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The Royal Opera
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears

Tosca

MELODRAMMA IN THREE ACTS

Cast sheet

Thursday 11 September 2025

|

7pm

The 561st performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

Generous philanthropic support from Philipp Freise, Charles Holloway OBE, John McGinn and Cary Davis, Simon and Virginia Robertson, The Thompson Family Charitable Trust, Royal Ballet And Opera Patrons and The American Friends of Covent Garden

Generously supported by Rolex, Principal Partner, The Royal Opera

The words Rolex in green capital letters with a gold crown sitting above the words

Approximate timings

The performance lasts approximately 3 hours, including two intervals
Act I
45 minutes
Interval
25 minutes
Act II
45 minutes
Interval
25 minutes
Act III
35 minutes
Credits

Music

Giacomo Puccini

Libretto

after Victorien Sardou's play La Tosca

Giuseppe Giacosa

Conductor

Jakub Hrůša

Director

Oliver Mears

Set designer

Simon Lima Holdsworth

Costume designer

Ilona Karas

Lighting Designer

Fabiana Piccioli

Movement and Intimacy Director

Anna Morrissey

Cast

Floria Tosca

Anna Netrebko

Mario Cavaradossi

Freddie De Tommaso

Baron Scarpia

Gerald Finley

Spoletta

Carlo Bosi

Cesare Angelotti

Ossian Huskinson

Sacristan

Alessandro Corbelli

Sciarrone

Siphe Kwani

Gaoler

Olle Zetterström

Young Shepherd

Raphy Laming

Actors

David Galea, Suleiman Suleiman, James Unsworth, Charlie Venables, Addis Williams

Ossian Huskinson and Siphe Kwani are Jette Parker Artists
Chorus and Orchestra

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Orchestra

Orchestra of the Royal Opera House

Principal Guest Concert Master

by arrangement with Trittico

Vasko Vassilev

Children’s Chorus

Cardinal Vaughan School, Grey Coat Hospital School

Music Director

Cardinal Vaughan School

Scott Price

Music Director

Grey Coat Hospital School

Steve Hill

Extra Chorus

Sopranos

Stephanie Corley, Janet Fairlie, Celeste Gattai, Rebecca Goulden, Vanessa Woodfine

Mezzo-sopranos

Maria Brown, Siobhain Gibson, Clare McCaldin, Jennifer Westwood

Tenors

Richard Monk, Robert Amon, Simon Biazeck

Basses

Oscar Castellino, Oliver Gibbs, Gavin Horsley, Simon Preece

Production credits

Music preparation

Nick Fletcher, Richard Fu, Peggy Wu, Aleksandra Myslek, Nicholas Ansdell-Evans

Assistant Directors

Simon Iorio, Isabelle Kettle

Language Coach

Barbara Diana

Fight Director

Bret Yount

Sound Effects

Emma Laxton

Richard Fu and Peggy Wu are Jette Parker Artists

Patron

HM The King

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

Cesare Angelotti, a politician of the former Roman Republic, has escaped prison and seeks refuge in a church. The p...

Act I

Cesare Angelotti, a politician of the former Roman Republic, has escaped prison and seeks refuge in a church. The painter Mario Cavaradossi, a Republican sympathizer working in the church, promises to help him. Angelotti hides as Cavaradossi’s lover Floria Tosca arrives. The lovers’ meeting reveals Tosca’s passionate love and jealousy. When Tosca has gone, Cavaradossi instructs Angelotti to hide at Cavaradossi’s villa. Baron Scarpia, a police commander, arrives at the church, interrupting the congregation’s celebrations of a victory at the Battle of Marengo. He suspects Cavaradossi of hiding Angelotti. When Tosca returns, Scarpia uses a fan left by Angelotti to make her believe that Cavaradossi is having an affair. The congregation sings a prayer: the Te Deum. Tosca leaves for Cavaradossi’s villa, and Scarpia instructs his assistant Spoletta to follow her and track down Angelotti.

Interval

Act II

Scarpia has arrested Cavaradossi. He summons Tosca and forces her to listen as Cavaradossi is tortured in the next room. Tosca reveals Angelotti’s hiding place. Scarpia condemns Cavaradossi to death but tells Tosca that he will free her lover if she will offer herself to him. In agony, Tosca agrees and Scarpia tells her he will arrange a mock execution. As Scarpia embraces Tosca, she kills him.

Interval

Act III

As dawn approaches, Cavaradossi waits for his execution in the Castel Sant’Angelo. Tosca arrives and tells him what she has done. She instructs him on how to pretend to die in the mock execution. When Cavaradossi is shot, Tosca is impressed with her lover’s acting. But Scarpia has double-crossed her: Cavaradossi really is dead. As Spoletta’s men arrive to arrest her for Scarpia’s murder, she kills herself.

Guidance
Suitable for ages 14+. This production contains depiction of execution.
This production contains depictions of executions, violence, blood, gore, murder, sexual assault, implied torture and suicide. There are gunshots in Act III. Please note that, as this is a new production, age guidance and content warnings may be subject to change.
Language
Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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