Jakub Hrůša
Music Director Designate
Oliver Mears
Director of Opera
LYRIC DRAMA IN THREE ACTS AND FIVE SCENES
Tuesday 15 April 2025 7.30pm
The 302nd performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 2 hours and 50 minutes including two intervals.
35 minutes
25 minutes
45 minutes
20 minutes
40 minutes
Giacomo Puccini
(completed by Franco Alfano)
Giuseppe Adami
Renato Simoni
after Carlo Gozzi
Francesco Ivan Ciampa
Andrei Șerban
Jack Furness
Sally Jacobs
F. Mitchell Dana
Kate Flatt
Tatiana Novaes Coelho
Ewa Płonka
Gwyn Hughes Jones
Gemma Summerfield
Jerzy Butryn
Hansung Yoo
Aled Hall
Michael Gibson
Alasdair Elliott
Ossian Huskinson
Deborah Peake-Jones
Tamsin Coombs
Cameron Ball
Rain de Rye Barrett
Aimee Dulake
Sarah Ekuhoho-Sharman
Richard Gittins
Keiko Hewitt-Teale
Jessie Jing
Jamal Lowe
Suleiman Suleiman
James Unsworth
Addis Williams
Winnie Asawakanjanakit
Michael Barnes
Marie Chabert
Cristina Chinchilla
Natasha Chu
Sera Maehara
Tobias Richards
Belinda Roy
Trevor Schoonraad
Anna Smith
Jack Thomson
Sam Vaherlehto
Ossian Huskinson is a Jette Parker Artist
Royal Opera Chorus
William Spaulding
Orchestra of the Royal Opera House
Melissa Carstairs
Jennifer Coleman
Janet Fairlie
Celeste Gattai
Shafali Jalota
Kathryn Jenkin
Bernadette Lord
Alison Rayner
Elizabeth Roberts
Juliet Schiemann
Rosalind Waters
Vanessa Woodfine
Maria Brown
Tamsin Dalley
Siobhain Gibson
Maria Jones
Dervla Ramsay
Jennifer Westwood
Robert Amon
Simon Biazeck
Philip Brown
Andrew Busher
Andrew Friedhoff
James Geer
James Scarlett
Jochem Van Ast
Gerard Delrez
Oliver Gibbs
Lawrence Gillians
Gabriel Gottlieb
Mark Campbell Griffiths
Gavin Horsley
Mark Saberton
Cardinal Vaughan and Greycoat Schools
Richard Hetherington
Martin Fitzpatrick
Edward Reeve
Nicholas Ansdell-Evans
Erika Gundesen
David Sutton-Anderson
Kirsty Tapp
Katie Kim Hackman
Alessandra Fasolo
Wendie Hou
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
Princess Turandot of China has sworn an oath that no man will possess her. However, she offers her suitors a chance: if one of them can answer correctly the three riddles which she asks him, he can marry her. If not, he must die.Inside the walls of Peking, a crowd wait for the execution of the Prince of Persia, who has failed the test of the riddles. As the guards push back the excited people, a blind old man falls, and is helped up by his companion, a young girl. A young man comes to help them and recognizes the blind man as the exiled King Timur of Tartary. He reveals himself as Timur’s son Calaf, who was separated from his father after the loss of their kingdom. Timur’s companion is Liù, a former slave, who has cared for him since their exile. It becomes clear that Liù cares deeply for Calaf.The Prince of Persia is led in by the servants of the executioner. Turandot arrives to confirm the Prince’s death. Calaf is horrified, but, as soon as he sees the Princess, is captivated by her beauty. Despite the warnings of the ministers Ping, Pong and Pang, he vows to win Turandot himself. Liù implores him to leave with her and Timur. Calaf tries to console her but remains determined, and strikes the gong to signal his intention to woo the Princess.
Ping, Pong and Pang complain about the endless executions caused by Turandot’s obstinacy. Each longs to leave Peking for the peace of his country home.Wise men arrive holding the scrolls containing the answers to Turandot’s riddles. Calaf, calling himself the ‘Unknown Prince’, is brought before Turandot’s father, the Emperor Altoum. The Emperor begs the ‘Unknown Prince’ to leave, and explains how he must die if he fails to answer Turandot’s riddles correctly. Calaf remains obstinate.Turandot arrives for the test of the riddles. She explains the reason for her cruelty. Many centuries before, her ancestress Princess Lo-u-Ling was raped and killed by an invader. Turandot sees herself as the reincarnation of Lo-u-Ling and has therefore vowed that no one will possess her. The riddles are her one concession. She reminds Calaf that their outcome has so far always been death. Calaf insists on attempting to solve the riddles. Turandot asks him: what is the ghost which all the world invokes and is constantly renewed; what flickers like a flame when a man dreams of conquest; what is frost that burns, that makes a king of the one it accepts as a slave? Encouraged by the crowd, Calaf correctly answers: Hope! Blood! Turandot! Turandot is now his. But Calaf does not wish the Princess to give herself to him unwillingly, and therefore proposes another test. Turandot does not know his name – if she can discover it during the night, he is prepared to die at dawn. If not, he will possess her.
Calaf awaits dawn, while the voices of heralds announce that no one in Peking shall sleep until the name of the ‘Unknown Prince’ has been discovered. Calaf is confident that he will win Turandot. Ping, Pong and Pang attempt to get him to leave, offering him beautiful women, riches and glory if he renounces Turandot. Calaf remains firm, to the annoyance of the ministers and the rage of the crowd, who begin to threaten him.Timur and Liù have been discovered and are dragged in. They were seen with Calaf the day before and are suspected of knowing his name. Turandot is summoned, and orders Liù to be tortured until she reveals the identity of the ‘Unknown Prince’. Liù explains to Turandot that she can bear the torture due to her love of the stranger. Still refusing to reveal his name, she kills herself. Timur and the crowd lament her death and carry her body away.Calaf and Turandot are left alone, and Calaf accuses Turandot of inhumanity. To begin with, she is cold and unyielding, but finally she succumbs to Calaf’s embrace. Still not wishing Turandot to marry him unwillingly, Calaf tells her his name and places himself in her power. Turandot summons the Emperor and people, and proudly declares that she now knows the name of the foreigner. It is Love, she states. As Calaf and Turandot embrace, the crowd rejoices.
Parental guidance recommended
This production contains themes of death and violence. There is a stylised depiction of suicide.
Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust
Generous philanthropic support from Alan and Caroline Howard
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
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Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
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