a poor student. Giovanna hears footsteps outside. She thinks it is Rigoletto coming home, and warns the Duke – he leaves and Gilda reflects on their meeting. The footsteps belong to Marullo, Borsa, Ceprano and the other courtiers. They have come to capture the girl they believe to be Rigoletto’s mistress.Rigoletto appears. Marullo tells the others to be quiet. He tells Rigoletto they have come to kidnap Countess Ceprano from the palace across the street. They trick him into wearing a blindfold and holding a ladder. They break into Rigoletto’s house and capture Gilda. Realizing he has been tricked, Rigoletto discovers the empty house. In anguish, he remembers Monterone’s curse.
The Duke returned to see Gilda but the house was empty. Now back in his palace, he curses whoever has robbed him of his prize. His courtiers rush in to tell him about their exploits of the previous night. The Duke guesses that Rigoletto’s ‘mistress’ and daughter are the same person. He goes to find Gilda.Rigoletto arrives, searching for Gilda and soon realises that the Duke is already with his daughter. Rigoletto reveals that Gilda is his daughter. He attacks the courtiers in his efforts to reach her. When they stop him, he pleads with them to have pity on him. Gilda appears and tells him everything that has happened between her and the man she now knows is the Duke. Monterone is sent to prison. He despairs that his curse on the Duke failed. Rigoletto swears he will have revenge on the Duke
A month has passed, and Rigoletto has planned his revenge: he has hired Sparafucile to murder the Duke. He waits with Gilda outside Sparafucile’s home. Sparafucile’s sister, Maddalena, has lured the Duke there for the night. The Duke enters, again disguised (this time as a soldier), and asks Sparafucile for wine and for Maddalena.Rigoletto forces Gilda to witness the Duke seducing Maddalena. Gilda is heartbroken. Rigoletto tells her to go home and, dressed in boy’s clothes, to flee to Verona where he will join her the next day.Sparafucile, unaware of the Duke’s identity, asks the name of his victim. ‘He is Crime’, answers Rigoletto, ‘I am Punishment’. Sparafucile shows the Duke to an upper room to wait for Maddalena. The Duke drifts off to sleep. A storm gathers. Maddalena has fallen for the Duke, and tries to persuade her brother to let him live. He refuses.Gilda listens outside. Maddalena proposes a plan to kill Rigoletto when he returns with the money, and so spare the Duke’s life. Sparafucile at last agrees to kill any traveller who comes to their door by midnight and present their body to Rigoletto instead. Torn between her father and the man she loves, Gilda chooses to die herself, and knocks on the door. Sparafucile stabs Gilda. At midnight, Rigoletto returns to claim his prize. Sparafucile drags out a heavy sack and urges him to throw it into the river. Rigoletto gloats over the body and begins to pull it towards the river when he hears the Duke singing in the distance. He opens the sack to discover the dying Gilda, who begs him to forgive her. She dies, and Rigoletto recalls the curse of Monterone for the final time.
Suitable for ages 12+
This production contains violence, gore, murder and implied sexual assault. There are depictions of sexual activity. Rigoletto features strobe lighting in Act III.
Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing TrustGenerous philanthropic support from Sandra and Anthony Gutman and Royal Ballet and Opera Friends
Generously supported by Rolex, Principal Partner, The Royal Opera
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
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